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Terry Gibbs Dream Band: Dream Band, Vol. 7: The Lost Tapes, 1959
by Angelo Leonardi
«Non credo che ci sia mai stata una band migliore di questa, compresa la mia». Mel Lewis espresse queste parole per la mitica orchestra che il vibrafonista Terry Gibbs guidò in California tra il 1959 e il 1961 e fu chiamata “Dream Band" per l'entusiasmo che suscitò tra i fortunati che l'ascoltarono dal vivo.
Dream Band, Vol. 7: The Lost Tapes, 1959
By Terry Gibbs
Label: Whaling City Sound
Released: 2024
Track listing: Begin the Beguine; Back Bay Shuffle; It Might as Well Be Swing; My Reverie; After You'Ve Gone; I'M Getting Sentimental Over You; The Song Is You; Softly as in a Morning Sunrise; Moonglow; Don't Be That Way; Opus One; Prelude to a Kiss; Bright Eyes; Dancing in the Dark; Cottontail; Let's Dance; No Heat; Flying Home.
Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959
by Jack Bowers
In 1959, vibraphonist Terry Gibbs and his recently formed big band set up shop at the Seville, a Los Angeles nightclub owned by Harry Schiller. Many of those early sessions were taped, at Gibbs' request, by famed recording engineer Wally Heider before being left on a shelf and forgotten. After two weeks at the Seville, Gibbs ...
Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959
by Richard J Salvucci
Someone once asked Terry Gibbs how it was possible that if you took his side men, or some subset of them, and put them together in another band, they never quite sounded as good. Gibbs replied, modestly, that it was all in the arrangers. He got the best arrangers, like Bill Holman, Marty Paich and Med ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
Joe Maini
by Hrayr Attarian
Joe Maini Nicolas Rabel 17 Pages Ideo-Libris 2014 Saxophonist Joe Maini's life was short, fast and colorful and it ended tragically when he was still in his prime. A talented yet erratic musician Maini was a fervent admirer of saxophone master and innovator Charlie Parker, but only spent a very ...
Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
Skelton Skinner All Stars / Clare Fischer Big Band / Ron Carter's Great Big Band
by Jack Bowers
Skelton Skinner Allstars Big BandCookin' with the Lid OnDiving Duck Records2012 Back in the late 1950s, vibraphonist Terry Gibbs (with some help from his friends) put together an ensemble that became known as the Terry Gibbs Dream Band, took up residence in Hollywood and began blowing audiences ...
The Truth About Joe Maini
If you're a careful reader of West Coast jazz-album liner notes, you've likely come across Joe Maini's name. The alto saxophonist is rather obscure today, but back in the 1950s and early 1960s, he was one of Los Angeles' busiest and most distinctive studio musicians, sitting next to Charlie Parker in Gene Roland's Band That Never ...
