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Ruth Price: LA's Jazz Jewel Keeping the Jazz Bakery Alive
by Chuck Koton
The LA jazz scene has endured immeasurably painful blows over the years, from the post-World War II death of the once vibrant action on Central Ave (unequivocably among jazz history's most significant locales) to the more recent shuttering of memorable clubs like Shelly's Manne Hole, Donte's and, most recently, Charlie Os. Intrepid jazz entrepreneur Rocco Somazzi ...
Kevin Hays: Creative Flow
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]If you aren't familiar with pianist Kevin Hays, you should be. He's recorded and toured with many of the greatest jazz musicians of all time. And those who call him can't seem to get enough of him. His recent projects as a ...
Woody Shaw: The Complete Muse Sessions
by John Kelman
The past couple years have been banner ones for reviving the legacy of Woody Shaw, a trumpeter and composer who--emerging in the early '60s on albums by extant jazz stars like Eric Dolphy, Andrew Hill, McCoy Tyner and Horace Silver, and contributing to on-the-rise names including Larry Young and Chick Corea--has all-too-often been overlooked. Still, with ...
Griffith Hiltz Trio: This Is What You Get...
by Dan McClenaghan
Canada's Griffith Hiltz Trio opens its second album, This Is What You Get..., with “Strawman," which sounds like a cross between a theme song for a Secret Agent Man movie and crunchy guitar-style, 1960s-era surf rock, featuring saxophonist Johnny Griffith's crisp melody lines and drummer Sly Juhas' shuffling rhythm. Then guitarist Nathan Hiltz twangs toward an ...
Joe Henderson: Mode for Joe
by Greg Simmons
Recorded and released in 1966, Mode for Joe was Joe Henderson's last session as a leader for Blue Note Records until 1985's State of the Tenor.True to form for the period, the recording features a cast of legendary players in peak form. In this case Henderson shares front line duties with a fiery Lee ...
John Santos: Keeper of the Culture
by Steve Bryant
In a career spanning almost 40 years, percussionist John Santos has gained world-wide renown and acclaim as one of the great composers and bandleaders in the Afro-Cuban jazz idiom. The four-time Grammy nominee is one of the foremost proponents of Afro-Latin music in the world today, known for his innovative use of its traditional musical forms ...
Joe Manis: Killin'!
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Sometime last year, I got an email from a dude named Joe Manis, who said he was from Eugene and he wanted me to make a recording with him. He wanted me to play organ. I said to myself," Hmmm. Tenor player ...
Marvin Sewell: Stepping Up to the Plate
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' ...
Billy Childs: Pushing Past Preconceptions
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Billy Childs is simply one of the baddest musicians on the planet. He's a brilliant jazz pianist, having received much acclaim as a sideman with legends as well as from being a bandleader. His Windham Hill recordings--Take For Example, This....., His April ...
Festival Da Jazz: St Moritz 2013
by Bruce Lindsay
Festival Da JazzSt. Moritz, SwitzerlandJuly 18-22, 2013How To Run A Jazz Festival 101. Get a big hall, put on some big names: get a small room, put on some smaller names. Stars in the big spaces, up and comers in the little ones. There's a commercial and economic logic to it, maybe even ...
