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César Cardoso: Dice of Tenors
by Friedrich Kunzmann
Judging solely by the credits and scope of the Portuguese saxophonist César Cardoso's newest undertaking, one could expect a pretty conservative affair. The title of the album sums it up quite adequately. From Benny Golson to Sonny Rollins to Joe Henderson, Cardoso cuts through the oeuvre of some of the most distinguished masters of the tenor ...
The Lorca Hart Trio: Colors Of Jazz
by Edward Blanco
West Coast drummer Lorca Hart presents a collection of vibrant traditional jazz on the exciting Colors of Jazz, from the Lorca Hart Trio augmented by saxophonist Ralph Moore. Offering a mix of original compositions with four cover tunes, the canvas of nine sparkling pieces paints a portrait that's far more than pleasing to the ear, it's ...
Jazz Musician of the Day: Joe Henderson
All About Jazz is celebrating Joe Henderson's birthday today! The tenor saxophonist Joe Henderson was born on April 24, 1937 in a small city called Lima Ohio midway between Dayton and Toledo. He spent his childhood and adolescence in Lima in a family of 15 children where he was exposed to a variety of musical styles. ...
For Those Who Chant
by Peter J. Hoetjes
Luis Gasca was one of the hottest trumpet players in California during the 1970s, recording a handful of albums fueled by the drugs, the culture, and the excitement of that time and place. Though they all featured large ensembles, only one of them allowed some of the era's most legendary musicians to blur the lines separating ...
Roberto Magris: Suite!
by Dan McClenaghan
Italian pianist Roberto Magris began his jazz career in the late 1970s, releasing a handful of excellent albums on Soul Note Records. He picked up steam in his collaboration with Kansas City's JMood Records in 2008 on Kansas City Outbound. As a pianist and a bandleader, Magris seems to have soaked up numerous influences--mid-sixties Blue Note ...
Pharoah Sanders: Live In Paris (1975)
by Chris May
Pharoah Sanders' catalogue of newly-discovered album releases is expanding as fast as those of his fellow travellers Alice Coltrane and John Coltrane. Which is great, but... most of the albums were recorded live, sometimes with poor audio capture, and do not always find the musicians at their best. You have to pick and choose between them. ...
The Arrival of Joe Henderson (1963 - 1967)
by Russell Perry
Joe Henderson may have been the most significant tenor saxophonist to emerge in the 1960s. Gary Giddins wrote that he is ..."an irresistibly lucid player, whose adroitness in conjuring stark and swirling riffs contributed immeasurably to two of the most durable jazz hits of the '60s, Horace Silver's 'Song for My Father' and Lee Morgan's 'The ...
Alina Bzhezhinska Quartet At Regional Cultural Centre
by Ian Patterson
Alina Bzhezhinska Quartet Regional Cultural Centre Letterkenny, Ireland February 15, 2020 History owes Alice Coltrane much more than the moniker of “John Coltrane's wife." Alina Bzhezhinska makes the point early on to the Letterkenny audience, on this, the final night of her quartet's ten-date Irish tour. A fine, pianist, ...
It Takes Two to Jazz: Part I
by Ludovico Granvassu
This week we focus on the art of the duo. A challenging format as one does neither have the complete freedom of a solo nor the support of a larger band. Yet, in the hands of the right artists, it can produce magical music. Happy listening! Ben Allison “Mondo Jazz Theme ...
Lee Morgan: The Sidewinder
by Greg Simmons
Legend tells us that 1964's The Sidewinder was the album, and indeed the song, which saved Blue Note Records at a time when the label was struggling financially. Dashed off to fill some tape, at the end of the recording session, it peaked at number 25 on the Billboard charts—almost unheard of for a hard-bop record—stabilizing ...
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