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Joe Fiedler

Trombonist/composer Joe Fiedler is known to critics as "among the most impressive trombonists to emerge in the past couple of decades" (Harvey Pekar, Signal to Noise) and "an MVP in configurations that range from salsa bands to the jazz avant-garde" (Time Out New York). Based in New York since 1993, he has performed and recorded in a long and eclectic list of musical settings ranging from pop (Firewater, Wycleff Jean, Jennifer Lopez) to Afro-Caribbean (Celia Cruz, Ralph Irizarry, Eddie Palmieri) to jazz (Andrew Hill, Lee Konitz, Maria Schneider) to the avant-garde (Borah Bergman, Anthony Braxton, Cecil Taylor). In addition to work as a solo trombonist and leader of the groups the Joe Fiedler Trio and Big Sack, Fiedler is an active member of such ensembles as Fast and Bulbous, Chris Jonas' The Sun Spits Cherries, and the big bands of Satoko Fujii, Ed Palermo and Charles Tolliver among others

ARTICLE: INTERVIEW

Phillip Johnston: Back From Down Under

Read "Phillip Johnston: Back From Down Under" reviewed by Ken Dryden

IntroductionPhillip Johnston is best known to many jazz fans as co-founder of The Microscopic Septet, though the saxophonist and composer has led many groups of his own and co-led others, including Big Trouble, The Transparent Quartet, Fast 'N' Bulbous and The Spokes. In addition, Johnston has composed and performed numerous soundtracks for both silent and modern ...

Like, Strange

Label: Multiphonics Music
Released: 2017
Track listing: Go Get It; Maple Avenue Tango; A Ladybug in My Notebook; Like, Strange; E.T. (For Eje Thelin); Guiro Nuevo; Tuna Fish Cans; Quasi...; Yinz.

ARTICLE: ALBUM REVIEW

Joe Fiedler: Like, Strange

Read "Like, Strange" reviewed by Troy Collins

Change can occasionally be necessary for artistic growth. For over a decade, trombonist Joe Fiedler has led a stripped-down bass and drums trio, as documented on Plays The Music of Albert Mangelsdorff (Clean Feed, 2005), The Crab (Clean Feed, 2007), Sacred Chrome Orb (Yellow Sound, 2011), and I'm In (Multiphonics, 2015). Seeking a greater range of ...

ARTICLE: ALBUM REVIEW

Joe Fiedler: Like, Strange

Read "Like, Strange" reviewed by Geno Thackara

It's not always easy for musicians to know what to call their own stuff, especially the kind of players who prefer not to settle into one cozy niche. Joe Fiedler certainly makes it difficult, being a fan of things from classic swing to avant-garde--some of which use the trombone in easily familiar ways, some of which ...

Red Hook Jazz Festival 2016

Read "Red Hook Jazz Festival 2016" reviewed by Martin Longley

Red Hook Jazz Festival 2016 Urban Meadow Community Garden Red Hook, Brooklyn June 12 & 19, 2016 This ninth edition of the Red Hook Jazz Festival appeared to draw its biggest crowd yet. Not that it's a large- capacity event, but perhaps a setting close to the water's ...

NEWS: FESTIVAL

9th Annual Red Hook Jazz Festival To Be Held Across Two Sundays In Brooklyn's Urban Meadow, June 12 & 19 From 1-6pm

9th Annual Red Hook Jazz Festival To Be Held Across Two Sundays In Brooklyn's Urban Meadow, June 12 & 19 From 1-6pm

“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill…The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New York ...

ARTICLE: ALBUM REVIEW

Plunge: In For The Out

Read "In For The Out" reviewed by Dave Wayne

Trombonist Mark McGrain is one of those guys who follows his own muse. Though he's not particularly prolific, each of his albums as a leader feature some truly profound music-making. In for the Out is no exception. On his fourth album as a leader, McGrain has re-invented himself, playing with an expanded New Orleans-based group and ...

ARTICLE: EXTENDED ANALYSIS

Ryan Keberle & Catharsis: Azul Infinito

Read "Ryan Keberle & Catharsis: Azul Infinito" reviewed by Dan Bilawsky

While the blues is a distinctly American creation, formed, fueled, and furthered by the African diaspora, the United States holds no ownership on blue-streaked sounds. They exist beyond our borders, and Azul Infinito makes that case in artful fashion by simultaneously tapping into various South American musical forms and cultures, reshaping them, and highlighting the color ...

I'm In

Label: Multiphonics Music
Released: 2015
Track listing: Grip; Erstwhile; In Walked Cleo; Moving In Silence; The New Denizens; I'm In; Completely 'Peccable; The Box; Tensegrity.


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