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Mike LeDonne: The Groover
by Jack Bowers
So who knew that Mike LeDonne is actually a Jazz organist cleverly disguised as a pianist? Well, for starters, the folks who've been coming to see him perform regularly at Smoke, the New York City nightclub where he's been the house organist for more than a decade. As it turns out, LeDonne's not a garden-variety organist ...
One for All: Incorrigible
by Sean Coughlin
One for All Incorrigible Jazz Legacy Productions 2010 One for All's Incorrigible showcases some of the best original writing the group has had in its 14 releases. It no longer sounds like a bunch of “young lions" thrown together in a recording studio. Cohesive and interdependent, these musicians ...
Take Five With Antoinette Montague
by AAJ Staff
Meet Antoinette Montague:Antoinette Montague likes to say she simply sings “people music." Make no mistake about it, she is a jazz singer through and through, but one who pushes the genre's boundaries. On her new recording, Behind the Smile, Montague sings classic jazz standards (new and old), resurrects lovely-but-obscure melodies, blends in blues and ...
Two by One For All
by Ken Dryden
One For All Incorrigible Jazz Legacy 2010 One For All Return of the Lineup Sharp Nine 2009 One For All is a collective of hard bop/straight-ahead players who have busy ...
May 2010
by AAJ Staff
Adam Lane Brooklyn LyceumBrooklyn, NY April 14, 2010While bassist Adam Lane's Full Throttle Orchestra is named to conjure up great size and bombast, at present it's a compact sextet whose sonic inventory includes passages of nuance and overall calm. With a Bay Area lineup, Lane has released No(w) Music (Cadence, ...
Eric Alexander: Eric Alexander Quartet: Chim Chim Cheree
by Sean Coughlin
Chim Chim Cheree has been dubbed “a tribute to John Coltrane." Returning with usual sidemen Harold Mabern at the piano, Joe Farnsworth on drums, and bassist John Webber, this album represents a thorough examination of Coltrane's music made up of Coltrane originals and tunes Coltrane ostensibly owned throughout his career. While George Coleman, Dexter Gordon, and ...
Cedar Walton: Voices Deep Within
by Russ Musto
Since 2001, Cedar Walton's regular excursions into Rudy Van Gelder's legendary Englewood Cliffs studio for the HighNote label have consistently resulted in some of this century's finest mainstream jazz recordings. On Voices Deep Within he continues the tradition, once again demonstrating the vitality and endurance of (t)his music. Despite his ever growing popularity and critical acclaim ...
Steve Davis: Eloquence & Jam Session, Vol. 28
by George Kanzler
Steve DavisEloquenceJazz Legacy Productions2009 Various ArtistsJam Session Vol. 28SteepleChase2009 If today's jazz mainstream is anchored in bebop and hard bop, trombonist Steve Davis has superb credentials, from tenures with the ...
The State of the Trombone 2009: Steve Davis and Luis Bonilla
by C. Michael Bailey
Jazz offers ample opportunity to hear diametrically opposed ideas and approaches coming from similar ensembles (and sometimes the same ensemble, as with saxophonist John Coltrane). Consider, on one side, the middle-of-the-road, mainstream, standards jazz made early on by trumpeter Miles Davis and the free jazz of saxophonist Ornette Coleman. The trombone has had players in both ...
Mike DiRubbo: Repercussion
by David A. Orthmann
Over the past several years Mike DiRubbo has made engaging discs for the Criss Cross and Cellar Live labels. On Keep Steppin' (2001), Human Spirit (2003), and New York Accent (2006), the young alto and soprano saxophonist distinguished himself in bands comprised of some of the cream of New York City's straight-ahead players--Jim Rotondi, Joe Farnsworth, ...
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