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Daniel Smith: Smokin' Hot Bassoon Blues

by Jack Bowers
All those who can resist reviewing--or reading a review about--a jazz / blues quartet led by a bassoonist, please raise your hands. No one? Very well, then, let us proceed. The bassoonist in question is Daniel Smith, and while his name may be unassuming, it would be good to report that there is nothing ordinary about ...
Vittorio Gennari: Blues

by C. Michael Bailey
Italian alto saxophonist Vittorio Gennari manages to keep together his band from his 2010 Melodies for another run on Blues, a recording he nominally shares with vibraphonist Daniele Di Gregorio. The two survey the sacred twelve bars much in the same way as Jackie McLean on his 1961 Bluesnik (Blue Note) or Jimmy Smith on Six ...
Jazz Orchestra of Philadelphia: “Comin’ Home” Concert at the Kimmel Center

by Victor L. Schermer
Jazz Orchestra of Philadelphia Kimmel Center for the Performing Arts Verizon Hall Philadelphia, PA January 7, 2014 Fresh out of the starting gate, the highly touted Jazz Orchestra of Philadelphia (JOP), Terell Stafford, Artistic Director, held its first gala concert at a major venue, the Kimmel ...
Jazz Bridge Second Wednesdays Concert Series In Center City Presents "Bootsie" Barnes

The Jazz Bridge second Wednesdays, Neighborhood Concerts Series at the Lutheran Church of the Holy Communion Chestnut Street in Center City Philadelphia—presents saxophonist Bootsie Barnes on Wednesday, January 8. Showtime is 7:30 p.m., tickets are $10/$5 for students, and are only available at the door. For info: 215-517-8337. Robert “Bootsie” Barnes embodies the spirit and the ...
Being Grateful: Defining the Jazz Years Part One - 1973

by Jacob Hobson
Jazz, like the Grateful Dead, has never been particularly easy to define. It seems jazz, in its most simply defined meaning, is improvised music. The Grateful Dead have been called a thousand different things since its official formation in 1965, but has rarely been called a jazz band. There have always been and will always be ...
Jazz Musician of the Day: Jimmy Smith

All About Jazz is celebrating Jimmy Smith's birthday today! Born James Oscar Smith in Norristown, Pennsylvania, USA. Smith was influenced by both gospel and blues. He first achieved prominence in the 1950s where his recordings became popular on jukeboxes before there were commonly used terms to describe his unique musical flavor. In the sixties and seventies ...
Greg Lewis: Organ Monk: American Standard

by C. Michael Bailey
Dan Bilawsky was mightily impressed with Greg Lewis' two previous Organ Monk offerings, Two in the Black (Self Produced, 2012) and Organ Monk (Self Produced, 2010), where he notes the challenges to non-piano surveys of Thelonious Monk's canon. Greatly in absence is the element of Monk's percussive pianism. But Bilawsky notes that Lewis compensates for this ...
Craig Yaremko Organ Trio: CYO3

by Dan Bilawsky
When saxophonist Craig Yaremko was in college at the New School, one of his mentors--the esteemed Jane Ira Bloom--heard him playing with an organ group. Right then and there she said, Craig, your sound was made to play with an organ trio." Now, more than a decade later, Yaremko is proving her right. ...
Bob DeVos: Shadow Box

by David A. Orthmann
On the face of it, Shadow Box, Bob DeVos' fifth outing as a leader, is a sixty minute case study of the evolution of the organ combo, one of the music's most popular and enduring formats. DeVos tips his hat to legendary individuals (some of whom he played with in the early stages of his career) ...
Chris Biesterfeldt: Urban Mandolin

by Jack Bowers
A mandolin player opening his first album as leader with Dizzy Gillespie's mercurial Bebop"? Wow! That takes a lot of (fill in the blank). But Chris Biesterfeldt, best known as a guitarist, and for Broadway shows at that, not only sails through those tricky changes but handily nails everything else on this impressive trio album whose ...