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Javon Jackson: Pleasant Valley – 1999
by Marc Davis
If the iconic sound of Blue Note Records could be summed up in just one band, it would surely be Art Blakey and the Jazz Messengers. For 35 years--1955 to 1990--the Messengers were the heart and soul of hard bop, on Blue Note and other labels. But what happened when Blakey died in 1990? ...
Newport Jazz Festival 1959
by Marc Davis
The collector asks: When is it OK to say, I have enough, thanks. I don't need the live version, too." Consider the dilemma of Wolfgang's Vault, a musical treasure trove of old jazz and rock performances. If you've never been there, go now. The site is stunning. It is an enormous collection of long-lost ...
Eric Alexander: Second Impression
by Jack Bowers
Not only has tenor saxophonist Eric Alexander recorded more than thirty-five albums as a leader since arriving in New York City some twenty years ago, he has appeared on almost as many others as a sideman. He's such an earnest blue-collar worker that one almost expects him to carry his saxophone in a lunch pail instead ...
Mike LeDonne Groover Quartet: That Feelin'
by Jack Bowers
Mike LeDonne's splendid Groover Quartet has earned a cozy groove for itself, somewhere between fresh from the oven and the halcyon days of organ combos led by Jimmy Smith, Charles Earland, Jimmy McGriff, Groove Holmes, Shirley Scott, Don Patterson and others. While embracing their essential groundwork on the one hand, LeDonne moves steadily forward with the ...
2016 Hope College Jazz Organ Summit
by C. Andrew Hovan
Jazz Organ Summit Hope College Holland, Michigan September 9-10, 2016 Located in Western Michigan along the banks of Lakes Michigan and Macatawa, the small college town of Holland is not the type of place you might imagine for a gathering of musicians, students and jazz organ aficionados. Nonetheless, this quaint spot ...
Jeff Parker: Reinventing Tradition
by Jakob Baekgaard
Is there such a thing as a Chicago sound? Back in the year 2000, a compilation was released that tried to portray a new and exciting musical scene. The album was called Chicago 2018... It's Gonna Change and it highlighted a brilliant mixture of free jazz, electronica, post-rock, art pop and experimental folk music. Of the ...
Three Days At The Barber Shop, Part 3
by David A. Orthmann
Rehearsal | Part 1 | Part 2 | Part 3 When I walk into the live room, a little early, on Day 3, Gillespie has already swapped out the piano for a Hammond B-3 organ and Leslie speaker. Three boom mics are positioned in the area closest to the window to the control room. ...
Meet Don Shire
by Tessa Souter and Andrea Wolper
Don Shire's club-hopping habit started in Pittsburgh, but his introduction to the capital of jazz was a 1971 Freddie Hubbard gig at New York jazz institution, the Village Vanguard. And he's still going strong 45 years later. One concert particularly stands out. When it was over, the people just looked at each other. The feeling was, ...
Tony Monaco: Taking Jazz Organ to the Summit
by C. Andrew Hovan
Columbus, Ohio native Tony Monaco is primed and ready to place jazz organ in a whole new spotlight. Although he has been a playing musician for most of his life, it has been during the past sixteen years that he has made the biggest strides as an artist. A gifted educator with a unique approach to ...
Bounce Trio: Contrasts
by Dan McClenaghan
At the heart of things, the Bounce Trio's Contrasts is a set of good time organ jazz, coming out of the tradition of Jimmy Smith, Jack McDuff, Dr. Lonnie Smith, three organists who emerged in the 50s and 60s, riding a highly engaging urban soul jazz wave. But in a genre that seems more resistant to ...


