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Jimmy Rushing
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“Mr. Five by Five” Jimmy Rushing established a style of singing that epitomized swing: he created a wonderful tension between band and vocalist by singing ahead of or behind the beat and toyed with the rhythm. He was a blues singer and a jazz singer, and his ability to work within both styles had an incalculable influence on succeeding generations of popular music vocalists. Jimmy Rushing was born on August 26, 1902 in Oklahoma City, Oklahoma. His father, Andrew Rushing, and his mother, Cora Freeman, were both musicians,and they were a big influence on him. The first instrument he learned was the violin
August Birthdays, including the George Shearing Centennial
by Marc Cohn
August jazz birthdays this week on Gifts and Messages. We feature pianist George Shearing for his 100th birthday, along with Louis Armstrong, Charlie Parker (2020 is the Bird centennial. Are you ready?), Count Basie and Lester Young. Among the living we give thanks for Pat Metheny, Wayne Shorter, Cecile McLorin-Salvant and Branford Marsalis. And there are ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
Jazz at Lincoln Center Orchestra: Big Band Holidays
by Jack Bowers
The holiday season has its ups and downs on Big Band Holidays, recorded live over two Decembers (2013-14) by the Jazz at Lincoln Center Orchestra, which is without a doubt one of the finest big bands money can buy. Even though the most recent number on the album ("Have Yourself a Merry Little Christmas") was recorded ...
Debby Moore: My Kind Of Blues
by James Nadal
For the record hounds (you know who you are) out there that seek and scavenge the garage sales and flea markets for old albums, there is such a thing as redemption. After scoring My Kind Of Blues by singer Debby Moore at a flea market for one dollar, further research revealed a mysterious back story with ...
On Highway 61: Music, Race, and the Evolution of Cultural Freedom
by Dennis McNally
The following is an excerpt from the “Spirituals to Swing" chapter of On Highway 61: Music, Race, and the Evolution of Cultural Freedom by Dennis McNally (Counterpoint Press, Berkeley, 2014). Danny Barker, who in the 1930s was Cab Calloway's guitarist, told a particularly revealing story of working at the Nest Club, a Harlem ...
Take Five With Tracy Mothershed
by AAJ Staff
Meet Tracy Mothershed: I use to listen to my mother play the piano and try to follow her... I would listen to my Grandmother sing and Grandparents dance. My uncle Douglas and I would sing and sing... play records and I would pretend to have a microphone and be a famous jazz singer.
Eddie Durham: Genius in the Shadows
by Jim Gerard
On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...
BAM or JAZZ: Part Two!
by Greg Thomas
Jazz, an art form given birth in the United States by descendents of the formerly enslaved, has a complicated relationship with race. Although race, as a popular idea, has no basis in biology, many people mentally adhere to the idea of dividing groups of people based on “race" as opposed to understanding how groups of people ...
Sarah Marie Young: Expressive
by Alex Marianyi
Who needs a drummer, anyway? Not Sarah Marie Young. It's a certainty that the Chicago-based vocalist has nothing personal against drummers, but despite the absence of drums and percussion on Expressive, the rhythmic intensity, drive and energy they normally bring to the music are certainly not lacking. Expressive's tracks demonstrate considerable variety, from ...
