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News: Recording

Jim Rotondi: Finesse

Jim Rotondi: Finesse

One of the first pairings of a jazz soloist with a big band and strings dates back to December 1947, and the event was largely an accident. At the time, Clef Records owner and producer Norman Granz was on a recording tear, trying to wax as much jazz as possible in advance of a threatened January ...

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Article: Liner Notes

One For All: Blueslike

Read "One For All: Blueslike" reviewed by C. Andrew Hovan


As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although ...

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Article: Liner Notes

One For All: Live at Smoke Vol.1

Read "One For All: Live at Smoke Vol.1" reviewed by C. Andrew Hovan


Aside from the musical fireworks that make the enclosed sides noteworthy, there are additional factors that mark Live at Smoke as a major event. For one thing, this “on location" recording is one of the rare live dates to grace the Criss Cross catalog. Furthermore, it serves as a perfect summation up to this point of ...

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Article: Year in Review

C. Andrew Hovan's Best Albums of 2023

Read "C. Andrew Hovan's Best Albums of 2023" reviewed by C. Andrew Hovan


Even as it seems the media has yet again touted music this year that seems to stray from the tradition, there's still a wealth of artists issuing viable music that looks ahead while also respecting jazz's deep legacy. Furthermore, the vinyl renaissance continues to bring us troves of unearthed gems along with old favorites dressed in ...

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Article: Liner Notes

David Hazeltine: Inversions

Read "David Hazeltine: Inversions" reviewed by C. Andrew Hovan


It's often said that those with enviable skills make the most sophisticated actions look easy. Be it glass blowing or ice-skating, what appears to be within the grasp of the novice often involves an underlying complexity not readily apparent at first. The same could be said of higher forms of music such as classical and jazz. ...

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Article: Liner Notes

Steve Davis: Correlations

Read "Steve Davis: Correlations" reviewed by C. Andrew Hovan


Surely it must be considered a milestone to chalk up Correlations as Steve Davis' 20th session as a leader. Just contemplate how much the world has changed since the trombonist started turning heads as a member of Art Blakey's Jazz Messengers back at the start of the '90s. The record business in particular occupies a vastly ...

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Article: Liner Notes

Mike DiRubbo: Human Spirit

Read "Mike DiRubbo: Human Spirit" reviewed by C. Andrew Hovan


In an era that seems to more fully embrace the idea of the 'tough young tenor,' alto saxophonist Mike DiRubbo puts forth a singular voice that stands apart from the crowd. With exceptions such as Kenny Garrett, Steve Wilson, and Vincent Herring, DiRubbo is one of the few musicians of this generation to choose the alto ...

Album

Yes, It Is!

Label: Cellar Music Group
Released: 2020
Track listing: Green and Yellow; If I Should Lose You; You’re So Beautiful That; I Think She Likes Ketchup; Dear Little Daisy; First Snow in Graz; November 21; Mama Used to Say.

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Article: Album Review

Win Pongsakorn: Yes, It Is!

Read "Yes, It Is!" reviewed by Jack Bowers


Although it may take a while (if ever) for Pongsakorn “Win" Lertvanitsutha to become a household name outside his native land, the twenty-nine-year-old trumpeter from Thailand makes an impressive debut on Yes, It Is!, a buoyant studio session, recorded in Italy, that makes room for a brace of guest appearances by Pongsakorn's mentor, Jim Rotondi. Besides ...

Results for pages tagged "Jim Rotondi"...

Musician

Jim Rotondi

Born:

Trumpeter Jim Rotondi was a major figure in the world of jazz for over 30 years, both in New York and on the international scene. His sound, soul, and sense of swing were in demand as leader and sideman all over the world.

A Montana native raised in a musical family, Jim started with the piano at eight years old and switched to trumpet at age twelve. Two years later Jim heard a recording of Clifford Brown and he was on his way.  A product of the prestigious music program at the University of North Texas, Jim won first place in the International Trumpet Guild’s Jazz Trumpet Competition in 1984.


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