Results for "Jazz piano"

According to the Sound

Active since: 2019

Adam and Patrick met as composition students in their first week at Birmingham Conservatoire. Since then, they have worked consistently, writing, and recording music in a variety of musical styles ranging from Jazz (mainly) to electronica and rap. A key feature of their music is their close collaboration with musicians in Bristol and in the US, particularly in New York and their consistent use of Studios in Bristol, in London (Premises studio, Alchemy mastering) and New York (The Bunker studio) in order to focus their sound. They are currently working on their third album.

Adam

Eunmi Lee

Eunmi Lee is a New York-based Korean jazz pianist, composer, and educator who is fearless in experimenting with blending her cultural background with contemporary Jazz. At a young age, she discovered her love for music. She did her associate degree at the Seoul Institute of Arts in Korea.

After graduating, she worked as a professional musician in many different fields, including theater, bandstand, and media music in Korea. In 2016, she expanded her music horizon by studying and playing abroad during her Bachelor of Music degree in the Netherlands as a Jazz piano major with a Holland National Excellence scholarship.

Keith Brown

Born: August 13, 1983

Keith L. Brown is an accomplished composer, educator, and pianist, who has established himself as one of the most sought-after pianists in contemporary jazz. He was born in Memphis, TN, and raised in Knoxville, TN, where he began playing piano and bass at a young age. Keith grew up in a musically inclined family, where both his parents were musicians, and many of his aunts and uncles possessed exceptional musical talent. His father, Donald Brown, is a world-renowned jazz pianist/composer, having performed with many greats, and his mother, Dorothy, is also a pianist who plays various woodwind instruments.

Greg Snedeker

Eivind Stordal

Eivind Stordal started playing piano at 7 years old. As a young boy he grew up playing psalms and played piano for the church choir. Later he found his passion in jazz and pop. His greatest inspiration where Bill Evans, Herbie Hancock and the swedish pianist Jan Johanson. Eivind Stordal studied mathematics and became a self taught piano player. He is interested in exploring the interplay between the naive, melodious and consontant, and oppsoing dissonance.

Eivind Stordal plays piano in Ludum (a piano/drum duo) together with the drummer Mats Monstad. The duo plays avantguard music rooted in jazz traditions from both sides of the atlantic.

Peter Rushing

Born: September 27, 2001

Peter Rushing is a jazz pianist currently attending the Mason Gross School of the Arts at Rutgers University in New Brunswick, New Jersey, where he is studying with Orrin Evans. At the age of 11, Peter got his start studying jazz music at the Philadelphia Clef Club of Jazz and Performing Arts, where he developed a love for the music of Herbie Hancock and Bill Evans. During high school, he played with the Kimmel Center for the Performing Arts Jazz ensemble program under the direction of Josh Lawrence, Anthony Tidd, María Grand, and Sumi Tonooka, and studied with Tom Lawton of Temple University and the University of the Arts

Sarah LeMieux

Sarah LeMieux is a composer, performer, and educator. As a performer, her primary genres are Jazz and Acoustic/Americana, but as a composer she works across genres, from Electroacoustic and Experimental, to Chamber, Bluegrass, Folk and String music. 

Sarah and her ensembles have played at the National Women in Blues Festival, International Festival of Arts and Ideas, Hartford's Infinity Hall, and the historic Oakdale Theater. The Sarah LeMieux Quintet won "Best Jazz" at the 2014, 2015 and 2016 Connecticut Music Awards, with "Moments Musicaux" winning Album of the Year for 2015. Sarah also composes for and performs with the award-winning six piece Americana band The Girls from Ruby Falls, and Madame Thalia's Vaudeville review, as well as creating Electroacoustic music and audiovisual installations. Her original score for “Monday and the Winter Moon” won Best Composer at CIFT Festival of Toronto, was an Official Selection at the Southeast International Film and Music Festival 2020, and was Semi-Finalist, Best Composer, Montreal Independent Film Festival (November 2020).

Riyoko Takagi

Born: September 20, 1984

This page is maintained by Logio Tek on All About Jazz, who is also Logiotek on Wikipedia, and is the primary researcher, writer, and maintainer of Riyoko Takagi page in English on Wikipedia, which contains all the relevant reference sources for the duplicate text below.

Riyoko Takagi (高木 里代子, Takagi Riyoko) is a Japanese Jazz pianist and composer who isn't bound by a single genre or style and has crossed classical, pop, house, and anime genre boundaries and styles in her compositions, arrangements, and performances. She's renowned for her musicality, deep harmonic understanding, live performances full of energy with fluent improvisations that often involve audience, and delicate touch on the keys. Together with her talent and charming character she continues to proliferate Jazz and attract many fans from all over the world.

Biography

Mark Kramer

Born: November 3, 1945

Mark Kramer is a Philadelphia jazz musician born on November 3rd, 1945. Although not widely recognized, he is highly regarded among fellow musicians for his talent and skill on the piano. Critics have compared his style to that of other famous jazz pianists like Bill Evans, Keith Jarrett, and Herbie Hancock, but his unique harmonic vocabulary and pianistic style (as reviewed) set him apart. As of 2025, Mark Kramer's projects tend to intertwine elements of structured and free jazz, combining sparseness and complexity to create emotionally-driven strories /"tunes".    He has just released the first of 3 full length albums  ("BEYOND"),  all by year end.       

From Chart to Reality: The Editorial Role of the Pianist in a Big Band

by Kurt Ellenberger
March 28, 2023

Note: This article was first published in the Jazz Education Journal in 2005, and was revised for All About Jazz. Preamble This article was written to address an issue that needed clarification, and indeed still needs clarification almost 20 years later, regarding the vagaries inherent in many of the published big band piano charts ...