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Leron Thomas: Zen-Mode Humor
by DanMichael Reyes
The chances of four people conducting a Google search on Leron Thomas that result in all four of them to make the same conclusion about the trumpeter is low. While certain facts--like his time at High School for the Performing and Visual Arts (PVA) in Houston and The New School in New York--will remain true, arguments ...
Trio 3 + Jason Moran: Refraction - Breakin' Glass
by Glenn Astarita
The trio--launched in 1986--comprises three legendary maestros of progressive jazz and improvisation. Customarily, the band augments its line of attack with a guest pianist. Here, Jason Moran upholds the tradition and plays an integral role, augmenting the core unit's reach into pieces fabricated with kaleidoscopic formations and variegated hues, spanning a myriad of seamlessly integrated jazz-related ...
Chicago Jazz Festival 2013
by Mark Corroto
Chicago Jazz FestivalChicago, ILAugust 29-September 1, 2013Chicago is...You get the feeling it is a jazz city when, waiting in line at the airport, you overhear a conversation about Anthony Braxton's first meeting with Derek Bailey. Then, your suspicions are confirmed in the taxi, on the drive to the 2013 Chicago Jazz ...
Ralph Alessi: Baida
by John Kelman
With 2013 heading into fall, it's a good time to take stock of a label that has all too often been (falsely) accused of minimizing the country where jazz began. Excluding reissues, this year's ECM regular series releases represent about thirty percent American leadership; given jazz's increasingly global nature, hardly a bad number--and better still, when ...
Dave Holland: Prism
by John Kelman
Two instruments that bassist Dave Holland has rarely incorporated into his projects have been piano and guitar, his only guitar-centric album coming sixteen years after his first release as a leader, Conference of the Birds (ECM, 1973), when he recruited Kevin Eubanks for a particularly powerful set on Extensions (ECM, 1989). It took Holland even longer--nearly ...
Jan Bang: Narrative From The Subtropics
by Henning Bolte
For Norwegian electronic musician Jan Bang, the studio is no longer a perfectly isolated space to assemble and produce fictitious beautiful sounds--a boundary he has long since transcended. He not only brought studio equipment and techniques to the performing stage but he also started using them as tools in live improvisation. Together with fellow musician and ...
Trio 3 + Jason Moran: Refraction - Breakin' Glass
by John Sharpe
If ever there was a threesome that hankered after being a quartet, it's Trio 3. Though working as a self-contained unit since 1986, pianists have often supplemented the core triumvirate, and in fact one has augmented each of the group's previous three recordings. Now Jason Moran fills the piano stool on Refraction--Breakin' Glass, adding to an ...
John Santos: Keeper of the Culture
by Steve Bryant
In a career spanning almost 40 years, percussionist John Santos has gained world-wide renown and acclaim as one of the great composers and bandleaders in the Afro-Cuban jazz idiom. The four-time Grammy nominee is one of the foremost proponents of Afro-Latin music in the world today, known for his innovative use of its traditional musical forms ...
Billy Childs: Pushing Past Preconceptions
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Billy Childs is simply one of the baddest musicians on the planet. He's a brilliant jazz pianist, having received much acclaim as a sideman with legends as well as from being a bandleader. His Windham Hill recordings--Take For Example, This....., His April ...
Molde International Jazz Festival 2013
by John Kelman
Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...
