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Umbria Jazz Winter 25
by Libero Farnè
Umbria Jazz Winter 25 Varie Sedi Orvieto 28.12.2017--01.01.2018 Raggiunto il traguardo dei venticinque anni, come sempre Umbria Jazz Winter con la sua programmazione in ogni ora del giorno ha invaso le strade e i vari ambienti pubblici e privati della città tufacea, registrando una notevole affluenza di pubblico, che nella ...
Dialectical Imagination: The Angel and the Brute Sing Songs of Wrath
by Karl Ackermann
On their debut album The Angel and the Brute Sing Songs of Rapture (Atma Nadi Records, 2017) pianist/composer Eli Wallace and drummer Rob Pumpelly--the duo Dialectical Imagination--described their music as an amalgam of free improvisation and chamber music. Their vision for The Angel and the Brute Sing Songs of Wrath is decidedly more abstract though that ...
2017: The Year in Jazz
by Ken Franckling
A year of achievements, challenges to gender inequality, scandal and losses The year 2017 was quite something for the jazz world. Incidents or discussions of misogyny and sexual misconduct bubbled up even before the #MeToo phenomenon developed. Beyond that, woman musicians made significant contributions to the genre. International Jazz Day brought its biggest stage ...
Tom Guarna: The Wishing Stones
by John Kelman
An unfortunate reality for too many musicians--even those who are well-known--is that most of their audiences are aware of but a portion of their true work...their fullest capabilities. Recordings only tell part of the story, since artists often tour with groups that are never documented. And even those tours, for those fortunate enough to experience them, ...
Fabian Almazan: Alcanza
by Angelo Leonardi
Giunto al quarto disco da leader, Fabian Almazan s'impone con un'opera ambiziosa e appassionante, che ha ricevuto superlativi giudizi dai massimi jazz magazine statunitensi. Alcanza è una suite in nove movimenti con tre brevi interludi incisa dallo stesso organico del precedente album Rhizome (Artist Share, 2014): ovvero il piano trio con la bassista Linda Oh} e ...
Ron Miles: I Am A Man
by Dan Bilawsky
When two workers were killed by a malfunctioning garbage truck in Memphis in 1968, the flames of activism were rightly stoked. Sanitation workers fed up with poor working conditions and abuse of power poured into the streets wielding “I Am A Man" signs, making a principled stand that spoke not only to the situation at hand, ...
New England Conservatory’s Jazz Studies And Contemporary Improvisation Departments Present Performances And Events For 150th Season
New England Conservatory’s (NEC) internationally renowned Jazz Studies and Contemporary Improvisation (CI) Departments announce nearly 100 concerts for the celebratory 150th anniversary season. The 2017-2018 season continues to build on NEC’s rich legacy featuring 150 years of innovation showcasing the work of the first fully accredited jazz studies program at a music conservatory as well as ...
Piotr Turkiewicz: Putting Wroclaw On The Jazz Map
by Ian Patterson
At just thirty seven years of age it's hard to believe that Piotr Turkiewicz has been pulling the strings of Jazztopad for almost a decade already. The festival, staged each November in the Polish city of Wroclaw, was already a few years old when Turkiewicz became Artistic Director in 2008, but under the canny stewardship of ...
The Slovenian Experience: Jazz Festival Ljubljana 2017
by Henning Bolte
Ljubljana--capital of the Republic of Slovenia, member of EU, neighbored by Austria, Hungary, Croatia and Italy--hosts the oldest jazz festival in Europe, which held its 58th edition this year (June, 28--July, 2). The event is organized by Cankarjev House/Cankarjev Dom, a prestigious, state-run cultural center in midtown Ljubljana, residing in one half of an impressive twin ...
Chris McCarthy: Sonder
by Troy Dostert
You won't find too many jazz musicians eager to cover post-punk stalwarts Deerhoof on their debut record, as keyboardist Chris McCarthy does on Sonder. But maybe McCarthy's not too interested in being regarded as just a “jazz musician." If anything, the cross-genre creativity on display here suggests that McCarthy is trying to make music beyond category--and ...
