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Keefe Jackson, Jason Adasiewicz: Rows and Rows
by Giuseppe Segala
Nella ricca cartografia musicale che alimenta la scena odierna di Chicago, quella successiva alla topica esperienza della AACM e ben descritta da James Falzone nelle note a questo CD, Keefe Jackson e Jason Adasiewicz rappresentano due personalità di rilievo, riscontrabili in molte realizzazioni e collaborazioni. Il sassofonista e clarinettista si è trasferito nella città ...
Jason Roebke Octet: Cinema Spiral
by Mark Corroto
If entropy is a scientific theory that describes how all things in nature tend towards a gradual decline and disorder, then Jason Roebke's Octet is the anti-entropy. His second octet release Cinema Spiral and the previous High/Red/Center (Delmark, 2014) make order out of the impression of chaos. Such is the enticement of jazz.
The Eternals: Espiritu Zombi
by Mark Corroto
Adventurist listeners want more from their music. That's why they venture into jazz, world, and improvised music. If you were a fan of the Talking Heads in the 1970s and 80s, the band's expanded lineup of backing singers and percussionists, plus keyboardist Bernie Worrell and guitarist Adrian Belew propelled the band out of its new wave ...
Jason Roebke Octet: Cinema Spiral
by John Sharpe
Bassists leading mid-size bands inevitably bring to mind the trail-blazing precedent established by Charles Mingus. Others like Dave Holland, Barry Guy and Adam Lane followed. To that roster can be added bassist Jason Roebke, one of the stalwarts of the productive Chicago scene. Cinema Spiral constitutes the sophomore effort by his Octet, following on from High/Red/Center ...
Something old, something new, something reissued, something Brötzmann blew.
by Mark Corroto
Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...
Daniel Fortin: Brinks
by Dave Wayne
Toronto-based bassist Daniel Fortin is best known for his work in MYRIAD3, a dynamic, forward-looking piano trio whose work superficially resembles that of The Bad Plus and the Esbjörn Svensson Trio in that they're young guys in a piano trio who don't play jazz the way most piano trios play jazz. Fortin's solo debut, Brinks is ...
Playing It Forward: A Pair From Vibraphonist Anthony Smith
by Dan Bilawsky
There are two ways to look at the vibraphone: as an instrument with constructional properties that limit those who stand before it or as a portal to possibility that challenges players to rise above those limitations. Anybody with a pragmatic bone in their body understands and accepts the former as a truth of sorts, as yarn ...
Rob Mazurek and Black Cube Sp al Torrione di Ferrara
by Luca Canini
Bologna Jazz Festival Torrione Jazz Club Ferrara 20.11.2015 Fissiamo una data: gennaio 2007. Non che Rob Mazurek fino ad allora si fosse risparmiato in quanto a dischi e collaborazioni (soprattutto sul fronte Chicago Underground), ma è innegabile che il debutto su Thrill Jockey dell'Exploding Star Orchestra, We Are ...
Josh Berman Trio: A Dance And A Hop
by Mark Corroto
There is a permanent exhibit at the Art Institute of Chicago of 68 miniature rooms. These dollhouses for adults recreate American, French, and English rooms from last century and three centuries ago at a scale of 1 inch to a foot. Visitors lean in to marvel at the amazing detail. Drapery, carpets, and tea cups are ...
Shelton / Lonberg-Holm / Rosaly: Resounder
by Mark Corroto
There is no connection whatsoever between the improvised electro-acoustic music of Resounder and Carl Stalling's musical accompaniment and his adaptations of music composed by Raymond Scott for Warner Brothers' Merrie Melodies and Looney Tunes cartoon. Except that, the music of Aram Shelton, Fred Lonberg-Holm, and Frank Rosaly evokes a sort of theatre of the mind. The ...
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