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Rune Grammofon: Mutation and Reevaluation
by David McLean
Since its inception in 1998, Rune Grammofon has been at the forefront of ground breaking new music, heralding a new unprecedented interest in Scandinavian music. Whereas ECM's focus on the region has largely been based around the folk/traditional music explorations of its most prolific artists, including Jan Garbarek, Arild Andersen, Terje Rypdal and Jon Christensen, and ...
Kallerdahl / Seglem / Ulvo / Hole / Sjovaag: Skoddeheimen
by John Kelman
With NORSKjazz.no (Ozella Music, 2009), veteran saxophonist, producer, label head and goat horn virtuoso Karl Seglem brought a distinctive Norwegian flavor to the conventional sax/piano/bass/drums format. By recruiting younger players, Seglem ensured the continuance of his country's jazz tradition--one as imbued by folkloric elements and dark classicism as it is the American vernacular--through the increasingly endangered ...
Alain Bradette: State of Mind
by Nicholas F. Mondello
Contemporary: here today; now. However, in today's speed-of-light-is-too-slow world, that word is reminiscent of quantum physicists who, when viewing particles at subatomic levels, see activity that has already taken place. Ephemeral. Passé. Bland in essence, it has immediate and short-lived appeal. Such is the state sometimes with music categorized as “contemporary." While one ...
John Watson's "The Power of Jazz" Photography Book Now Available
Jazz legends and rising stars are featured in a new book The Power Of Jazz, by UK-based professional photographer and writer John Watson. The book has more than 140 color and black and white photographs of artists including Chet Baker, Gil Evans, Sonny Rollins, Hank Jones, Esbjorn Svensson, Herbie Hancock, Dave Holland, Dame Cleo Laine, Jane ...
Jazz Musician of the Day: Jan Garbarek
All About Jazz is celebrating Jan Garbarek's birthday today! JAZZ MUSICIAN OF THE DAY Jan GarbarekThe Norwegian saxophon player, Jan Garbarek had an early breakthrough into the elite of modern jazz in the 60\'s, due to his extensive cooperation with Keith Jarrett. His name is listed next to the ...
Froy Aagre: Cycle of Silence
by John Kelman
For her first album on the internationally distributed ACT label, saxophonist Frøy Aagre continues along the path begun with her earlier releases on the Norwegian AIM label--Katalyze (2004) and Countryside (2006)--mining her own combination of melancholic Nordicism, Baroque classicism and American jazz tradition. As on Countryside, she expands her core piano/bass/drums quartet on six tracks, enhancing ...
Tord Gustavsen Ensemble: Restored, Returned
by John Kelman
With three albums mining a seemingly narrow area--and proving just how broad that territory really--Norwegian pianist Tord Gustavsen changes gears with Restored, Returned. Abandoning the longstanding trio that, with Changing Places (ECM, 2003), The Ground (ECM, 2005), and Being There (ECM, 2007), brought him greater international acclaim, Restored's quintet remains relatively introspective in tone. Still, with ...
John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
Take Five With Daniel Volovets
by AAJ Staff
Meet Daniel Volovets: Daniel Volovets, 17, has been studying classical, brazilian, and flamenco guitar for almost 10 years. His love affair with music began at the age of 7, when he began studying with classical guitarist Anatoly Shapiro. He has also studied with Tony Hauser, concentrating heavily on Brazilian and flamenco music, and with James Flegel ...
Eberhard Weber: Colours
by John Kelman
As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...
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