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Mathias Eick: The Lyrical Dimension

by Adriana Carcu
Norwegian trumpeter/composer Mathias Eick comes from a musical space that, during the last 30 years, has rightfully earned itself the attributes of a genre. The singularity of his tone, marked by the lyrical quality of his phrasing and underlined by a melancholic solemnity, adds a particular note a the Nordic jazz tradition he shares with Jan ...
Marilyn Mazur: Celestial Circle

by John Kelman
Celestial Circle might appear to be a conventional, piano trio-based vocal record on the surface, but it's an impression quickly dismissed with a closer look at its participants. Marilyn Mazur knows her way around a drum kit in no uncertain terms, but it's her more integrated approach, with an oft-times massive array of percussion--gongs, wood blocks, ...
Manfred Eicher: Through the Lens

by John Kelman
It begins in silence, always silence. Since the 1990s, all ECM recordings begin with five seconds of silence, and so, too, do directors Norbert Wiedmer and Peter Guyer open their feature film on the heralded German record label and its enigmatic founder, Sounds and Silence: Travels with Manfred Eicher. As longtime ECM recording artist Keith Jarrett's ...
MoonJune Records: A Decade of Progressive Rock Documentation

by Mark Redlefsen
On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, Moon In June," ...
Guelph Jazz Festival: Guelph, Canada, September 7-11, 2011

by Sara Villa
Guelph Jazz Festival, Colloquium & Nuit Blanche Guelph, Canada September 7-11, 2011 As Prez used to say, if you are a good improviser you are able to tell a soulful story. What happens, then, when some of the most experimental improvisers from Canada, Australia, Norway, and England (among the others) are involved in ...
Charles Lloyd / Maria Farantouri: Athens Concert

by Ian Patterson
What might on the surface appear as a meeting of disparate minds--jazz with Byzantine airs--ignores the fact that multi-reed/woodwind player Charles Lloyd has been embracing the music of the world for half a century with singular conviction and grace. Greek classical singer Maria Farantouri is herself a musical adventurer and risk taker; over the course of ...
Sounds and Silence: Travels with Manfred Eicher

by Nenad Georgievski
Norbert Wiedmer and Peter Guyer Sounds and Silence: Travels with Manfred Eicher ECM Records2011 Some people have invented products and concepts that have revolutionized the world. Some have devoted their lives to helping others, while some have conquered mountains and have built business empires. Others have given us ...
Wolfert Brederode Quartet: Post Scriptum

by Dan McClenaghan
ECM Records has a way of offering up music from various artists that seems as if it has existed forever--in nature, in the air--and that they, the label and the artists involved--be it pianists Tord Gustavsen or Bobo Stenson, or saxophonist Jan Garbarek--are simply conduits for grabbing those sounds and bringing them to the listening/CD-buying public. ...
Oslo International Jazz Festival 2011

by John Kelman
Oslo International Jazz FestivalOslo, NorwayAugust 15-20, 2011 There's always an eager sense of anticipation when returning to Norway, whether it's the barren but beautiful north of Svalbard, the stunning, mountain-surrounded Molde, the picturesque Kongsberg, the fjord-gateway of Bergen or the rugged beauty surrounding Kristiansand. But going back to Norway for the ...
Jan Garbarek - In Praise of Dreams (2004)

By Mark Saleski Immediately recognizable saxophone voices: Ornette Coleman, John Coltrane. To this list we must add Jan Garbarek. Every musician brings something unique to the aural world. A way of phrasing. Romanticism of melody. Cryptic storytelling with chords. Energy. Shocking bursts of seeming anti-logic. Tone. Tone. In the jazz/instrumental music realm, tone is it. The ...