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Anouar Brahem: Blue Maqams
by John Kelman
Following an unusually long, five-year gap between 2009's low register-driven The Astounding Eyes of Rita and 2014's particularly ambitious orchestral collaboration, Souvenance, Tunisian oudist Anouar Brahem returns with Blue Maqams, another game-changing release on ECM Records. Change--or, in some cases, natural evolution--has never been hard to find on Brahem's previous nine albums for the label, the ...
Marius Neset: Circle of Chimes
by Ian Patterson
It's not just the breath-taking scope and depth of saxophonist/composer Marius Neset's ACT Music releases, Lion (2014), Snowmelt (2016) and now Circle of Chimes (2017) that's remarkable, but the fact that such powerful waves of music have come from the thirty-two-year old Norwegian in the span of just three years.Stylistically diverse as they are, ...
Julian Costello: Transitions
by Bruce Lindsay
Saxophonist Julian Costello has been around the UK jazz scene for a while, but for some years he decided to give up the world of the gigging musician and take up a teaching career. In recent years he's been gigging again and he now leads his quartet on Transitions, a collection of his original compositions recorded ...
Terje Rypdal: Bleak House
by Karl Ackermann
Psychedelic rock was hardly a recognized genre in 1967 Norway, but it was where a self-taught guitarist, barely out of his teens, made a brief stop on his way to becoming a global force in music. Terje Rypdal recorded a single album with a group called The Dream that year. The group subsequently signed with Polydor ...
Eric Ineke: Surveying the European Jazz Scene
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the fourth of the All About Jazz series on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, and entrepreneurs who give ...
Udin&Jazz 2017
by Neri Pollastri
Udine Udin&Jazz 2017 Varie sedi 4-8.7.2017 Era dedicata alle contaminazioni con la musica etnica l'edizione 2017 di Udin&Jazz, la ventisettesima della rassegna friulana sottotitolata “EthnoShock!." Come al solito ampio spazio era riservato alle eccellenti proposte più recenti dei musicisti del nord est italiano. Proprio un paio di queste hanno fatto ...
ears&eyes Records: From Chicago to the World
by Jakob Baekgaard
Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...
ELBJAZZ 2017
by Ian Patterson
ELBJAZZ 2017 Blohm and Voss/various venues Hamburg, Germany June 2-3, 2017 Although Gregory Porter was the marquee name at the sixth edition of Elbjazz, with a strong supporting cast including Joshua Redman, Jan Garbarek, Hildegard Lernt Fliegen and Youn Sun Nah, the real star of the show was the spectacular festival ...
Ralph Towner: The Accidental Guitarist
by Mario Calvitti
Ralph Towner is a rather atypical figure in the vast world of jazz guitar. His instruments of choice are the classical guitar, which when he started, in the '60s, was played almost exclusively by guitarists related to Brazilian music like Charlie Byrd, Laurindo Almeida and Bola Sete, and the 12-string guitar, very common in the folk ...
Jan Garbarek: Popofoni
by Duncan Heining
Popofoni was originally issued as a double LP in the early seventies. It was both a reaction and a response by a number of Norwegian composers to a spurious debate that had taken place on Norwegian television in 1969. The debate pitted proponents of popular culture against spokespeople for European Art Music. Popofoni was intended an ...
