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719

Article: Record Label Profile

Jazz Eyes: Eyes and Ears Wide Open

Read "Jazz Eyes: Eyes and Ears Wide Open" reviewed by Jakob Baekgaard


In jazz, spontaneity is essential. It can also be useful when setting up a label. So it's no great coincidence that, once the Italian jazz enthusiasts Paolo Siculiana and Toti Cannistraro realized they both loved the production and distribution of records, their Jazz Eyes label rapidly became a reality. “The story starts on a dark night," ...

846

Article: Profile

Krzysztof Komeda: Poet of the Piano

Read "Krzysztof Komeda: Poet of the Piano" reviewed by Jakob Baekgaard


To this day, the influence of Polish composer and pianist Krzysztof Komeda (1931-1969) can be felt in the works of contemporary artists like Marcin Wasilewski and, of course, in the music of his former trumpeter, Tomasz Stanko. It isn't too much to say that Komeda transformed the landscape of European jazz by the way he re-conceptualised ...

234

Article: Album Review

Oren Neiman: Frolic and Detour

Read "Frolic and Detour" reviewed by Jakob Baekgaard


Sometimes, the best way to renew tradition is to go back to it, which is exactly what Oren Neiman has done on Frolic and Detour, an album that finds the guitarist digging deep into his Israeli roots while still remaining true to the instrumental voice he established on First Of All (Self Published, 2007). Neiman still ...

662

Article: Record Label Profile

Auand: A Matter of Trust

Read "Auand: A Matter of Trust" reviewed by Jakob Baekgaard


To collect music is a path and a passion that sometimes can lead into an unexpected profession. The founders of some of the most famous labels in jazz history; people like Bob Weinstock (Prestige), Alfred Lion (Blue Note), Norman Granz (Verve) and Orrin Keepnews (Riverside) were listeners, who felt the need to document the new sounds ...

436

Article: Album Review

The Big Four: The Congregation Sessions

Read "The Congregation Sessions" reviewed by Jakob Baekgaard


The idea of postmodernism has become associated with the death of history, pastiche, playfulness and the breaking down of genres as we know them. To characterize The Big Four as a postmodern R&B band would be no exaggeration. Here is a group with five members that name themselves The Big Four and sports a musician by ...

505

Article: Album Review

Hans Tammen Third Eye Orchestra: Hans Tammen Third Eye Orchestra

Read "Hans Tammen Third Eye Orchestra" reviewed by Jakob Baekgaard


In jazz circles, New York is known for cultivating the sounds of the cutting edge; club Roulette has shown a particular seismographic ability to know what's happening at the fringes of jazz. If anything, the release of Hans Tammen Third Eye Orchestra underlines this with striking clarity. An innovative avant-garde guitar guru, Hans Tammen is mostly ...

357

Article: Album Review

The New Quartet: Blue Rhizome

Read "Blue Rhizome" reviewed by Jakob Baekgaard


While it is etymologically implied that the avant-garde looks ahead, being the vanguard of musical development, composer and guitarist Karl E.H. Seigfried and his New Quartet emphasize the many traditions that melt together in the creation of new music. Siegfried's idea of the avant-garde is not that of a radically new beginning, but rather a refined ...

219

Article: Album Review

John Schroder: Sir Lemuel's Dance

Read "Sir Lemuel's Dance" reviewed by Jakob Baekgaard


The cover of pianist John Schroder's Sir Lemuel's Dance showcases a peculiar detail that somehow makes perfect sense: a close-up photo of the leader's staring eye. It's far from unusual to have portraits of jazz musicians grace their album covers, but normally they're shown in full figure or at least with the whole face in front. ...

277

Article: Album Review

Peloton: Selected Recordings

Read "Selected Recordings" reviewed by Jakob Baekgaard


There's a common perception of Norwegian jazz that links it to the Nordic sound: a cool, melancholic aesthetic propagated by the likes of Jan Garbarek, Helge Lien and Tord Gustavsen. The Rune Grammofon label has, however, brought a new strain into Norwegian jazz that has made it possible to disturb the image of icy mountain music ...

473

Article: Multiple Reviews

Trombone Trilogy: Bill Cantrall, Marshall Gilkes and Steve Wiest

Read "Trombone Trilogy: Bill Cantrall, Marshall Gilkes and Steve Wiest" reviewed by Jakob Baekgaard


Among the brass family, the trombone hasn't won as prominent a position in jazz as has the trumpet. The stereotypical image of a jazz musician could, until very recently, be said to have been that of a trumpeter in a dim-lit bar shrouded in smoke--a signature of film noir. The trombone isn't steeped in the same ...


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