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Ahmad Jamal: Trio & Quintet Recordings With Ray Crawford
by Chris May
This 2xCD reissue comprises three of Ahmad Jamal's early and mid 1950s trio albums plus a fourth recorded in 1960 with a quintet. Between times, Jamal had released the totemic trio set At The Pershing (Argo, 1958), which included the break-out single “Poinciana" (his first, equally lovely, 1955 recording of Nat Simon and Buddy Bernier's tune ...
Ahmad Jamal: Ballades
by Dan Bilawsky
At 89, Ahmad Jamal remains a master of space, time, openness and poetics. Never one to add too much, yet always one to mine a song for all its rich natural flavors, Jamal is an artist whose work speaks with a direct and engaging sweep. His early trio classics became a model of sorts, inspiring Miles ...
Ahmad Jamal: Marseille
by Ian Patterson
Four years between studio albums is a long gap by Ahmad Jamal's standards. Not that the 87-year-old pianist has been idle since the widely acclaimed Saturday Morning (Jazz Village, 2013). He's released two live albums in that time--Live at The Olympia (Jazz Village, 2014) featuring Yusef Lateef and Live in Marciac 2014 (Jazz Village, 2015)--and remains ...
Katie Thiroux: Walking a Classy and Swinging Line
by R.J. DeLuke
Katie Thiroux, a young musician out of Los Angeles, plays the bass and sings with equal conviction. Her musical experiences began with classical, but a career in jazz is what she eventually focused on and Thiroux--who received several accolades while climbing the tricky stairway of such a career--is making good strides. A sideman on ...
Eric Revis: Trajectory From The Tradition
by R.J. DeLuke
The development of an individual voice on the contrabass is important to Eric Revis, one of the strongest players on the scene. His power and musicianship has endeared him to some of the finer musicians, and bands, in jazz. But Revis isn't content to let things lie there. Not that he has to be ...
Andreas Dreier Trio: Poinciana
by Jakob Baekgaard
There's no doubt when the soft tapping of drums announces a beat as light as lovers dancing through a summer night. This is the signature of one of the greatest cover versions of all time. Or rather, this is the watermark of a cover made into a new composition. Pianist Ahmad Jamal's trio now virtually owns ...
Sligo Jazz Project 2013: Days 4-6
by Ian Patterson
Sligo Jazz ProjectVarious VenuesSligo, Ireland July 16-21, 2013 After three action-packed days at Sligo Jazz Project, with SJP founder/bassist Eddie Lee and drummer David Lyttle's world premiere of The Barinthus Suite providing an unforgettable highlight, the first signs of attrition amongst the students were beginning to show. The non-stop nature of ...
Rivorecords: Blue Notes from Buenos Aires
by Jakob Baekgaard
In the New Grove Dictionary of Jazz, a blue note is defined as: “A microtonally lowered third, seventh, or (less commonly) fifth degree of the diatonic scale, common in blues, jazz and related musics." Moving beyond musical theory, the term is most commonly associated with the groundbreaking jazz label Blue Note, founded in 1939 ...
Ahmad Jamal Trio: The Legendary 1958 Pershing Lounge & Spotlite Club Recordings
by Chris May
Ahmad Jamal TrioThe Legendary 1958 Pershing Lounge & Spotlite Club PerformancesSolar Records2011 “Play like Jamal," trumpeter Miles Davis is reputed to have told his pianist Red Garland in the mid 1950s. We can but speculate how Garland reacted to this request, assuming the story is true. It ...
Face of the Bass: The Atlas of Jazz
The great Milt Hinton often said that the bass is the “Atlas of jazz" because its role in the jazz band is to “carry the other instruments on its shoulders." “Bass" is often misspelled as “base" but the meaning is very similar in music, that of “foundation." In early jazz bands, bassists played the bass fiddle, ...
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