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Amateurs Blur with Professionals - As Music Apps Get Better, the Music Will Too [interview]
This is part two of my interview with Suzanne Lainson. She is a marketing strategist who has worked with sports, tech, and music companies, and currently writes about the future of the music industry for the Brands Pus Music blog. In this interview, she talks about the implication of a global community of creators and how they ...
Sonny Rollins on His Favorite Soundtracks
New York magazine's Vulture site has an ongoing feature called Vulture Recommends in which artists of different stripes (actors, comedians, directors, writers, musicians) discuss their top five works in given categories. In the past, I've done Vulture Recommends with Vijay Iyer, The Bad Plus, Neil LaBute, and Joe Lovano. Last week, I interviewed the great Sonny ...
Mr Ho's Orchestrotica: Endless Bachelor Party
by Gordon Marshall
Led by pianist and multi-percussionist Brian O'Neill, Mr Ho's Orchestrotica plays the kind of music you can listen to with your mother. She'll love the '50s atmosphere of The Unforgettable Sounds of Esquivel (Exotica For Modern Living, 2010)--while you'll pick up all the left-of-center global hints--and she won't even know it's good for her! It's good, ...
A Future Where Everyone is a Music Maker - How Apps Will Change Cultural Creation [interview]
Recently, I spoke with Suzanne Lainson, who is a marketing strategist who has worked with sports, tech, and music companies, and currently writes about the future of the music industry for the Brands Pus Music blog. In this interview, she talks about the future of music apps and how they'll shape music culture. Hypebot: What do ...
Conference Call: Evolution of a Burning Bush
by Gordon Marshall
Conference Call can be as balanced and beautiful as an intricate organism, and just as soon rage with holy fire. The quartet--consisting of saxophonist Gebhard Ullman, bassist Joe Fonda, drummer George Schuller and pianist Michael Jefry Stevens--perpetually weaves in all three dimensions, as well as in time--its own, and music history's. Together since ...
Intervista a Zeno De Rossi
by AAJ Italy Staff
Nonostante da piccolo percuotesse tutto quello che aveva sottomano, la folgorazione per la batteria arriva quando si accorge di non poter diventare il portiere dell'Inter (tra i suoi idoli trova posto anche il mitico Ivano Bordon ). E' stato tra i primi musicisti italiani ad avere contatti con il downtown newyorchese suonando più volte al Tonic, ...
Hiromi is the Hendrix of the Piano.
I don't get jazz sexism. I used to read Down Beat magazine and my favorite section was the blindfold test where notable artists would listen to tunes selected for them to critique. When you got someone like Miles Davis listening to something he thought was crap he wasn't shy about saying so. What I don't remember ...
Avant-Jazzers Conference Call Interviewed at All About Jazz
Conference Call can be as balanced and beautiful as an intricate organism, but just as soon rage with holy fire. The quartetconsisting of saxophonist Gebhard Ullman, bassist Joe Fonda, drummer George Schuller and pianist Michael Jefry Stevensperpetually weaves in all three dimensions, as well as in timeits own, and music history's. Together since the late '90s, ...
Mr Ho's Orchestrotica's Brian O'Neill Interviewed at All About Jazz
Led by pianist and multi-percussionist Brian O'Neill, Mr Ho's Orchestrotica plays the kind of music you can listen to with your mother. She'll love the '50s atmosphere of The Unforgettable Sounds of Esquivel (Exotica For Modern Living, 2010)while you'll pick up all the left-of-center global hintsand she won't even know it's good for her! It's good, ...
Latin Jazz Conversations: Paquito D'Rivera (Part 4)
When a musician moves into the mature stage of their artistic development, they carry a responsibility to themselves, their listeners, and the great musical community. After committing so many years of their lives to the art form, they need to make a significant statement that reflects their own personalities. At the same time, they need to ...


