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Trumpeter Amir ElSaffar Interviewed at All About Jazz!
There was a point during Amir ElSaffar's study of Arabic music where he almost didn't come back to jazz. He had gone to Iraq to study maqam, the system of melodic modes in traditional Arabic music, in order to bring some of the concepts into jazz. However, the experience proved to be a deepening one for ...
Amir ElSaffar: At Two Rivers' Confluence
by Daniel Lehner
There was a point during Amir ElSaffar's study of Arabic music where he almost didn't come back to jazz. He had gone to Iraq to study maqam, the system of melodic modes in traditional Arabic music, in order to bring some of the concepts into jazz. However, the experience proved to be a deepening one for ...
Saxophonist Steve Coleman Interviewed at All About Jazz!
Saxophonist Steve Coleman's The Mancy of Sound (Pi Recordings, 2011) was one of the records of 2011. Thematically and structurally challenging on the one hand, dynamic and funky on the other, the music's contrasts reflect Coleman's view of the world, in all its complexity and simplicity. Coleman's fierce intellect carries simple logic, wrapped in many-layered waves ...
Enrico Rava, narratore formidabile
by AAJ Italy Staff
“Enrico è un narratore formidabile". Ha ragione Stefano Bollani nelle note introduttive all'ultimo libro del trombettista, “Incontri con musicisti straordinari" (Feltrinelli 2011). Con lui anche un'intervista diventa in un colloquio a tutto campo, dove le riflessioni si legano ai ricordi e alle valutazioni sulla musica e sulla vita. Un'intervista non è mai la trascrizione stenografica di ...
Steve Coleman: Symbols and Language
by Ian Patterson
Saxophonist Steve Coleman's The Mancy of Sound (Pi Recordings, 2011) was one of the records of 2011. Thematically and structurally challenging on the one hand, dynamic and funky on the other, the music's contrasts reflect Coleman's view of the world, in all its complexity and simplicity. Coleman's fierce intellect carries simple logic, wrapped in many-layered waves ...
All About Jazz Announces New Column Featuring Archival Intervews with Jazz Greats
All About Jazz is pleased to announce that Bob Kenselaar has joined our growing international team of contributing writers. In addition to new live coverage, and interviews like his recent Catching Up With Monty Alexander, Bob has obtained permission to reprint a series of interviews that he contributed to The Aquarian Weekly in the 1970s with ...
Interview: Rudy Van Gelder (Part 5)
Before I left Rudy Van Gelder's historic recording studio in Englewood Cliffs, N.J., a few weeks ago, I couldn't resist asking a favor. Rudy's eyebrows went up in agreeable arches. Out came my copy of Horace Silver's Horace-Scope, one of my favorite Blue Note albums. Though it was recorded in Hackensack, N.J., in 1960, I still ...
Interview: Rudy Van Gelder (Part 4)
For much of this week, JazzWax readers have been sending emails urging me to ask engineer Rudy Van Gelder about specific sessions he recorded for Blue Note, Prestige and other labels. All suggestions were wonderful. The problem is Rudydoesn't think back on these sessions the way we do. We sit back and enjoy the music. Rudy was ...
Intervista a Enrico Terragnoli
by AAJ Italy Staff
Se vi prendete la briga di scorrere il catalogo de El Gallo Rojo scoprirete che il suo nome compare in gran parte delle registrazioni pubblicate anche se (ahinoi) i dischi a suo nome sono soltanto due... Il suo stile è immediatamente riconoscibile perché non assomiglia a nessuno in particolare, così come assai particolare è il suo ...
Interview: Rudy Van Gelder (Part 3)
If you're not a jazz musician or a producer over age 70, then you are probably seeing the exterior of Rudy Van Gelder's recording studio at 25 Prospect Ave. in Hackensack, N.J., for the very first time (above). The studio where Rudy engineered hundreds of jazz sessions between 1946 and 1959 was located in his parents' ...
