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Gyedu-Blay Ambolley: Gyedu-Blay Ambolley And Hi-Life Jazz

by Chris May
In the beginning, that is to say the 1950s and 1960s, there were two main strands of highlife, Ghana's national dance music. One was rural based, played by ensembles using acoustic guitars and traditional percussion instruments. The other was urban based, played by bands using kit drums as well as traditional percussion, and with large horn ...
Henry Franklin: Jazz Is Dead 14

by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Camilla George At The MAC

by Ian Patterson
Camilla George The MAC Belfast, N. Ireland June 25, 2022 It was a sell-out crowd for Camilla George's Belfast gig, the penultimate stop on a ten-date tour of Ireland. In part, this no doubt reflected people's hunger for live music after the socio-cultural privations of lockdown, but above all, it ...
Township Jazz: Unlocking The Vaults

by Chris May
Britain is often said to be the first country to have forged a style of jazz distinct from its American parent, during the late 1950s, in part through the influence of London-based players from South Asia. Closer examination of calendars and the historical record, however, shows that South Africa found its own jazz voice at the ...
Christine Kamau: Delivering Afro-Jazz Power

by Nicholas F. Mondello
In the blockbuster film, Black Panther (Marvel Studios, Walt Disney Pictures, 2018) the power of and quest for Vibranium," an all-powerful element, plays a pivotal role. Like a latter day female T'challa (The Black Panther") and through her music, Kenyan musician Christine Kamau delivers a unique and powerful perspective of her own, melding jazz with its ...
Summer Of Soul (...Or, When The Revolution Could Not Be Televised)

by Ian Patterson
Various Artists Summer Of Soul (...Or, When The Revolution Could Not Be Televised) Onyx Collective/Searchlight Pictures 2021 One of the most thought-provoking moments in Ahmir 'Questlove' Thompson's documentary on the 1969 Harlem Cultural Festival comes from a festival attendee, looking back from the distant perspective of half a century. I ...
Various Artists: Indaba Is

by Chris May
There are probably several reasons why American jazz made the deep and lasting impact it did on South Africa in the 1950s. One may be that the colonial regime which was imposed on the country during Europe's pan-African nineteenth-century landgrab was among the most vicious of them all, and persisted the longest through the apartheid system ...
Rejoice

Label: World Circuit
Released: 2020
Track listing: Robbers, Thugs and Muggers;
Agbada Bougou;
Coconut Jam;
Never (Lagos Never Gonna Be the Same;
Slow Bones;
Jabulani (Rejoice, Here Comes Tony);
Obama Shuffle Strut Blues;
We've Landed.
Meet The JazzTwins, Arnold and Donald Stanley

by Tessa Souter and Andrea Wolper
For our first two-for-one Super Fans column, we present the JazzTwins, Arnold Stanley and Donald Stanley, who got started pretty young (just wait till you see who played at their high school concerts). All jazz Super Fans are VIPs, but these two take things to another level. From invitations to musicians' family dinners to being the ...
Chris May’s Best Releases Of 2020

by Chris May
Not the best year for live gigs in London, but Dele Sosimi's Afrobeat Orchestra just made it under the wire, lighting up the Jazz Cafe in late January. Rather like Art Blakey's Jazz Messengers, Sosimi's band has form as an incubator of young talent. A recent star in the making was trumpeter Ife Ogunjobi, who has ...