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Steve Arguelles: Here
by Vincenzo Roggero
In che modo ci si approccia ad una registrazione di solo batteria, se sei un batterista che non crede negli assoli di batteria? Su questa domanda le note di copertina argomentano in modo brillante, lucido, esaustivo. Il musicista in questione è Steve Arguelles veterano della più vivace scena britannica, membro fondatore dei fondamentali ...
Yazz Ahmed with Emel and Rabih Abou-Khalil at Barbican Hall
by Chris May
Yazz Ahmed With Emel And Rabih Abou-Khalil Barbican Hall London 13 December, 2022 The intersection of jazz and classical Arabic music, both of which have improvisation and rhythm at their core, has long been fertile ground for exploration. Tonight's concert featured two adepts in the field, the British-Bahraini trumpeter Yazz Ahmed ...
Gyedu-Blay Ambolley: Gyedu-Blay Ambolley And Hi-Life Jazz
by Chris May
In the beginning, that is to say the 1950s and 1960s, there were two main strands of highlife, Ghana's national dance music. One was rural based, played by ensembles using acoustic guitars and traditional percussion instruments. The other was urban based, played by bands using kit drums as well as traditional percussion, and with large horn ...
Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Camilla George At The MAC
by Ian Patterson
Camilla George The MAC Belfast, N. Ireland June 25, 2022 It was a sell-out crowd for Camilla George's Belfast gig, the penultimate stop on a ten-date tour of Ireland. In part, this no doubt reflected people's hunger for live music after the socio-cultural privations of lockdown, but above all, it ...
Township Jazz: Unlocking The Vaults
by Chris May
Britain is often said to be the first country to have forged a style of jazz distinct from its American parent, during the late 1950s, in part through the influence of London-based players from South Asia. Closer examination of calendars and the historical record, however, shows that South Africa found its own jazz voice at the ...
Christine Kamau: Delivering Afro-Jazz Power
by Nicholas F. Mondello
In the blockbuster film, Black Panther (Marvel Studios, Walt Disney Pictures, 2018) the power of and quest for “Vibranium," an all-powerful element, plays a pivotal role. Like a latter day female T'challa (The “Black Panther") and through her music, Kenyan musician Christine Kamau delivers a unique and powerful perspective of her own, melding jazz with its ...
Summer Of Soul (...Or, When The Revolution Could Not Be Televised)
by Ian Patterson
Various Artists Summer Of Soul (...Or, When The Revolution Could Not Be Televised) Onyx Collective/Searchlight Pictures 2021 One of the most thought-provoking moments in Ahmir 'Questlove' Thompson's documentary on the 1969 Harlem Cultural Festival comes from a festival attendee, looking back from the distant perspective of half a century. “I ...
Various Artists: Indaba Is
by Chris May
There are probably several reasons why American jazz made the deep and lasting impact it did on South Africa in the 1950s. One may be that the colonial regime which was imposed on the country during Europe's pan-African nineteenth-century landgrab was among the most vicious of them all, and persisted the longest through the apartheid system ...
Rejoice
Label: World Circuit
Released: 2020
Track listing: Robbers, Thugs and Muggers;
Agbada Bougou;
Coconut Jam;
Never (Lagos Never Gonna Be the Same;
Slow Bones;
Jabulani (Rejoice, Here Comes Tony);
Obama Shuffle Strut Blues;
We've Landed.
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