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Article: Album Review

Negroni's Trio: On The Way

Read "On The Way" reviewed by Hrayr Attarian


Pianist José Negroni and his son, drummer Nomar Negroni, showcase their cross-genre versatility on On The Way--its unifying theme, a mélange of European melodic motifs and Latin romanticism, giving cohesion to this, their seventh release. “Matices" opens with José Negroni's harp-like flowing lines, dramatically echoing in the silent pauses. It evolves into a ...

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Article: Album Review

The Odd Trio: Birth of The Minotaur

Read "Birth of The Minotaur" reviewed by Hrayr Attarian


The dual themes running through The Odd Trio's genre-bending The Birth of the Minotaur are jam band-inspired spontaneity and intensely melodic and almost theatrical impressionism. Even though Greek mythology is the source of their inspiration the dozen pieces bear hints of cinematic scores, blues and rock in addition to Mediterranean folk music. “Pasiphae's ...

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Article: Album Review

Jim Pearce: You Are An Edgy Visionary Seer

Read "You Are An Edgy Visionary Seer" reviewed by Hrayr Attarian


Pianist/singer Jim Pearce's records inevitably draw comparisons to those of fellow ivory tickling wordsmith Mose Allison. The fact that both are genre-bending virtuosi with dry as champagne humor, who play the same instrument is where all similarities end. The whimsically titled You Are An Edgy Visionary Seer is quintessential Pearce, replete with his ...

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Article: Album Review

Sara Serpa / Ran Blake: Aurora

Read "Aurora" reviewed by Hrayr Attarian


Aurora is vocalist Sara Serpa's second release with her mentor, pianist Ran Blake. A duet recital recorded live at Lisbon's Auditório da Culturges, despite being more laidback and slightly less adventurous, it is just as creative as the pair's engrossing Camera Obscura (Inner Circle, 2010). Serpa and Blake's sparse and atmospheric delivery of ...

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Article: Album Review

Alberto Mizrahi: Matzah to Menorah: A Holiday Jazz Celebration

Read "Matzah to Menorah: A Holiday Jazz Celebration" reviewed by Hrayr Attarian


There is a well-established legacy of fusing the sacred with the secular in jazz. Pianist Duke Ellington's Concert of Sacred Music (RCA, 1966) is, perhaps, the most ceremonial example of this but there is a myriad of other recordings. Guitarist Grant Green's gospel-inspired Feelin' the Spirit (Blue Note, 1962), pianist/harpist Alice Coltrane's exploration of Hinduism and ...

3

Article: Album Review

Jonathan Saraga: First Vision

Read "First Vision" reviewed by Hrayr Attarian


Award-winning trumpeter Jonathan Saraga's First Vision, is a skillfully conceived and exquisitely realized debut that brings to mind the edgy, envelope-pushing hard bop of many a Blue Note record in the early 1960s. The modal melodies are artfully orchestrated, allowing each musician the full breadth of his spontaneous creativity without resorting to unfettered clamor. Not a ...

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Article: Album Review

RJ And The Assignment: Deceiving Eyes

Read "Deceiving Eyes" reviewed by Hrayr Attarian


Chicago-born/Las Vegas-based pianist RJ channels a soulful adroitness on Deceiving Eyes. Aided by a rotating cast of musicians called The Assignment, RJ creates intricate and shimmering musical patterns on each of the eleven pieces that comprise his debut. On Herbie Hancock's “Dolphin Dance," RJ's sublimely stylish piano lines embellish the theme while bassist ...

3

Article: Album Review

Tim Carey: Room 114

Read "Room 114" reviewed by Hrayr Attarian


Dedicated to his father, Seattle-based composer, educator and bassist Tim Carey's debut, Room 114, is a very intimate affair. Carey has been a professional musician for the past nine years and during that time he has honed his skills with such luminaries as trombonist Julian Priester, as well as, creative ethnic jazz ensembles. ...

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Article: Album Review

Ray Parker: Swingin' Never Hurt Nobody

Read "Swingin' Never Hurt Nobody" reviewed by Hrayr Attarian


Legendary guitarist Django Reinhardt's legacy comes alive on Ray Parker's debut, Swingin' Never Hurt Nobody. A veritable double bass virtuoso, the freelancing Parker is much sought after as a bandleader and side musician in a variety of settings. This delightful foray into the musical world of string-jazz allows him to demonstrate his immense talents as an ...

3

Article: Album Review

Shingo Yuji: Introducing Shingo Yuji

Read "Introducing Shingo Yuji" reviewed by Hrayr Attarian


Japanese-born guitarist/composer/shakuhachi player Shingo Yuji has made his home in Los Angeles. On Introducing Shingo Yuji, he draws deeply on his native, rich musical heritage as well as jazz and pop worlds to create an engaging mélange. Yuji 's “Laputa" features an undulating melody with western rhythms and eastern harmonies. Tenor saxophonist Walter ...


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