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210

Article: Album Review

Jon Burr Band: Just Can't Wait

Read "Just Can't Wait" reviewed by Woodrow Wilkins

by Woodrow Wilkins

Bassist Jon Burr has spent many years supporting other artists. He brings a lot of that experience into Just Can't Wait, a 14-song collection that reflects the artist's obsession with love. Burr has toured and recorded with musicians such as Stan Getz, Chet Baker, Horace Silver and Stéphane Grappelli. Vocalists who have shared the ...

455

Article: Record Label Profile

Blue Note at 70

Read "Blue Note at 70" reviewed by Joel Roberts

by Joel Roberts

No label in jazz can match the history and legacy of Blue Note Records. Since its founding in New York in 1939 by German emigre Alfred Lion, Blue Note has been associated with an amazing assortment of jazz luminaries including Horace Silver, Art Blakey, Jimmy Smith, Lee Morgan, Freddie Hubbard, Joe Henderson, Herbie Hancock, Wayne Shorter, ...

688

Article: Live Review

Randy Brecker Quintet Honors Miles Davis' "Kind of Blue" at the Kimmel Center

Read "Randy Brecker Quintet Honors Miles Davis' "Kind of Blue" at the Kimmel Center" reviewed by Victor L. Schermer

by Victor L. Schermer

Randy BreckerPerelman TheaterThe Kimmel Center for the Performing ArtsPhiladelphia, PAFebruary 7, 2009 Around the time that Miles Davis was recording the iconic album Kind of Blue in 1959, a kid from Philadelphia named Randy Brecker was learning to play trumpet, and not long after that, he entered the firmament ...

332

Article: Album Review

Blue Note 7: Mosaic: a Celebration of Blue Note Records

Read "Mosaic: a Celebration of Blue Note Records" reviewed by J Hunter

by J Hunter

Blue Note's 70th anniversary deserves more than a cake, a toast, and a chorus of “For He's a Jolly Good Fellow." To that end, The Blue Note 7's Mosaic: a Celebration of Blue Note Records is a collection of music from some of the imprint's greatest masters, as interpreted by a group of Blue Note's current ...

Album

Midnight Train

By Horace Silver

Label: Blue Note
Released: 2008

Album

Live at Newport '58

By Horace Silver

Label: Blue Note Records
Released: 2008
Track listing: Introduction by Willis Connover; Tippin'; The Outlaw; Se?or Blues; Cool Eyes.

507

Article: Album Review

Cedar Walton: Seasoned Wood

Read "Seasoned Wood" reviewed by Douglas Payne

by Douglas Payne

Pianist Cedar Walton has long been the perfect accompanist for so many other leaders. He's written quite a few of jazz's few “standards" over the last half century as well. For four decades now, he's also been an outstanding leader, waxing dozens of discs that win plenty of critical plaudits but never seem to bring him ...

444

Article: Album Review

Trio Viriditas: Live at Vision Festival VI

Read "Live at Vision Festival VI" reviewed by Greg Camphire

by Greg Camphire

Recorded at the 2001 edition of the long-running New York concert series, Live at Vision Festival VI showcases the top-notch Trio Viriditas, featuring reedsman/trumpeter Alfred Harth, percussionist Kevin Norton, and the late Wilbur Morris on bass. The long overdue release of this set follows the band's studio effort waxwebwind@ebroadway (Clean Feed, 2002); both capture a band ...

398

Article: Album Review

Randy Brecker: Randy in Brasil

Read "Randy in Brasil" reviewed by John Kelman

by John Kelman

Perhaps unfairly overshadowed by his brother, the late saxophonist Michael Brecker, Randy Brecker has, nevertheless been one of the most significant trumpeters of the past forty years. While his small discography as a leader contains as many misses as it does hits, he's brought a unique voice to countless sessions, working with everyone from Horace Silver, ...

273

Article: Album Review

Horace Silver: Live at Newport '58

Read "Live at Newport '58" reviewed by J Hunter

by J Hunter

The John Coltrane and Thelonious Monk Quartet earth-shaker At Carnegie Hall (Blue Note, 2005) set a pretty high watermark, and other historical recordings inevitably have a lot to live up to. Pianist Horace Silver's Live at Newport '58 is very good, and is certainly historically significant, but is it Carnegie Hall good? Perhaps not quite.


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