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291

Article: Album Review

Daniel Smith: Blue Bassoon

Read "Blue Bassoon" reviewed by Dan Bilawsky

by Dan Bilawsky

When many people hear discussions about the bassoon, they are far more likely to think of “Peter And The Wolf" than Charlie Parker and Wayne Shorter tunes. While jazz is open to any-and-all-comers in every instrument family, the technical demands of the bassoon--an unwieldy double reed instrument that rarely leaves the confines of classical music--and its ...

1,654

Article: Album Review

Carol Morgan: Opening

Read "Opening" reviewed by A. Lienhard

by A. Lienhard

Trumpeter Carol Morgan began her career in the world of classical conservatories. Around the time she received her M.A. from Julliard, however, she decided to pursue a different path. A decade later, Morgan was found headlining a jazz trio at Dizzy's Club Coca-Cola in New York City, mere walking distance from the hallowed Lincoln Center practice ...

157

Article: Album Review

Jon Mayer: Nightscape

Read "Nightscape" reviewed by Ken Dryden

by Ken Dryden

Jon Mayer was working professionally as a jazz pianist as a teen back in the '50s, while attending the Manhattan School of Music. As well as working as a sideman with Tony Scott, Kenny Dorham, Chet Baker, the Thad Jones/Mel Lewis Orchestra, Sarah Vaughan and others, along with taking part in record dates with John Coltrane ...

633

Article: Live Review

Norwich Jazz Party 2010

Read "Norwich Jazz Party 2010" reviewed by Bruce Lindsay

by Bruce Lindsay

Norwich Jazz Party Norwich, UK May 1-3, 2010 Norwich may well be one of the loveliest cities in Britain, but the May Day holiday weekend was wet and miserable, volcanic ash from Iceland was still threatening travel plans and even the exciting prospect of a General Election the following week ...

496

Article: Album Review

Joe Chambers: Horace To Max

Read "Horace To Max" reviewed by Edward Blanco

by Edward Blanco

In this follow up to the critically-acclaimed The Outlaw (Savant 2006) recording, Joe Chambers tips his hat to colleagues Horace Silver and Max Roach with Horace To Max, paying tribute to mentor Roach and recognizing Silver as one of the most important composers of the post-bop era of jazz. A highly-regarded session drummer of the '60s ...

337

Article: Extended Analysis

One for All: Incorrigible

Read "One for All: Incorrigible" reviewed by Sean Coughlin

by Sean Coughlin

One for All Incorrigible Jazz Legacy Productions 2010 One for All's Incorrigible showcases some of the best original writing the group has had in its 14 releases. It no longer sounds like a bunch of “young lions" thrown together in a recording studio. Cohesive and interdependent, these musicians ...

415

Article: Take Five With...

Take Five With Jason Hammers

Read "Take Five With Jason Hammers" reviewed by AAJ Staff

by AAJ Staff

Meet Jason Hammers:Originally from Gaithersburg, MD, Jason Hammers grew up in Stafford, VA where began his musical journey on the alto saxophone at age 11. While a student at Stafford Senior High School, he was named to numerous All-County and All-District Bands and had established himself as a featured soloist with the school's jazz ...

994

Article: Interview

Sheryl Bailey: Homecoming

Read "Sheryl Bailey: Homecoming" reviewed by Matthew Warnock

by Matthew Warnock

Sheryl Bailey has been rising to the top of the jazz guitar world ever since she burst onto the national scene by taking third place in the 1996 Thelonious Monk Guitar Competition. Following her top three finish in the competition, and graduating from the prestigious Berklee College of Music, Bailey has released five albums ...

363

Article: Album Review

Ray Vega / Thomas Marriott: East-West Trumpet Summit

Read "East-West Trumpet Summit" reviewed by John Barron

by John Barron

East-West Trumpet Summit is a rollicking showcase for longtime friends Ray Vega and Thomas Marriott. Vega, a New York native and the elder of the two, has served for many years as a mentor to Seattle's Marriott. The two first met when Marriott was a student at the University of Washington in Seattle, and Vega was ...

289

Article: Album Review

Joe Chambers: Horace to Max

Read "Horace to Max" reviewed by John Kelman

by John Kelman

Though best known for his drum work on key 1960s Blue Note sessions with artists including vibraphonist Bobby Hutcherson, pianist Andrew Hill and saxophonist Wayne Shorter, Joe Chambers has gradually built a reputation as an equally distinctive composer and mallet player. Horace to Max is more heavily weighted towards cover material from Shorter, bassist Marcus Miller, ...


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