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1,043

Article: Interview

Bruce Lundvall, presidente de Blue Note

Read "Bruce Lundvall, presidente de Blue Note" reviewed by Victor L. Schermer


Publicamos la traducción en castellano de esta entrevista, originalmente aparecida en All About Jazz el 15 de mayo del 2003. Bruce Lundvall viajará próximamente a Europa, a los festivales de jazz de Barcelona y Berlín, para conmemorar los 70 años de Blue Note. En Barcelona, Lundvall charlará con el crítico Bob Blumenthal (Institut d'Estudis Nord-americans, 3 ...

195

Article: Album Review

Jon Crowley Quintet: Connections

Read "Connections" reviewed by Bruce Lindsay


On the evidence of its debut, Connections, the New York-based Jon Crowley Quintet has huge potential. The ten tracks, all composed by leader and trumpeter Crowley, are immediately accessible but have sufficient depth and complexity to reward repeated listening. The band's technical ability is uniformly strong, but technique never takes precedence over an emotional connection with ...

506

Article: Live Review

Manhattan Transfer: Live in Albany, NY

Read "Manhattan Transfer: Live in Albany, NY" reviewed by R.J. DeLuke


The Manhattan TransferThe EggAlbany, N.Y.Sept. 25, 2009 The Manhattan Transfer vocal group--they of the multiple Grammy awards (10) and strong allegiance to jazz--shows no signs of wear and tear after some 35 years performing and recording. The group has just released The Chick Corea Songbook on Four Quarters Entertainment, ...

112

News: Interview

Drummer Matt Wilson Put the 'Play' in Playing Jazz with His Quartet

Drummer Matt Wilson Put the 'Play' in Playing Jazz with His Quartet

Drummers have a reputation of being a little “different" than the rest of the players on the bandstand. There are jokes about drummers not being real musicians and how machines do their job better, often told by drummers themselves. No matter the genre, these musicians inarguably tend to march to the beat of their own making. ...

231

Article: Multiple Reviews

Jazz Legacy Productions: Sprucing up the Old School

Read "Jazz Legacy Productions: Sprucing up the Old School" reviewed by J Hunter


At a time when most entrepreneurs blanche at even a mention of the economy, bassist John Lee has damned the torpedoes and gone full speed ahead with his new label, Jazz Legacy Productions. Structured as an artists-for-artists'-sake venture, JLP gives established, non-"flavor of the month" players a place to be heard again. What's more, for every ...

715

Article: Wide Open Jazz and Beyond

A Question of Time

Read "A Question of Time" reviewed by Alan Bryson


Imagine you were given the chance to go back in time and witness four musical events (one each from jazz, blues, classical, and rock history.) What would they be? That's an after-dinner topic friends might discuss by candlelight. If your inner-child has completely matured, perhaps you could approach it as a potential film: if you were ...

518

Article: Live Review

The Sound and the HTML: Introducing the AAJ Orchestra

Read "The Sound and the HTML:  Introducing the AAJ Orchestra" reviewed by Peter Cobb


In many discussions about jazz's future, people have argued that the Internet will be the next 52nd Street for the music. Sadly, like many things Web, there has been more sizzle than steak. But not always--this past weekend I played a gig with the All About Jazz Orchestra (AAJO), a group that existed purely in binary ...

403

Article: Multiple Reviews

This Ain't No Ukelele: Jazz Guitarists Anthony Wilson, Daniel Santiago and John Pondel

Read "This Ain't No Ukelele: Jazz Guitarists Anthony Wilson, Daniel Santiago and John Pondel" reviewed by Martin Gladu


For better or worse, the electric guitar has generally projected an image of masculinity, a certain macho quality even. Perfect examples of this are the scenes involving Steve Vai's Jack Butler character in Walter Hill's Crossroads (Columbia Pictures, 1986). Cruelly demanding, the instrument has bruised many male egos and crushed their dreams of stardom and fame.

181

News: Radio

Very Early: Bill Evans 1956-58

Very Early:  Bill Evans 1956-58

In the mid-1950s pianist Bill Evans was still a relative unknown, not yet the jazz-piano giant he’d become on the strength of recordings like Sunday at the Village Vanguard and Conversations With Myself. Evans had a strong influence on post-1960s jazz pianists—an influence some have found fault with, for certainly Evans had what’s been called a ...

333

Article: Album Review

Ben Neuman: Introductions

Read "Introductions" reviewed by John Barron


Chicago pianist Ben Neuman explores the realm of piano trio jazz for his debut release Introductions. A straight-ahead affair with clever re-harmonizations of familiar standards, as well as classics by John Coltrane, Herbie Hancock and Horace Silver, the young pianist demonstrates an enlivened approach to hard-swinging improvisation. A pair of Chicago stalwarts, bassist Dennis Carroll and ...


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