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Joe Chambers: Horace To Max
by Edward Blanco
In this follow up to the critically-acclaimed The Outlaw (Savant 2006) recording, Joe Chambers tips his hat to colleagues Horace Silver and Max Roach with Horace To Max, paying tribute to mentor Roach and recognizing Silver as one of the most important composers of the post-bop era of jazz. A highly-regarded session drummer of the '60s ...
One for All: Incorrigible
by Sean Coughlin
One for All Incorrigible Jazz Legacy Productions 2010 One for All's Incorrigible showcases some of the best original writing the group has had in its 14 releases. It no longer sounds like a bunch of “young lions" thrown together in a recording studio. Cohesive and interdependent, these musicians ...
Take Five With Jason Hammers
by AAJ Staff
Meet Jason Hammers:Originally from Gaithersburg, MD, Jason Hammers grew up in Stafford, VA where began his musical journey on the alto saxophone at age 11. While a student at Stafford Senior High School, he was named to numerous All-County and All-District Bands and had established himself as a featured soloist with the school's jazz ...
Sheryl Bailey: Homecoming
by Matthew Warnock
Sheryl Bailey has been rising to the top of the jazz guitar world ever since she burst onto the national scene by taking third place in the 1996 Thelonious Monk Guitar Competition. Following her top three finish in the competition, and graduating from the prestigious Berklee College of Music, Bailey has released five albums ...
Ray Vega / Thomas Marriott: East-West Trumpet Summit
by John Barron
East-West Trumpet Summit is a rollicking showcase for longtime friends Ray Vega and Thomas Marriott. Vega, a New York native and the elder of the two, has served for many years as a mentor to Seattle's Marriott. The two first met when Marriott was a student at the University of Washington in Seattle, and Vega was ...
Joe Chambers: Horace to Max
by John Kelman
Though best known for his drum work on key 1960s Blue Note sessions with artists including vibraphonist Bobby Hutcherson, pianist Andrew Hill and saxophonist Wayne Shorter, Joe Chambers has gradually built a reputation as an equally distinctive composer and mallet player. Horace to Max is more heavily weighted towards cover material from Shorter, bassist Marcus Miller, ...
Lester Young: 100 Years - Forever Young
by Chris Mosey
In October 1944, Lester Young, one of the most influential saxophonists in jazz, was inducted into the US army. In the 15 months that followed he was subjected to blatant racial prejudice then court martialed for possession of marijuana and alcohol and sentenced to a year in a detention barracks. He returned to civilian life severely ...
Christopher Lehman: Popjazzic
by Raul d'Gama Rose
On the face of it, many would find the title of New York City-based trumpeter Christopher Lehman's Popjazzic somewhat ludicrous. But, then, isn't the title “Latin jazz" somewhat ludicrous too? After all, that form of jazz has everything to do with Africa, Spain and Portugal, America and the indigenous peoples of the countries of South America, ...
Ray Charles: Genius + Soul = Jazz
by C. Michael Bailey
Ray Charles Genius + Soul = Jazz Concord Music 2010 Ray Charles spent the 1950s and 1960s transforming the atomic American musics of gospel, the blues, R&B and country into what has been tagged “soul." Should jazz have been immune to his considerable charms? No, of course not. During the ...
Keeping Up With The Joneses: The Jones Name In Jazz
by Dan Bilawsky
"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...
