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7

Article: Album Review

Sonny Clark Trio: The 1960 Sessions with George Duvivier and Max Roach

Read "The 1960 Sessions with George Duvivier and Max Roach" reviewed by Jakob Baekgaard


Jazz history tends to favor the great musical innovators whose stylistic leaps have formed the ever-changing vocabulary of jazz: the improvisational wonder of Louis Armstrong, the free flight of Charlie Parker, the chameleon-like transformations of Miles Davis, and the singular piano world of Thelonious Monk. For long a time, Monk, along with Bud Powell, has been ...

Article: Album Review

Roberto Ottaviano QuarkTet: Sideralis

Read "Sideralis" reviewed by Mario Calvitti


Per il suo più recente lavoro, appena pubblicato, Roberto Ottaviano ha inteso realizzare un omaggio a John Coltrane nella ricorrenza del cinquantesimo anniversario dalla sua scomparsa. In realtà il disco è molto più di un semplice tributo al grande artista, che è sempre stato uno dei principali punti di riferimento per Ottaviano; le dieci composizioni originali ...

7

Article: Extended Analysis

Love, Gloom, Cash, Love

Read "Love, Gloom, Cash, Love" reviewed by Patrick Burnette


Herbie Nichols' story has been told again and again, but it never seems to stick. An idiosyncratic pianist and one of the handful of important jazz composers, he was born in 1919 and dead from leukemia by age forty-four. His best- known song--"Lady Sings the Blues"--is associated with Billie Holiday and I would wager many listeners ...

1

Article: Interview

A dialogo con Roberto Ottaviano

Read "A dialogo con Roberto Ottaviano" reviewed by Neri Pollastri


Poliedrico quanto a collaborazioni ed esplorazioni di aree stilistiche, sempre rigorosissimo nel modo di affrontare qualsiasi situazione musicale, ritenuto dalla critica uno dei maggiori interpreti del sassofono jazz in Europa, Roberto Ottaviano è prossimo a compiere sessant'anni, essendo nato a Bari nel dicembre del '57. E lo fa presentando un ennesimo lavoro di altissimo livello, altro ...

Article: Album Review

Pasquale Mirra: Moderatamente Solo

Read "Moderatamente Solo" reviewed by Neri Pollastri


Ultima uscita in ordine di tempo dell'etichetta Fonterossa di Silvia Bolognesi (che ce ne parlava nell'intervista che le abbiamo fatto recentemente ), Moderatamente Solo di Pasquale Mirra è un rarissimo esempio di album per solo vibrafono. Registrato dal vivo nel 2016 al Fonterossa Day #2 di Pisa, è dedicato dal suo autore ai propri genitori. Sebbene ...

28

Article: Album Review

The MUH Trio: The MUH Trio – Prague After Dark

Read "The MUH Trio – Prague After Dark" reviewed by Karl Ackermann


Dating back to the 1980s, Italian jazz pianist Roberto Magris had been working with jazz luminaries such as Kai Winding and Eddie Lockjaw Davis while also performing extensively with Eastern and Central European artists. Late in that decade he recorded three albums with his quartet/quintet formation on they performed across that same region. In the 1990s ...

3

Article: Album Review

The MUH Trio: Prague After Dark

Read "Prague After Dark" reviewed by Jack Bowers


If experience really is the best teacher, meet three of Europe's most well-schooled jazz musicians who together make up the recently formed MUH Trio. The “M" is Italian pianist Roberto Magris (age fifty-eight), the “U" the sixty-seven-year-old Czech bassist Frantisek Uhlir, the “H" Czech drummer Jaromir Helesic, the trio's elder statesman at age seventy.

9

Article: Album Review

JKA Quintet: From the Nocturnal Chironian

Read "From the Nocturnal Chironian" reviewed by Dave Wayne


A long-lost poem written as a teenager, a series of evocative dreams, and the interpenetration of astrology, Greek mythology and Jungian archetypal psychology form the conceptual framework for From the Nocturnal Chironian by Danish bassist and composer Jens Kristian Andersen. The music on From the Nocturnal Chironian is only one aspect of its physical manifestation. The ...

9

Article: Hi-Res Jazz

Charles Mingus and Miles Davis: Changing Moods

Read "Charles Mingus and Miles Davis: Changing Moods" reviewed by Mark Werlin


The recordings of Charles Mingus in the mid-1950s document a musical voice so distinctive that they are immediately recognizable today. But Mingus' obsessive commitment to the primacy of the composition was not always shared by his peers, nor understood by his critics. A public feud between Mingus, who was struggling unsuccessfully to win critical ...

1

Article: Album Review

Olie Brice / Achim Kaufmann: Of Tides

Read "Of Tides" reviewed by John Eyles


Recorded live at The Vortex in December 2014, Of Tides combines London double bassist Olie Brice and German pianist Achim Kaufmann in a duo. Bass and piano is an uncommon combination for a twosome, this one having arisen after the pair initially combined in a trio that also included Roger Turner on percussion. Potential obstacles to ...


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