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Take Five With Majid Khaliq
by AAJ Staff
Meet Majid Khaliq:Majid Khaliq is a violinist and composer cut from a different cloth. He has been described by legendary musician Wynton Marsalis as having a unique blend of improvisation, groove and technical sophistication." Although classically trained, Khaliq's passion and musical palette ranges from the roots of American jazz music to the greats of ...
Matija Dedic Trio: MD in NYC
by Dan McClenaghan
Pianist Matija Dedic's MD in NYC tiptoes into existence on a delicate rhythm, joined in short order by a sprinkling of crystalline notes in the melody, with a whisper of brushes and spare but assertive bass lines. Her Name" is one of the pianist's five originals in the set, and has a wistful reverence that speaks, ...
Thailand International Jazz Conference, January 28-30, 2011
by Ian Patterson
Thailand International Jazz Conference Mahidol University School of Music Bangkok, Thailand January 28-30, 2011It's almost impossible to go anywhere in Thailand without hearing music at all hours: people sing for their own enjoyment as they go about their daily business, displaying a lack of inhibition generally absent in ...
Herbie Hancock: Maiden Voyage
by Greg Simmons
There are few worse examples of a masterpiece performance being savaged by poor recording quality than Herbie Hancock's Maiden Voyage. This very expensive recent re-release on 45RPM vinyl by Analogue Productions only serves to highlight its engineering travesty.Rudy Van Gelder had the great fortune to record the best of the best in jazz for ...
53rd Jazz Grammy Winners Announced
= winner 4. Best New Artist Esperanza Spalding Justin Bieber Drake Florence & The Machine Mumford & Sons 44. Best Contemporary Jazz Album For albums containing 51% or more playing time of INSTRUMENTAL tracks. The Stanley Clarke Band The Stanley Clarke Band ...
Johannesson & Schultz: Johannesson & Schultz
by Chris Mosey
Johannesson & Schultz is an album that triggers memories of those heady days in the late 1960s when fusion was all the rage. One that evokes distant echoes of Miles Davis' In A Silent Way (Columbia, 1969) and the work of guitarist Larry Coryell. It harks back to the quieter, more meditative end of the genre, ...
Milt Jackson and Paul Desmond: Elder Statesmen on CTI
by Dan Bilawsky
Popular music is usually a young person's game. Older artists, in any genre, often get pushed to the periphery to make way for the next big thing that can sell in numbers. But the CTI label was age-blind when it came to its artist roster. While it's certainly true that the stable of musicians on the ...
Bob Gluck: Something Quiet
by Glenn Astarita
Julliard-trained pianist Bob Gluck's heart lies within the adventurous free jazz uprising of the 1960s and electronic music. This harmonically appealing acoustic date subliminally intimates his penchant for both genres, an album framed in a cunning fusion of ambient, jazz improvisation and concrete song forms. Gluck and bassist Christopher Dean Sullivan engage for ...
George Benson: White Rabbit
by John Kelman
After three late-1960s A&M albums with mastermind Creed Taylor prior to the creation of CTI Records, guitarist George Benson hit 1971 running with two CTI debuts, issued a few months apart. Beyond the Blue Horizon was closer, in complexion, to his A&M recordings--harkening back, even, to his impressive 1966 Columbia Records two-punch, It's Uptown and The ...
The Guitar Stylists of CTI Records
by Dan Bilawsky
In many ways, the guitarists who recorded for the CTI label owe a great debt to the late Wes Montgomery. Guitarist Montgomery's last recordings, before his untimely death from a heart attack, were like a laboratory test for producer Creed Taylor. At the time, Taylor was still trying to work out a formula to balance the ...


