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85

Article: Album Review

Lou Volpe: Here and Now

Read "Here and Now" reviewed by Nic Jones

by Nic Jones

Lou Volpe is a guitarist who, in the mold of George Benson and Pat Martino has the groove down pat, but with the harmonic and melodic sensibilities to put a personal stamp on all his flights. He's worked with the likes of Chet Baker, Herbie Hancock and Roberta Flack, bringing all of that experience to Here ...

101

Article: Album Review

David Gibson: End Of The Tunnel

Read "End Of The Tunnel" reviewed by Mark Corroto

by Mark Corroto

The second release for trombonist David Gibson's quartet, End Of The Tunnel, is a return to the ever popular soul-jazz genre. As with his previous disc, A Little Somethin' (Posi-Tone, 2009), Gibson and organist Jared Gold share a love for that infectious 1960s organ combo sound. This disc also continues with the same lineup, ...

144

Article: Live Review

Tri-C JazzFest Cleveland 2011: Days 8-10

Read "Tri-C JazzFest Cleveland 2011: Days 8-10" reviewed by Matt Marshall

by Matt Marshall

Days 1-3 | Days 4-6 | Days 8-10 32th Annual Tri-C JazzFest ClevelandCleveland, OhioApril 28-May 8, 2011 Chapter Index May 4: Robert Glasper Trio May 5: TCJF SoundWorks with Benny Golson and Ndugu Chancler May 6: Will Bernard / Dr. Lonnie Smith / Medeski Martin & Wood

158

Article: Album Review

Daniel Smith: Bassoon Goes Latin Jazz!

Read "Bassoon Goes Latin Jazz!" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

It's about that sound--that down there, frog-like bellowing encountered on cartoon soundtracks, novelty TV commercials, and that marvelously masculine sound heard in the greatest of orchestral and chamber music repertoire. Rarely is the bassoon heard blowing improvisation in the jazz idiom, athough with the works of Daniel Smith, Paul Hanson and others, that's changing.

175

Article: Album Review

Daniel Smith: Bassoon Goes Latin Jazz!

Read "Bassoon Goes Latin Jazz!" reviewed by Dan Bilawsky

by Dan Bilawsky

The bassoon seems to be the homebody of the orchestral woodwind family. This double-reed dynamo rarely leaves the confines of the classical world, instead finding contentment in its comfort zone, playing classic works of yore. On the rare occasion that the instrument does wander outside of its safety net to converse in other musical environments, it ...

197

Article: Album Review

Jochen Rueckert: Somewhere Meeting Nobody

Read "Somewhere Meeting Nobody" reviewed by Jerry D'Souza

by Jerry D'Souza

Drummer Jochen Rueckert has recorded in a variety of musical combinations, adding his distinctive rhythmic insights. He is secure in several styles, a trait that is evident in his compositions as well. His compositional abilities are affirmed by the nine tunes he has written for Somewhere Meeting Nobody, while his instincts as a drummer travel through ...

135

Article: Live Review

Herbie Hancock: Bangkok, Thailand, May 8, 2011

Read "Herbie Hancock: Bangkok, Thailand, May 8, 2011" reviewed by Ian Patterson

by Ian Patterson

Herbie HancockRoyal Paragon HallBangkok, ThailandMay 8, 2011Herbie Hancock is--like the title of one of his most celebrated tunes--a chameleon, and the audience at a near-packed Royal Paragon Hall was reminded of just how many changes Hancock has stylishly wrung over the last fifty years. There were touches of his more impressionistic ...

254

Article: Album Review

The Cookers: Cast the First Stone

Read "Cast the First Stone" reviewed by Troy Collins

by Troy Collins

Cast the First Stone is the sophomore follow-up to Warriors (Jazz Legacy Productions, 2010), the debut recording of the all-star ensemble The Cookers, whose name was inspired by the 1965 Blue Note live album series Night of the Cookers. Lending credence to its namesake, this powerhouse septet swings mightily through a series of post-bop originals and ...

83

News: Recording

Late Mali Guitarist Lobi Traoré on Live Recordings

We first met the legendary African singer/guitarist Lobi Traoré in one of the many dimly lit, grimy nightclubs of Bamako in Mali. Considered one of Mali's most exciting, original, and enigmatic guitarists, he immediately made an impact. His overdriven amp, ungrounded fuzzbox pedal and the occasional blast of feedback made for a raw electric blues soundscape ...

400

Article: Interview

Chick Corea: Creative Giant

Read "Chick Corea: Creative Giant" reviewed by Esther Berlanga-Ryan

by Esther Berlanga-Ryan

Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...


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