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News: Interview

Interview: Ginny Mancini

Interview: Ginny Mancini

Some of Artie Shaw and Mel Torme's finest recordings came in 1946, when both were signed to the Musicraft label in Los Angeles. Torme at the time fronted a vocal quartet known as the Mel-Tones. What set the Mel-Tones apart was their hip spin on the band vocal groups popular at the time. Torme wrote the ...

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News: Recording

Henry Mancini's Film Soundtracks

Henry Mancini's Film Soundtracks

I love Henry Mancini's film scores. I could listen to them all day, and I often do when writing. There's something about his music that makes you feel cool when the orchestra swings and reflective when the strings sigh. But there's more for me. I saw my first film in 1963—It's a Mad Mad Mad Mad ...

3

News: Recording

Australian Prog Artist Ben Craven To Release New Single Through Innovative Music Delivery System TuneLeak

Australian Prog Artist Ben Craven To Release New Single Through Innovative Music Delivery System TuneLeak

Brisbane, Australia – Much to the excitement of prog music aficionados across the planet, Australian cinematic progressive- rock singer-songwriter Ben Craven is releasing his new single through an innovative new music delivery system he's developed called TuneLeak. Ben Craven's new single titled “Critical Mass Part 2” is now available through TuneLeak. Ben explains, “This project is ...

4

News: Recording

Henry Mancini's "The Classic Soundtrack Collection"(9-CDs) to be released November 18!

Henry Mancini's "The Classic Soundtrack Collection"(9-CDs) to be released November 18!

The 9-CD box set features 18 of Mancini’s most celebrated soundtrack albums with rare bonus tracks. Scores feature jazz and pop standards, including “The Pink Panther Theme,” “Moon River” (from Breakfast At Tiffany’s) and “Baby Elephant Walk” (from Hatari!) Legacy Recordings, the catalog division of Sony Music Entertainment, is proud to announce the release of Henry ...

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Article: In the Studio

Jazz on the Screen: A Jazz and Blues Filmography

Read "Jazz on the Screen: A Jazz and Blues Filmography" reviewed by AAJ Staff


This article appears courtesy of David Meeker and the Library of Congress. Learn more about Jazz on Screen. Overview of Jazz on the Screen By David Meeker The cultural, sociological and technical histories of jazz and motion pictures have run in parallel, sometimes intersecting, lines ever since both forms emerged ...

3

Article: Album Review

PerfecTrio Gatto, Santimone, Ranieri: Starship for Lovers

Read "Starship for Lovers" reviewed by Luigi Sforza


A quanti attendevano, lecitamente, un riscontro discografico del nuovo Perfect Trio di Roberto Gatto risponde la Parco della Musica Records documentandone il sodalizio con Alfonso Santimone alle tastiere e Pierpaolo Ranieri al basso elettrico, sperimentatori fantasiosi, mossi alla comunicazione sonora da diversa passione, rispettivamente quella per la manipolazione dei media elettronici, per la musica sperimentale e ...

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Article: Extended Analysis

Henry Mancini: Music for Peter Gunn

Read "Henry Mancini: Music for Peter Gunn" reviewed by Jack Bowers


Who could ever forget the assertive, pulse-quickening theme from Peter Gunn, the urbane TV detective series that ran from 1958-61, with its jazz-centered score by the incomparable Henry Mancini. In case you are one of those who has (forgotten the theme, that is), you can now savor it anew (with much more music from the show), ...

7

Article: Album Review

First Take Trio: Recollections

Read "Recollections" reviewed by Jack Bowers


When Michael Anthony left home in the late 1950s for the bright lights of Hollywood, one of the resident artists who took him under his wing was fellow guitarist Howard Roberts, already established as one of the film and television industry's top studio musicians as well as an esteemed jazz virtuoso whose work with the Chico ...

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Article: Live Review

Roberto Gatto Perfect Trio

Read "Roberto Gatto Perfect Trio" reviewed by Neri Pollastri


Pinocchio Live Jazz Firenze 22.02.2014 Poteva non essere scontato che l'incontro tra un batterista come Roberto Gatto--veterano del jazz nostrano, ben piantato nella tradizione ancorché aperto a molteplici esperienze--e un musicista inquieto e sperimentatore come Alfonso Santimone potesse avere esiti indiscutibilmente positivi, essendo la diversità tra i due ...


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