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Steve Wilson: Lifetime of Study
by George Colligan
Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth. I'm very happy to have the opportunity to interview a musician that I've worked with a lot over the years. When people say that a musician has worked with everybody in the business, Steve Wilson has literally worked with everyone in jazz. ...
S.O.S.: Looking for the Next One
by John Kelman
With more and more archival “finds" hitting the shelves--real or virtual--it's becoming increasingly difficult to separate the wheat from the chaff. Just because an old, long considered lost recording has resurfaced doesn't inherently make it worthy of release: sometimes the sound isn't up to snuff--though, if it's a stellar performance, that can sometimes be forgiven--but other ...
The Scottish National Jazz Orchestra: In the Spirit of Duke
by Dan McClenaghan
Another tribute to bandleader/composer/pianist Duke Ellington? Is this necessary? Pulling from the archive a few recent nods to one of America's musical icons reveals 1997's elegant Count Plays Duke (Mama Records), by the Count Basie Orchestra; Don Sebesky's unabashedly gorgeous Joyful Noise (RCA Victor, 1999); and pianist Ted Howe's excellent trio affair, Ellington (Summit Records, 2005). ...
"Lone Wolf" Finds Plenty to Chew On
by Jack Bowers
With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...
Mark Masters Ensemble: Ellington Saxophone Encounters
by Greg Simmons
It could be argued that the core of bandleader Duke Ellington's wonderful textural sound was the way he harmonized his reed section, with great woody chords and lush polyphonic melodies. That reed section, with the great Johnny Hodges leading on alto, stalwarts like Paul Gonsalves on tenor and Harry Carney on baritone, as well as shorter-term ...
TD Ottawa Jazz Festival's Jacque Emond (1934-2013)
Obit by James Hale, courtesy of Jazz Chronicles and CBC Music: Note: My longtime friend Jacques Emond, former programming director for the Ottawa International Jazz Festival, died Sunday night after suffering a stroke the previous day. Almost everywhere I've ventured in the global jazz community I've found them: obsessed, lifelong fans of the music with encyclopedic ...
Duke Ellington Orchestra: Big Bands Live
by Dan McClenaghan
By 1967, the heyday of the big band was over. Rock and Roll ruled as the popular music of the day, and the financial challenges of keeping a large ensemble together for recording--and especially touring--were huge. But Duke Ellington--one of American's finest bandleaders, pianists, and composers--was more than just a genius in the field of music. ...
Mark Masters Ensemble: Ellington Saxophone Encounters
by Edward Blanco
Longtime big band arranger/bandleader Mark Masters happens to be President of the Pasadena, CA-based non-profit American Jazz Institute (AJI), while baritone saxophonist great Gary Smulyan sits on its Advisory Board. Together, the two have often joined forces on musical projects intended to foster and promote jazz; Ellington Saxophone Encounters is another one of their AJI collaborations, ...
Mark Masters Ensemble: Ellington Saxophone Encounters
by Dan Bilawsky
Countless albums have been made with the sole intention of honoring the great Duke Ellington by highlighting his personality, piano skills and pile of hits, but they don't tell the whole story; part of his legacy rests with the men who brought his music to life. The individuals who filled out the roster in Ellington's illustrious ...
Ronnie Cuber: Infra-Rae: Ronnie Cuber Meets The Beets Brothers
by Raul d'Gama Rose
It is easy to forget an elder statesman such as the magisterial Ronnie Cuber, who continues to give commanding performances on his baritone saxophone. The absence of a sense of history clouds successive generations, who will honor young masters like Brian Landrus but forget the ancestors. The great tones from the bass end of the saxophone ...
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