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Moody's Mood Was Always Happy
by Jack Bowers
James Moody, whose noble spirit and radiant personality were as impressive as his exploits on saxophone and flute for more than six decades, died December 9, 2010 from pancreatic cancer at his home in San Diego. He was 85 years old. To anyone who was lucky enough to meet him, the Moody hug ...
Harold Land - A West Coaster Worth Surfing For
Hard bop saxophonist Harold Land (1928-2001) grew up in San Diego and started playing saxophone at the age of 16. He recorded some early sides as a leader in the late 1940s, but he really came into his own in 1954 when he joined the famous Clifford Brown/Max Roach quintet. He toured and recorded with the ...
Ken Fowser & Behn Gillece: Little Echo
by Dan Bilawsky
Tenor saxophone and vibraphone frontlines--while not as commonplace as two horn teams--have their place in history. Lionel Hampton and Stan Getz had a marvelous meeting in the studio and Milt Jackson recorded with Sonny Rollins, Coleman Hawkins and John Coltrane, on different occasions. Bobby Hutcherson added to this legacy, working with Dexter Gordon and maintaining a ...
Jon Mayer: Nightscape
by Ken Dryden
Jon Mayer was working professionally as a jazz pianist as a teen back in the '50s, while attending the Manhattan School of Music. As well as working as a sideman with Tony Scott, Kenny Dorham, Chet Baker, the Thad Jones/Mel Lewis Orchestra, Sarah Vaughan and others, along with taking part in record dates with John Coltrane ...
Byard Lancaster: Sounds of Liberation: New Horizons
by Clifford Allen
In the years following saxophonist John Coltrane's death and the related dearth of opportunities to perform and record the New Music stateside, a significant body of musicians relocated to Europe, to ply their art in a more receptive atmosphere. Reedman Byard Lancaster was one of the second wave of American free jazz musicians to relocate to ...
Joanne Brackeen: Phenomenal Capacity
by Russ Musto
One of the most heralded pianists of her era, JoAnne Brackeen came to New York in 1965 after cutting her chops jamming with the likes of Teddy Edwards, Harold Land, Charles Lloyd and Dexter Gordon during the waning days of the Central Avenue scene in her native California. After a few dues-paying years here, she landed ...
Jon Mayer: Nightscape
by Bruce Lindsay
New York-born, Los Angeles-based pianist Jon Mayer began his musical career in the New York jazz scene of the 1950s and 1960s. He has a long and distinguished pedigree, including work with Jackie McLean and John Coltrane, but his first recording as leader came as late as 1996, with Round Up The Usual Suspects (Pullen Music). ...
Bobby Hutcherson: Pushing The Vibes Forward
by Robert Iannapollo
Grachan Moncur III Evolution Blue Note 1963 John Coltrane / Archie Shepp New Thing At Newport Impulse 1965 Bobby Hutcherson Head On Blue Note 1971
This Ain't No Ukelele: Jazz Guitarists Anthony Wilson, Daniel Santiago and John Pondel
by Martin Gladu
For better or worse, the electric guitar has generally projected an image of masculinity, a certain macho quality even. Perfect examples of this are the scenes involving Steve Vai's Jack Butler character in Walter Hill's Crossroads (Columbia Pictures, 1986). Cruelly demanding, the instrument has bruised many male egos and crushed their dreams of stardom and fame.
Kenny Burrell: Mr. Good Notes
by Russ Musto
“I'm just trying to play the good notes," says Kenny Burrell, lighthearted laughter accompanying his response to the question of how he would characterize his style of guitar playing. The reply betrayed the genial humility that has long distinguished him as one of the music's truly gracious gentlemen. Burrell has been playing the “good notes" for ...
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