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19

Article: My Blue Note Obsession

Cliff Jordan and John Gilmore: Blowing in From Chicago – 1957

Read "Cliff Jordan and John Gilmore: Blowing in From Chicago – 1957" reviewed by Marc Davis


Imagine if Art Blakey and the Jazz Messengers, at the height of their popularity in 1957, invited a couple of sax guys you've never heard of to play with them. The result would be Blowing in From Chicago--a lively, wonderful record firmly in the Blue Note bop tradition. The rhythm section is ...

17

Article: My Blue Note Obsession

Hank Mobley: Dippin' – Blue Note 4209

Read "Hank Mobley: Dippin' – Blue Note 4209" reviewed by Marc Davis


1965 was an interesting year musically, and Hank Mobley's Dippin' tries--mostly successfully--to capture all of it. It's a hodgepodge of styles that were very popular that year, ranging from soul to pop, hard bop to bossa nova. It's a fun listen--but don't expect any kind of consistent feel. The record pairs two ...

13

Article: Building a Jazz Library

Rare and Unusual Instruments in Jazz

Read "Rare and Unusual Instruments in Jazz" reviewed by Hrayr Attarian


Historically the cornet was the quintessential jazz instrument but over a century of its evolution other instruments have also become part of the regular jazz armamentarium. These include common ones such as the piano, saxophone, bass and drums to the more occasionally appearing violin, clarinet and other percussion instruments. There are few, however, that exhibit unique ...

16

Article: My Blue Note Obsession

Paul Chambers: Whims of Chambers – Blue Note 1534

Read "Paul Chambers: Whims of Chambers – Blue Note 1534" reviewed by Marc Davis


At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...

30

Article: My Blue Note Obsession

Johnny Griffin: A Blowin' Session – Blue Note 1559

Read "Johnny Griffin: A Blowin' Session – Blue Note 1559" reviewed by Marc Davis


Sometimes dumb luck makes all the difference. That's the case with Johnny Griffin's A Blowin' Session. If you're a sax fan, this one's for you--not one, not two, but three red-hot tenors, plus one scorching trumpet, and the legendary Art Blakey smashing the drums behind them. Three tenors? How did that happen? Pure serendipity. ...

19

News: Book / Magazine

"The Ultimate Sideman" by Eric Ineke & Dave Liebman

"The Ultimate Sideman" by Eric Ineke & Dave Liebman

By Marta Ramon The Ultimate Sideman Eric Ineke & Dave Liebman 224 pages ISBN:978-94-90532-04-8 Pincio Uitgeverij 2012 When you see a jazz musician on the stage, you connect with their playing. Sometimes, you wonder what crosses their mind to do that particular and subtle thing which ...

21

Article: My Blue Note Obsession

Hank Mobley and his All Stars – Blue Note 1544

Read "Hank Mobley and his All Stars – Blue Note 1544" reviewed by Marc Davis


I think I've hit a wall. I love hard bop. I love Blue Note. But all of a sudden, the thrill is gone. This week, I'm listening to Hank Mobley and his All Stars, a 1957 album that could never be accused of false advertising. This truly is an all-star hard bop ...

6

Article: Live Review

Pete Christlieb Quintet, "Santa’s Bones" at Phoenix Musicians Hall

Read "Pete Christlieb Quintet, "Santa’s Bones" at  Phoenix Musicians Hall" reviewed by Patricia Myers


Pete Christlieb, “Santa's Bones" Musicians Hall, Phoenix Musicians Union, Local 586 AFM Phoenix, AZ November 30 and December 2, 2014 Concerts by tenor saxophonist Pete Christlieb and a trombone ensemble called “Santa's Bones" were presented as part of on ongoing series at the Musicians Hall of the Phoenix Musicians Union, Local ...

4

Article: Live Review

The Nash Second Anniversary in Phoenix

Read "The Nash Second Anniversary in Phoenix" reviewed by Patricia Myers


The Nash Second Anniversary The Nash/Private Home Phoenix/Scottsdale, Arizona October 31, November 1-2, 2014 There's something about the way Lewis Nash plays drums. No, there's everything about the way he plays drums--selectively, tastefully, underplaying vs. bombastic; in a word, elegantly. Nash's classy combination of swing and sophistication was abundantly evident during ...

22

Article: Interview

Billy Harper: A Life of Persistence and Improvisation

Read "Billy Harper: A Life of Persistence and Improvisation" reviewed by R.J. DeLuke


On stage, Billy Harper puts his lips to the tenor saxophone, stands relatively erect and sings through his horn; a strong, angular, muscular sound. There little physical gesticulation, belying the effort it takes to express feelings and emotions through the instrument. But Harper's creative statements demand attention. Over the last few years, a lot ...


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