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Song of the Day

Mississippi 1955 Confessional

Album:
By
Label: Origin Records
Released: 2023
Duration: 06:51

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Article: Radio & Podcasts

A Hip-Hop Jazz Thing @50 - Part 1

Read "A Hip-Hop Jazz Thing @50 - Part 1" reviewed by Ludovico Granvassu


Hip-Hop's birthday has been officially identified as August 11, 1973 and many initiatives marking its fiftieth anniversary are already under way. Should you catch yourself wondering--as a jazz fan--about how jazz and hip hop influenced one other... you may find a few clues on this program. And since you're in a celebratory mood, you can also ...

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Article: Take Five With...

Take Five with Jon De Lucia

Read "Take Five with Jon De Lucia" reviewed by AAJ Staff


Meet Jon De Lucia Jon De Lucia is a Brooklyn-based saxophonist, clarinetist and composer. Originally from Quincy, MA, he moved to New York City in 2005.Since then he has performed in the US and internationally at the Burlington Discover Jazz Fest, the Tanglewood Jazz Festival, and the Tamana-shi Jazz Festival in Japan. In New York he ...

Article: Album Review

Megumi Yonezawa: Resonance

Read "Resonance" reviewed by Neri Pollastri


La pianista giapponese Megumi Yonezawa, da tempo residente a New York e collaboratrice stabile di Greg Osby, esce per Sunnyside con il secondo album a proprio nome, un piano trio nel quale mescola brani di propria composizione, alcuni standard e un'improvvisazione totale.La cifra del lavoro è quella di un modern jazz estremamente ricco di ...

23

Article: Album Review

Tyshawn Sorey Trio: Continuing

Read "Continuing" reviewed by Karl Ackermann


Tyshawn Sorey listeners who were weaned on his Pi Recordings, The Inner Spectrum of Variables (2016), Verisimilitude (2017), and Pillars (2018), were probably unprepared for the swinging trio outing Mesmerism (Pi, 2022). With the multi-instrumentalist Sorey on drums, Aaron Diehl on piano and Matt Brewer on bass, the group delivered one of the best piano trio ...

2

Article: Liner Notes

Ryan Kisor: Power Source

Read "Ryan Kisor: Power Source" reviewed by C. Andrew Hovan


Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through ...

4

Article: Liner Notes

David Kikoski: Surf's Up

Read "David Kikoski: Surf's Up" reviewed by C. Andrew Hovan


It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift ...

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Article: Album Review

The Flame: Towards The Flame Vol 1

Read "Towards The Flame Vol 1" reviewed by Mike Jurkovic


Three of Europe's most acclimated and proven improvisers--pianist Robert Mitchell (Steve Coleman, Greg Osby), bassist Neil Charles, and drummer/percussionist Mark Sanders (Jah Wobble, Rachel Musson)--band together as The Flame for the first time and emerge from pandemic isolation, and the forever wars and broken civics that accompanied it, with a hypnotic performance captured absolutely live on ...

927

Article: Interview

Ahmad Jamal: Forward Momentum

Read "Ahmad Jamal: Forward Momentum" reviewed by Ian Patterson


In memory of the venerable Ahmad Jamal. This article was first published on All About Jazz on July 6, 2010. Ahmad Jamal, possibly the most influential of living jazz pianists, turned 80 years young on July 2, 2010. It is however, business as usual and instead of celebrating at home in his slippers, Jamal ...

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Article: Liner Notes

Wycliffe Gordon: What You Dealin' With?

Read "Wycliffe Gordon: What You Dealin' With?" reviewed by C. Andrew Hovan


Privy to the entire history of jazz trombone via the technological age in which we live, Wycliffe Gordon seems to have utilized this information in such a way that his own playing displays elements from various periods and a technical competence that is indeed remarkable. “I was most familiar, at first, with guys who played with ...


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