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Iron City: Put the Flavor On It
by Hrayr Attarian
How is it that a record can sound so pleasant but at the same time disappoint? That is the case with Iron City's Put the Flavor On It. Iron City is an organ trio led by guitarist Charlie Apicella and presumably named after the legendary album by Grant Green, John Patton and Ben Dixon. Although this ...
Jazz Musician of the Day: Grant Green
All About Jazz is celebrating Grant Green's birthday today! JAZZ MUSICIAN OF THE DAY Grant GreenGreen was born on June 6, 1931 in St. Louis, Missouri. He first performed in a professional setting at the age of 13. His early influences were Charlie Christian and Charlie Parker; however... more ...
Yotam Silberstein: Next Page
by J Hunter
Next Page has been pegged as an organ trio disc. The problem with that is saxman Chris Cheek appears on five of the disc's nine cuts. True, keyboardist Sam Yahel never lays out, but to completely dismiss Cheek's role in Yotam Silberstein's second release as a leader--even for simplicity's sake--is to ignore a range of color ...
Red Holloway: Go Red Go!
by Nic Jones
For disingenuous reasons Go Red Go! is a good companion for Cy Touff and Sandy Mosse's Tickle Toe which Delmark reissued in 2008. Both albums offer up straight-ahead mainstream jazz of the most worthwhile order performed by men who know the territory inside out. The crucial difference between the two is that while Touff and Mosse ...
Yotam Silberstein: Next Page
by Dan McClenaghan
The organ trio approach is one of the more drenched-in-the-tradition formats in jazz. From Wes Montgomery's Riverside recordings through Grant Green's Blue Note sets up to Dr. Lonnie Smith's innovations, there's always a feeling of timeless soulfulness to the grouping of guitar, Hammond B3 organ and drums.Tel Aviv-born guitarist Yotom Silberstein, on Next Page, ...
Grant Green: Street Of Dreams
by Chris May
Grant Green (1931-79) is probably the most sampled guitarist of his generation, and is rightly regarded as a godfather of acid jazz. His debut, Grant's First Stand (Blue Note, 1961)--heavy on the good foot groove--was made with soul jazz organist Baby Face Willette, and by 1965, when Green recorded an album for Verve, the label was ...
Blue Note 70th Anniversary Tour at the Kimmel Center
by Victor L. Schermer
The Blue Note 7Kimmel Center for the Performing ArtsVerizon HallPhiladelphia, PennsylvaniaMarch 28, 2008 The legendary Blue Note record label is celebrating its 70th Anniversary this year. To briefly summarize its history and achievements, one can do no better than to quote from the Wikipedia entry on the subject:
Will Sellenraad: Balance
by Greg Camphire
Balance is the third album as leader for up-and-coming guitarist Will Sellenraad, capturing a day's session of his seasoned working band laying down first or second studio takes of their current repertoire. The six-stringer has a classic tone reminiscent of Wes Montgomery and Grant Green, and it serves him well on this set of mostly his ...
Will Sellenraad: Balance
by J Hunter
Will Sellenraad grew up in a place and time many people dream of: New York City's downtown scene of the '60s and '70s, when music and art were both in a state of quicksilver flux. Given that his parents (prominent New York artists themselves) named their son after modern-art pioneers William de Kooning and Piet Mondrian, ...
Blue Note 7: Mosaic: a Celebration of Blue Note Records
by J Hunter
Blue Note's 70th anniversary deserves more than a cake, a toast, and a chorus of “For He's a Jolly Good Fellow." To that end, The Blue Note 7's Mosaic: a Celebration of Blue Note Records is a collection of music from some of the imprint's greatest masters, as interpreted by a group of Blue Note's current ...
