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Rose Ellis: Like Songs Like Moons
by Dan McClenaghan
After a promising beginning in the Netherlands--success with the Dutch pop group, Roos, prestigious schooling and prestigious awards--vocalist/songwriter Rose Ellis came to New York, with a scholarship from the Dutch government and jazz on her mind. She earned her master's degree at the Aaron Copland School of Music, a solid start. And now her jazz debut: ...
Glenn Zaleski: Fellowship
by Dan Bilawsky
Ever overcook a dish? The end result is usually dry and wilted. How about undercooking? Has one of your meals ever succumbed to that fate? If it has, you've probably been disappointed by the raw and shapeless dish sitting before you. In composition, as in cooking, you need to find the perfect temperature that sits between ...
Nick Finzer: Hear & Now
by Dan McClenaghan
New York-based trombonist Nick Finzer has benefited from mentorships under trombone masters Wycliffe Gordon and Steve Turre; but his third CD release, Hear And Now also brings the original trombone master, J.J. Johnson to mind. One of Johnson's last CDs, the minor masterpiece, Heroes (Verve Records, 1995), featured a sextet configuration with an enormously-talented pianist, Rene ...
Alex LoRe Quartet: More Figs And Blue Things
by Dan Bilawsky
Saxophonist Alex LoRe is a musician of philosophical and poetic bent. With his debut--Dream House (Inner Circle Music, 2014)--that wasn't always apparent, as the scales slightly favored progress over patience. Here, the balance tips the other way, but not so much so that things become tedious. LoRe may be a deep thinker, but he doesn't allow ...
Michael Dease: Father Figure
by David A. Orthmann
Never underestimate a jazz musician's capacity for drawing on material from vastly different sources, deflating the ostensible dissimilarities, and producing vibrant sounds that don't hew to convention or expectations. From the music's early years, resourceful artists have been confounding audiences and critics alike by putting their stamp on anything that strikes their fancy, from gutbucket blues ...
Michael Dease: Father Figure
by Dan Bilawsky
Paying it forward is simply a given in jazz. Long before the music was welcomed in ivory tower institutions and codified for classroom consumption at all levels, seasoned musicians were sharing their hard-earned knowledge with aspiring youngsters on bandstands and in basements, serving as guides, exemplars, nurturers, and teachers all at once. Those experienced players were ...
Robin Eubanks Mass Line Big Band: More Than Meets the Ear
by Angelo Leonardi
Tornato alla piena attività discografica lo scorso anno con l'eccitante Klassik Rock -Vol. 1, Robin Eubanks pubblica ora un formidabile lavoro orchestrale con una band ricca di splendidi solisti e alcuni allievi dei suoi corsi. Dopo il Duemila il trombonista s'è dedicato prevalentemente all'insegnamento (all'Oberlin College, ma anche al Berklee College of Music e al New ...
Robin Eubanks Mass Line Big Band: More Than Meets The Ear
by Hrayr Attarian
Trombonist Robin Eubanks is well known for his versatility and inventiveness. It is no surprise, therefore, that his first big band recording, More Than Meets The Ear, is an innovative and engaging work of mainstream jazz. Various influences, across genres, infuse the intricately crafted music that, despite its precise orchestration brims with energetic spontaneity.
My Ideal
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Label: Sunnyside Records
Released: 2015
Track listing: Nobody Else But Me; Waltz for MD; Make Someone Happy; Cheryl; Body and Soul; Rel; Arietis; My Ideal; I'm Old Fashioned.
Waltz for MD
Album: My Ideal
By Glenn Zaleski
Label: Sunnyside Records
Released: 2015
Duration: 6:01
