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Results for "Glenn Zaleski"
Nick Finzer: The Chase
by Mark Sullivan
Trombonist Nick Finzer distinguishes himself as horn player, composer, and bandleader on this exciting sextet date. It's upbeat modern jazz just about all the way, aided by creative arranging. This is bop-based music, but Finzer avoids the trap of having all of the tunes follow the same head-solos-head format. There's plenty of solo space, but not ...
Nick Finzer: The Chase
by Bruce Lindsay
The trombone's gone through a few good times and a few bad times as a front-line jazz instrument. Thankfully, for all lovers of this particular horn, these times are good times. Nick Finzer is one of the players responsible, a trombonist and writer with flair and variety. The Chase, his second album, helps to ensure that ...
Isaac Darche: Team & Variations
by Dan Bilawsky
While guitarist Isaac Darche is clearly a fan of punny titles, his music is no joke. On Team & Variations--the follow-up to the California-bred, New York-based guitarist's debut, Boom-Baptism (BJU Records, 2012)--Darche digs deep, delivering five stimulating originals and three classics that focus in on his dexterous finger work, tight arrangements, and kinship with his contemporaries. ...
Tomoko Omura: Roots
by Ian Patterson
The roots of the title of violinist Tomoko Omura's second CD as leader refer to traditional and popular melodies familiar to several generations of Japanese. But if the melodies of Omura's childhood have left an indelible stamp on her musical DNA, so too has the past decade spent in America absorbing the roots of jazz. It's ...
Lucas Pino: No Net Nonet
by Jack Bowers
So there is hope after all. With so much jazz these days soaring into realms that are often uncharted and at times unfathomable, it is a pleasure to hear groups such as tenor saxophonist Lucas Pino's No Net Nonet, which are remarkably creative even as they adhere to the basic precepts of melody, harmony and rhythm. ...
Tomoko Omura: Roots
by Dan Bilawsky
Japanese violinist Tomoko Omura may be ten years into a stay in the United States, but Roots clearly demonstrates that she hasn't forgotten or forsaken her homeland. Omura left Japan and relocated to the United States in 2004, eager and ready to study at Boston's Berklee College of Music. Shortly after graduating in ...
Zbigniew Seifert International Jazz Violin Competition
by Ian Patterson
1st Zbigniew Seifert International Jazz Violin Competition Krzysztof Penderecki European Centre for Music Luslawice/Krakow Poland July 16-19, 2014 He was one of the great jazz virtuosos, right up there some would say with Django Reinhardt, Art Tatum and Charlie Parker. Most frequently, however, he was compared to John ...
Nicky Schrire: On Songs, Spaces And Places
by Dan Bilawsky
What defines power? That's a tough question to answer in general, and an even harder one to figure out when it comes to the world of music. For in music, a whisper may carry greater weight than a roar, an honest gesture can outdo a demonstration of brute strength and technique, and a direct message to ...
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Ilia Skibinsky: The Passage
by Dan Bilawsky
Saxophonist David Binney's Mythology Records imprint is used sparingly, but when this maverick music man chooses to release albums under its banner, they tend to be bold and brimming with the excitement of the unknown; The Passage is no exception. With this debut, Russian-born/Israeli-bred/New York-based saxophonist/composer Ilia Skibinsky joins the elite Mythology roster, which includes post- ...
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Interview
Bill Bruford And Pete Roth: A One-Of-A-Kind Juxtaposition
Interview
Miles Okazaki's Monkathon: The Complete Thelonious...
Interview
Scott Kinsey: Thought Distortions and the Art of the Left...
Reanimating Conversations Past
John Scofield: Meant To Be
From the Inside
The Quiet Cruelty of the Music Business
Phil Schaap's Jazz Room
Franc Williams: Live From The West End
Live Review
Arcanum at Victoria Nasjonal Jazzscene, Oslo
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