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Shrunken Head Shop: Live in Germany
by Glenn Astarita
This international group is captured performing improvised music in Germany, featuring guest trumpeter Dave Laczko on three tracks that reside somewhere between Miles Davis' Bitches Brew (Columbia, 1970) era and experimental trumpeter Jon Hassell's work. Laczko and guitar whiz Willie Oteri have also recorded under the moniker WD-41. Indeed, both artists are known for pushing the ...
Mary Halvorson Septet: Illusionary Sea
by Glenn Astarita
Guitarist Mary Halvorson's signature sound and methodologies have been making an impact within avant-garde and progressive-jazz circles on a global basis. Illusionary Sea marks the debut of her septet, comprised of impressionable players often residing at the forefront of the newer kindling of what may loosely be classified as jazz. Here, like minds coalesce for an ...
Antoine Fafard: Occultus Tramitis
by Glenn Astarita
An unanticipated surprise in the form of a new album is always welcome. And the star-studded cast of jazz, jazz fusion and progressive rock performers here is somewhat of an eye-opener, especially when considering that UK bassist Antoine Fafard (Spaced Out) is not a household name in the US. Gathering a supporting cast of this stature ...
Musson - Noble - Sanders: Tatterdemalion
by Glenn Astarita
Tatterdemalion: the album title refers to someone who wears tattered clothing, a simile that may parallel the unadorned and rather raucous proceedings enacted by this trio's thoroughly “free" approach to jazz improvisation. You won't find pieces that intimate a sea of tranquility. It's more about an in-your-face type workout featuring saxophonist Rachel Musson's hardcore expressionism. However, ...
Billy Bang: Da Bang!
by Glenn Astarita
Da Bang was recorded two months before violinist Billy Bang's battle with cancer ended in April, 2011. The album title is lifted from Bang's former FAB Trio band mate, drummer Barry Altschul. Indeed, Bang was an influential presence, partly due to his cutting-edge improvisational faculties. He was an artiste markedly comfortable in most any setting. On ...
Martin Archer: Blue Meat, Black Diesel & Engine Room Favourites
by Glenn Astarita
One never knows what direction British multi-reedman Martin Archer will impart as he surges forward in a stealthy world of avant-jazz, electronics, or discombobulated jazz-rock. Hands down, he's one of the more creative musical souls on mother earth. Each new album marks a distinct journey. His fresh outlook and cornucopia of disparate concepts, executed with large ...
Arrigo Cappelletti Quintet: Hot Music
by Glenn Astarita
Pianist Arrigo Cappelletti's third album for UK-based Leo Records merges the best of many jazz propositions. With fellow Italians manning the frontline and the Norwegian rhythm section tendering sympathetic accompaniment, the musicians focus on melodic content, used as a vehicle for numerous song forms and extrapolations. Extremely tight and well-rehearsed, Cappelletti directs the quintet through knotty ...
Billy Cobham: Compass Point
by Glenn Astarita
Few if any jazz-fusion drummers have been more influential than Billy Cobham, along with his modern jazz drumming for legends such as Freddie Hubbard, McCoy Tyner and other notables. Yet touring has its trials and tribulations, noted in the album liners on this previously unissued 2-CD set, presenting live material from the drummer's 1997 show at ...
Elliott Sharp / Melvin Gibbs / Lucas Niggli: Crossing The Waters
by Glenn Astarita
The performer roster of Switzerland's progressive record label Intakt Records was showcased in 2012 at John Zorn's New York City venue, The Stone. Venerable Swiss drummer and longtime Intakt recording artist Lucas Niggli teamed with New York City-based guitarist Elliott Sharp and bassist Melvin Gibbs for a maiden trio concert, wasting no time at all capturing ...
Made To Break: Provoke
by Glenn Astarita
Each of these three extended pieces is dedicated to great twentieth century innovators who specialize in distinct disciplines. Led by Chicago outside jazz luminary Ken Vandermark, the quartet derives inspiration from avant-garde composer John Cage, architect, author Buckminster Fuller and philosopher, media theorist Marshall McLuhan. And as expected, the compositions are not thin or one-dimensional by ...
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