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10

Article: Album Review

Kidd Jordan / Alvin Fielder /Peter Kowald: Trio and Duo in New Orleans

Read "Trio and Duo in New Orleans" reviewed by Glenn Astarita


Eminent avant-garde saxophonist Edward “Kidd" Jordan doesn't venture outside the New Orleans area that often, but like- minded artists will occasionally make the trip to the Big Easy to unite in the studio or for a live date. Such is the case here on this 2-disc set, capturing Jordan in trio and duo settings with late, ...

7

Article: Album Review

Bob Aves: Out Of Tradition

Read "Out Of Tradition" reviewed by Glenn Astarita


Guitarist Bob Ave's long-awaited follow-up to the progressive and perhaps unprecedented fusion of gongs, world music and jazz on Translating The Gongs (Taomusic, 2006), is still framed on indigenous percussion and gongs, but highlights his artistry, using the 14-stringed octavina guitar. Armed with formidable chops, Aves also exudes finesse via his deft phrasings, tinted with Spanish ...

6

Article: Album Review

Daunik Lazro / Joelle Leandre: Hasparren

Read "Hasparren" reviewed by Glenn Astarita


This outing signifies the fifth recording and sole duo pairing by these consummate improvisers, spanning several decades. Recorded at a cultural center in Hasparren, France, the musicians explore the lower register with a profusion of prismatic contrasts as they interrogate and expand upon numerous schematics that at times, seem uncannily composed or sketched out ...

9

Article: Album Review

Mumpbeak: Mumpbeak

Read "Mumpbeak" reviewed by Glenn Astarita


When considering most instances of progressive rock, Mumpbeak is a horse of a different color. With four world- class bassists, chiefly performing on alternating tracks, and keyboardist Roy Powell's unearthly sound-shaping mechanisms garnered from an electronically souped-up Hohner clavinet, the band brashly merges a doomsday panorama with insurrectionary tactics. King Crimson drummer ...

12

Article: Album Review

Albert Ayler: Lorrach, Paris 1966

Read "Lorrach, Paris 1966" reviewed by Glenn Astarita


This is the third edition of the original pressing by hatOLOGY records, containing re-masters of tenor saxophonist Albert Ayler's live performances in Lorrach, Germany, and live tracks recorded at the Paris jazz festival, culled from his 1966 European tour. In the liners, Peter Niklas Wilson asserts that the George Wein produced the “Newport in Europe" tour ...

8

Article: Album Review

David Helbock's Random / Control: Think Of Two

Read "Think Of Two" reviewed by Glenn Astarita


Inferring that his Germany-based trio is a multitasking machine would be an understatement. With a fleet of instruments at their disposal, the compositions are largely sinuous, vastly complex, and highly coordinated. The musicians toggle between instruments to alter the pitch, accent the rhythms or whirl through complex unison choruses while adding wit and whimsy into the ...

8

Article: Album Review

Dusan Jevtovic: Am I Walking Wrong?

Read "Am I Walking Wrong?" reviewed by Glenn Astarita


Serbian guitarist Dusan Jevtovic employs a broad playing field on his debut effort for Moonjune Records. He's certainly one to watch as he comingles progressive rock, progressive metal and shreds with the guileful impulsion, occasionally witnessed in New York City downtown- like fare. The guitarist's animated delivery, features mind-bending crunch chords and stinging single note lines ...

8

Article: Album Review

The Sixxis: The Sixxis

Read "The Sixxis" reviewed by Glenn Astarita


Founded in 2006, The Sixxis' experienced the trials and tribulations of breaking into the music business, while honing their craft along the way. They are now managed by an A-list team in Nashville, where this formidable album was also recorded. With influences and a soundstage reminiscent of Rush, Kings X and others of note, the trio's ...

11

Article: Album Review

Zevious: Passing Through The Wall

Read "Passing Through The Wall" reviewed by Glenn Astarita


Here's a group that started out as a no-frills jazz guitar trio. They've become louder and more aggressive, incorporating Machiavellian- like chutzpah, tinted with a punkish 'tude, spanning hardcore jazz- fusion and vintage progressive rock mechanisms. With an in-your-face modus operandi, the band intimates a high metabolism rate through a punishing impetus. The musicians' literally bust ...

10

Article: Album Review

Matte Henderson with Marco Minnemann: The Veneer Of Logic

Read "The Veneer Of Logic" reviewed by Glenn Astarita


Guitarist, composer and futurist Matte Henderson is a former student of iconic progressive rock guitarist and founding father of King Crimson, Robert Fripp. He integrates some classic prog fundamentals such as odd-metered crunch chord voicings and wily rhythmic episodes, abetted by his collaborator and all-universe drummer Marco Minnemann. But Henderson spices up the program with muted ...


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