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71

Article: Album Review

Osmosis: Osmosis

Read "Osmosis" reviewed by Glenn Astarita


Here's a band that largely went under the radar after its lone LP release for RCA Records in 1970. Based in Boston, renowned reedman Charlie Mariano looms as the only well-known musician in this septet. But that's not to say the other members lacked any technical acumen and/or a fertile imagination, especially when looking back into ...

91

Article: Album Review

Joao Camoes - Jean-Luc Cappozzo - Jean-Marc Foussat: Autres Paysages

Read "Autres Paysages" reviewed by Glenn Astarita


Electronics ace Jean-Marc Foussat (France) and trumpeter Jean-Luc Cappozzo (France) are established purveyors of whatever may constitute 'new music' loosely skirting the fringes of improvised jazz or perhaps, open-ended experimental frameworks. Here, they team with a willing partner, viola performer Joao Camoes (Portugal) for a session that conjures an electro-organic vibe and spans numerous emotive sensations, ...

93

Article: Album Review

Norbert Stein: We Are

Read "We Are" reviewed by Glenn Astarita


Venerable German saxophonist, composer Norbert Stein's various ensemble manifestations draw inspiration from the work of 19th century scientist, Dr. Faustroll who developed the 'pata physics' theory, defined as a science centered on “unreal logic." Here, the artist leads a quartet under the moniker “Pata Messengers," which is a semi-free program framed on linear thematic sequences that ...

91

Article: Album Review

Cairo: Say

Read "Say" reviewed by Glenn Astarita


Keyboardist/vocalist Rob Cottingham is the founder of the highly regarded UK-based progressive rock outfit, Touchstone. Yet Cairo is a new venture with Lisa Driscoll sharing vocal duties for an album that exceeds expectations due to the largely memorable works that bridge gorgeous and wistful harmonies with the musicians' impressive technical faculties. The band's resonating soundstage is ...

82

Article: Album Review

Joshua Gerowitz: Solano Canyon

Read "Solano Canyon" reviewed by Glenn Astarita


A non-exhaustive Internet search didn't reveal much in the way of biographical information on young guitarist Joshua Gerowitz, but on the opening track “Smooth as Ice," he would appear to be a potential jazz-fusion guitar hero. Atop a simple hook and a loose groove, armed with a significant bite, he weaves a stylization that nestles between ...

101

Article: Album Review

Talibam!: End Game of the Anthropocene

Read "End Game of the Anthropocene" reviewed by Glenn Astarita


New York-based Talibam! returns to ESP-Disk' with an interesting take on environmental matters by declaring, “It is the soundtrack to 2048's despotic nationalism and crumbling international infrastructure, underscoring an eco-mercantilistic tragedy and the desperate plundering of the last pristine landscape on Earth. This inevitable destruction of Antarctica's purity marks the global-environmental endgame of the Anthropocene." On ...

101

Article: Album Review

Mock Grandeur: 2

Read "2" reviewed by Glenn Astarita


This Swiss label that abides by a musician-run collective manifesto has produced a limited edition of 100 CDs --also available via digital downloads --of this quartet comprised of a dual-sax attack, guitar and drums. As the lack of a bassist gives this band some flexibility based on the openness and odd-metered cadences they project throughout these ...

102

Article: Album Review

Bones: Haberdashery

Read "Haberdashery" reviewed by Glenn Astarita


This is the second release by the experimental European trio, simply known as Bones. Led by bass clarinetist Ziv Taubenfeld, the program is mainly erected on fragmented motifs and variable currents amid false endings, and an aggregation of renewal processes. And it's an unrestricted engagement, as the musicians are afforded opportunities to expand and contract, while ...

107

Article: Album Review

David Stackenäs: Bricks

Read "Bricks" reviewed by Glenn Astarita


Hailing from Sweden, David Stackenäs (Per Zanussi Ensemble, Lina Nyberg Band) may be one of the best lesser-known global guitarists out there. Active in jazz and experimental ensembles in Europe and beyond, the artist follows up his previous solo acoustic guitar outing Separator (2009, Found You) with a cunning and at times, mesmeric exposition. In the ...

108

Article: Album Review

Wingfield - Reuter - Sirkis: Lighthouse

Read "Lighthouse" reviewed by Glenn Astarita


Once again, the sky is the limit for these estimable artists who execute spontaneous compositions in the studio without any overdubs or heavy editing. It's largely about the musicians' synchronous game-plan and intuitive interactions during these resonating and impactful works, crossing genres or stylizations that lie somewhere between freeform progressive rock and jazz rock. Lighthouse follows ...


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