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147

Article: Album Review

Kutiman: Kutiman

Read "Kutiman" reviewed by Glenn Astarita

by Glenn Astarita

Israel-reared DJ, multi-instrumentalist and composer Kutiman [Ophir Kutiel] merges a contemporary mindset with the sounds and styles of funk and psychedelic lore throughout this melodically-rich album. A highly listenable party endeavor, you may either dance the night away or just sit and take it all in, as good vibes rule the roost here.

186

Article: Album Review

Mark O'Leary / Terje Isungset: Shamanic Voices

Read "Shamanic Voices" reviewed by Glenn Astarita

by Glenn Astarita

Irish guitar hero Mark O'Leary continues to pursue the outer boundaries of improvisation. Here, he aligns with Norwegian percussionist Terje Isungset for a polytonal and multihued improv fest. On 2008's Shamanic Voices, with more on the way, the guitarist intermingles acoustic and electric guitar parts with his partner's keen use of disparate percussion objects. Loaded with ...

203

Article: Album Review

Yitzhak Yedid: Suite In Five Movements

Read "Suite In Five Movements" reviewed by Glenn Astarita

by Glenn Astarita

Award-winning Israeli composer/pianist Yitzhak Yedid is a paradox of sorts. His methodology consists of music without boundaries and he's difficult to pigeonhole, which is all good of course. Other than his numerous commissions for various arts-related formats, his overall muse combines an aesthetic that teeters between jazz, new music, avant-garde, Middle Eastern folk and much more.

140

Article: Album Review

Mark O' Leary -- Eyvind Kang -- Dylan Van Der Schyff: Zemlya

Read "Zemlya" reviewed by Glenn Astarita

by Glenn Astarita

This newly formed trio's 2008 release is thematically based upon a frigid pair of islands off the Russian coast. In turn, the artist and his venerable improvising/progressive-jazz associates weave a musically chilling panorama via spacey backdrops and tumultuous three-way dialogues. At times, they invoke danger, as if they're warning the listener to proceed with caution.

274

Article: Album Review

Heath Watts and Dan Pell: Breathe If You Can

Read "Breathe If You Can" reviewed by Glenn Astarita

by Glenn Astarita

Philadelphia residents, soprano saxophonist Heath Watts and drummer Dan Pell, improvise with relentless passion here. But they uncannily combine a tight-knit vibe while simultaneously expanding their repertoire via an angular, intuitive and muscular gait. Inspired by visual artists such as Kandinsky and Picasso, the saxophonist coins his methodology, NODOT (Non-Objective Dynamically Ordered Tones). With their inaugural ...

172

Article: Album Review

Miss Kittin: Batbox

Read "Batbox" reviewed by Glenn Astarita

by Glenn Astarita

Based in Paris, DJ and electronica advocate Miss Kittin (Caroline Herve) pursues techno dance music, while vocalizing with an edge that might allude to a crafty seductress at work. This is an enjoyable feast for the ears, featuring deep-bass synths amid oscillating effects and multi-layered grooves. She carves out a program that offers the best in ...

226

Article: Album Review

Mark O'Leary / Han Bennink: Television

Read "Television" reviewed by Glenn Astarita

by Glenn Astarita

It's a proven fact that rising guitar superhero Mark O'Leary only performs with the cr?me de la cr?me of progressive-jazz improvisers. No doubt, he's on a fast-track pace via notable recordings for Leo Records and others. This 2008 endeavor marks the Irish guitarist's inaugural outing for Sweden-based Ayler Records, and it's a download-only MP3 product that ...

124

Article: Album Review

Tigran Hamasyan: New Era

Read "New Era" reviewed by Glenn Astarita

by Glenn Astarita

Armenian-born pianist Tegran Hamasyan is a striking talent, corresponding to his 2006 win of the Thelonious Monk piano competition. And with the Moutin brothers providing the largely peppy rhythms, the leader of this date transcends what many would surmise from a twenty year-old. Blessed with monstrous chops and a unique musical vision, the pianist seamlessly fuses ...

157

Article: Album Review

Biota: Half A True Day

Read "Half A True Day" reviewed by Glenn Astarita

by Glenn Astarita

It took six years to complete Half A True Day, and Biota's sixth album rings like a continuous piece that is subdivided into reference points or placeholders. Nonetheless, the large ensemble's singular permutations of prog-rock and dream-laden swashes of layered textures are glowingly iterated here. It's an acoustic-electric brew featuring the use of unorthodox instrumentation, where ...

102

Article: Album Review

Ken Serio: Drumspeak

Read "Drumspeak" reviewed by Glenn Astarita

by Glenn Astarita

New York area drummer/percussionist Ken Serio has packed gobs of musicality into a His mode of delivery sports an evolutionary outlook, partly due to his keen use of depth and space. With an arsenal of percussion implements, Serio pursues colorific and highly-rhythmic tone poems, featuring a layered approach and regimented patterns. On ...


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