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218

Article: Album Review

Ozric Tentacles: The Yumyum Tree

Read "The Yumyum Tree" reviewed by Glenn Astarita

by Glenn Astarita

Twenty-five years and still going strong, legendary U.K. prog-rock outfit Ozric Tentacles releases its first studio album since 2006's The Floor's Too Far Away (Magna Carta Records). Interestingly enough, the musicians recently moved to Colorado to hone in on the U.S. festival and jamband scenes. This 2009 date doesn't proclaim anything strikingly new, when ...

223

Article: Album Review

Max Nagl / Clemens Wenger / Herbert Pirker: Boulazac

Read "Boulazac" reviewed by Glenn Astarita

by Glenn Astarita

Austrian reedman and multi-instrumentalist Max Nagle has recorded for several, prominent European modern jazz labels. He's a master craftsman who resides as one of the wittiest performers within the new music and progressive jazz realms. From album to album, Nagl pulls previously undetected tricks out of his bag as his artistry equates to a marvel of ...

319

Article: Album Review

Yitzhak Yedid: Since My Soul Loved

Read "Since My Soul Loved" reviewed by Glenn Astarita

by Glenn Astarita

Award-winning Israel-based composer/pianist Yitzhak Yedid's Since My Soul Loved casts notions of self-realization, all iterated via lucid imagery. He enables the psyche to conjure up a multitude of scenarios with these four, contemporary classical pieces, bearing resemblance to East and West song forms amid brief sojourns into avant-garde musical terrain. Yedid outlines his multifarious ...

271

Article: Album Review

Austin McMahon: Many Muses

Read "Many Muses" reviewed by Glenn Astarita

by Glenn Astarita

New England area drummer/composer Austin McMahon's musicality breathes life and radiates a fresh approach to modern jazz, partly based on neo- classicism and multi-genre derivations here, on his debut as a leader. The artist communicates an abundance of interesting propositions and aims to entertain. McMahon is a melody-maker and provides a buoyant pulse along ...

321

Article: Album Review

Shane Theriot: Dirty Power

Read "Dirty Power" reviewed by Glenn Astarita

by Glenn Astarita

Guitarist Shane Theriot renders a medley of craftily placed spikes and high voltage maneuvers on his third solo endeavor, featuring several legendary drummers amid a who's who of superfine Louisiana musicians and others of note. Theriot's artistry has spread across multiple genres, due to a culmination of recordings and performances with Little Feat, Boz Scaggs, Aaron ...

210

Article: Album Review

Mark O'Leary / Matthew Shipp: Labyrinth

Read "Labyrinth" reviewed by Glenn Astarita

by Glenn Astarita

Like impressionist painters, guitarist Mark O'Leary and pianist Matthew Shipp execute a colorific sequence of abstracts, consisting of semi-structured theme-building developments and free-form dialogues. With blitzing firepower, the duo also fuses nuance and temperance into the big picture. They dish out linear, micro-motifs amid subtle shadings, and fragmented exchanges, but O'Leary ups the ante during several ...

875

Article: Album Review

Willie Oteri / Dave Laczko: WD-41

Read "WD-41" reviewed by Glenn Astarita

by Glenn Astarita

The conceptual, avant-garde mode of electronics-based implementations receives a slender uplift, thanks to guitarist and effects maestro Willie Oteri's collaboration with trumpeter Dave Laczko. This 2009, download-only, release is a spacey trip; chock full of loops, streaming synth noises, and fractured sojourns into the cosmic void. Oteri's résumé includes collaborations with latter-day King Crimson ...

211

Article: Album Review

Jake Hertzog: Chromatosphere

Read "Chromatosphere" reviewed by Glenn Astarita

by Glenn Astarita

Jake Hertzog is a guitarist who crosses the threshold into the jazz and jazz-fusion radar with the advent of this impressive 2009 studio set. Hertzog is a Berklee College of Music graduate and, at nineteen years-old, won the 2006 Montreux Jazz Festival's Grand Prize in the Jazz Guitar Competition. He communicates a broad music vernacular here, ...

434

Article: Album Review

Trespass Trio: "...was there to illuminate the night sky..."

Read ""...was there to illuminate the night sky..."" reviewed by Glenn Astarita

by Glenn Astarita

In the album notes to Trespass Trio's “...was there to illuminate the night sky...", saxophonist Martin Kÿchen provides a colorful yet somewhat fragmented essay, regarding the evisceration of society, partly tied into the Iraq war and the everlasting Israel-Palestine conflict. He sets the stage for a life force panorama, iterated through the power of music that ...

167

Article: Album Review

Ralph Bowen: Dedicated

Read "Dedicated" reviewed by Glenn Astarita

by Glenn Astarita

Back in the 1980s, tenor saxophonist Ralph Bowen was a member of a young and thoroughly hip progressive jazz ensemble known as OTB--Out Of The Blue. Since then, he's been an in-demand session artist. With Dedicated, he garners superb support from a top-flight ensemble, but it's Bowen's dynamic presence and big sound that fully reveal his ...


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