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39

Article: Album Review

Thollem / Parker / Cline: The Gowanus Sessions

Read "The Gowanus Sessions" reviewed by Glenn Astarita

by Glenn Astarita

Glaring expressionism coupled with rip-roaring layers of acoustic-electric sound-sculpting maneuvers yield the bountiful fruit on this manifold studio date. When guitarist Nels Cline isn't tearing it up with the popular alt-rock band Wilco, he's knee-deep in progressive-jazz, free-form experimental and jazz-rock formats. He's catapulted to the upper echelon of modern guitarists, paralleling the colossal faculties of ...

31

Article: Album Review

Frode Gjerstad & Paal Nilssen-Love: Side by Side

Read "Side by Side" reviewed by Glenn Astarita

by Glenn Astarita

Prominent Norwegian improvisers Frode Gjerstad (alto saxophone, clarinets) and Paal Nilssen-Love (drums) toured North America in 2008 sans a bassist, and recorded this album at a studio in upstate New York, accentuating their synergy via a largely rough and tumble implementation. Gjerstad shows a fondness for the upper-register and produces a myriad of microtonal and edgy ...

31

Article: Album Review

Ned Evett: Treehouse

Read "Treehouse" reviewed by Glenn Astarita

by Glenn Astarita

Nashville-based fretless guitarist Ned Evett is classically trained, but he has also derived influence from the likes of guitarist Adrian Belew (King Crimson, Frank Zappa), who produced Treehouse at his recording studio in the Nashville area. Evett has moved around the U.S., recording several solo and group-centric albums. Shocking audiences with his extraordinary technique within the ...

36

Article: Album Review

Florian Hoefner: Songs Without Words

Read "Songs Without Words" reviewed by Glenn Astarita

by Glenn Astarita

A youthful quartet led by German pianist Florian Hoefner offers a modern jazz effort that is by no means a game-changer, yet boasts a diverse track mix. Now residing in New York, Hoefner is a two-time recipient of the ASCAP Young Jazz Composer Award. Featuring his original compositions, the quartet on Songs Without Words displays verve ...

48

Article: Album Review

Dialogues Trio with Julian Siegel: Twinkle Twinkle

Read "Twinkle Twinkle" reviewed by Glenn Astarita

by Glenn Astarita

The UK-based Dialogues Trio was formed in 2005 and is led by pianist Bruno Heinen, who sports an insightful compositional pen here on the band's debut, Twinkle Twinkle. The musicians often radiate a workingman's type process, where no dillydallying or inflated soloing escapades rule the roost. Featuring reedman Julian Siegel, lending his wares on select tracks, ...

53

Article: Album Review

AYCH / Jim Hobbs / Mary Halvorson / Taylor Ho Bynum: As The Crow Flies

Read "As The Crow Flies" reviewed by Glenn Astarita

by Glenn Astarita

Three prominent modern-era improvisers offer a lesson in stark contrasts on this session, containing semi-structured and composed works. The artists construct off-center balladry, angst, and playful, cartoon-like soundscapes, amid a few doomsday scenarios dispersed throughout the jaggedly moving parts. Alto saxophonist Jim Hobbs' “Over Yonder" stands out, because it would have seemed highly unlikely ...

43

Article: Album Review

Jerome Sabbagh: Plugged In

Read "Plugged In" reviewed by Glenn Astarita

by Glenn Astarita

New York City-based tenor saxophonist Jerome Sabbagh has made the rounds by performing with a who's who of modern jazz artists amid his flourishing career as a solo artist. Possessing a stout tone and commanding presence, the artist's lyrically resplendent phraseology is often a good fit for a variety of jazz settings, including mainstream and the ...

56

Article: Album Review

Jazz Punks: Jazz Punks: Smashups

Read "Jazz Punks: Smashups" reviewed by Glenn Astarita

by Glenn Astarita

A homogenous and playfully bastardized take on modern jazz, the Los Angeles-based Jazz Punks offers a rather chic, and youthful blend of jazz, punk-rock and rock on its debut outing. It's an undulating approach and at times, pleasantly schizophrenic by design. Here, electric guitarist Sal Polcino looms as the bridge between the rock and jazz element ...

58

Article: Album Review

Steve Lehman Trio: Dialect Fluorescent

Read "Dialect Fluorescent" reviewed by Glenn Astarita

by Glenn Astarita

Among studies with new music icons, reedman Anthony Braxton and trombonist George Lewis, alto saxophonist Steve Lehman has emerged as an important figures in the recent shift towards a more radical spin on jazz. Pushing the envelope is a common thrust for Lehman, who historically enjoys working within a tight-knit trio setting. On this release, he ...

60

Article: Album Review

Aaron Novik: Secret of Secrets

Read "Secret of Secrets" reviewed by Glenn Astarita

by Glenn Astarita

Aaron Novik blends the readings of the Kabbalah into a nouveau, borderless set of musical inferences, combining horns, strings, electronics and disparate instrumentation with Jewish mysticism and man's destiny into a shadowy portraiture. Featuring ominous passages and weighty movements, the San Francisco-based leader integrates his electric clarinet amid a cavalcade of psycho-rock sorties and lean improvisational ...


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