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4

Article: Profile

Barry Guy: A Prophet is Not without Honour (Part 2)

Read "Barry Guy: A Prophet is Not without Honour (Part 2)" reviewed by Duncan Heining


Part 1 | Part 2 | Part 3 Barry Guy has been the artistic director and main composer of the London Jazz Composers' Orchestra throughout its now forty-five year history. Recordings and performances since Ode in 1972 have been sporadic but those forty-five years have resulted in eleven albums (including one with Anthony Braxton) ...

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Article: Album Review

Lars Møller's Aarhus Jazz Orchestra feat. David Liebman and Marilyn Mazur: ReWrite of Spring

Read "ReWrite of Spring" reviewed by Karl Ackermann


In the early twentieth century, at a time when the Russian composer Igor Stravinsky was barely known, he had already composed the celebrated works Firebird (1910) and Petrushka (1911). The 1913 work, The Rite of Spring, was to become renowned both as a ballet and as a stand-alone orchestral score. The Paris premier at the newly ...

6

Article: Album Review

The Empire Jazz Orchestra: Out of the Mist

Read "Out of the Mist" reviewed by Jack Bowers


Out of the Mist is the sixth album (and first in a studio) recorded by the Empire Jazz Orchestra, a professional repertory ensemble founded in 1992 and in residence since then at Schenectady County (NY) Community College. While there is no comprehensive theme underlining its latest enterprise, the EJO's stated purpose is to perform music from ...

Article: Album Review

Dino Betti van der Noot: Notes Are But Wind

Read "Notes Are But Wind" reviewed by Neri Pollastri


Torna con un nuovo lavoro orchestrale del suo genere Dino Betti van der Noot, probabilmente il nostro miglior compositore attualmente in attività, autore di album che, negli ultimi anni, hanno ripetutamente sbancato le classifiche del jazz italiano. E neppure questo Notes Are But Wind -titolo che, come quello del suo ultimo brano, “The Rest Is Music," ...

Article: Lyrics

Arancio, nero e nostalgia: tempo di ristampe in casa Impulse!

Read "Arancio, nero e nostalgia: tempo di ristampe in casa Impulse!" reviewed by Luca Canini


Piovono ristampe in casa Impulse!. Un diluvio benedetto a tinte arancionere che riporta sugli scaffali dei negozi classicissimi e rarità a prezzi stracciati. Non il massimo l'operazione dal punto di vista filologico: grafica discutibile, copertine originali incrociate grossolanamente, rimasterizzazione discreta ma non eccelsa, note riprodotte in miniatura e in alcuni casi praticamente illeggibili; ma il rapporto ...

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Article: Album Review

Jon Armstrong Jazz Orchestra: Farewell

Read "Farewell" reviewed by Dave Wayne


I am beginning to wonder if every jazz musician has, in some dark corner of their psyche, a suppressed ambition to lead a big band. Economically unfeasible, logistically impossible--but artistically gratifying--a big band is perhaps the ultimate way to make manifest one's greatest musical ambitions. You get to conduct, pick your own solos, compose and arrange ...

109

Article: Top Ten List

Top Ten Guitarists Who Left Us Too Soon

Read "Top Ten Guitarists Who Left Us Too Soon" reviewed by Alan Bryson


Ranking musicians is a hopelessly flawed endeavor. It's about as meaningful as having a list of the top ten best tasting foods. Taste is highly individualized, influenced by mood, familiarity, and the way in which multiple variables interact. One person's escargot is someone else's slice of Chicago style pizza. I just took a break and searched ...

9

Article: Live Review

London Jazz Festival 2015

Read "London Jazz Festival 2015" reviewed by Duncan Heining


London Jazz Festival London, UK November 13-22, 2015 Like many city-fests, the London Jazz Festival criss-crosses the town, spanning the River Thames that splits it in two. Two Southbank Centre venues--the Queen Elizabeth Hall and Purcell Room--are being refurbished this year, making Kings' Place an even more significant festival stage ...

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Article: Album Review

Ken Vandermark Resonance Ensemble: Double Arc

Read "Double Arc" reviewed by Mark Corroto


For the most part, we only follow the trajectory of an artist's career many years after his work has been completed. Looking back at the career of Miles Davis, you can now play connect-the-dots from bebop to Gil Evans to modal jazz to electric Miles. Certainly, back in the day, many a listener knew not where ...

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Article: My Blue Note Obsession

Herbie Hancock: Speak Like a Child – 1968

Read "Herbie Hancock: Speak Like a Child – 1968" reviewed by Marc Davis


Speak Like a Child feels like the mash-up of two separate albums. One is a lyrical set of three tunes--mellow songs with childhood themes. The other is a standard set of three bop tunes. Both are nice, but the quieter songs are maybe a bit too tame. Give Herbie Hancock credit for trying something ...


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