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Paul Winter Sextet: Count Me In
by Duncan Heining
The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...
Richard Sussman: The Evolution Suite
by Dan McClenaghan
Arranger/conductor Gunther Schuller coined, in 1957, the term “Third Stream," to describe a musical synthesis of jazz and classical music. Early examples of this sound include Miles Davis/Gil Evans' Sketches of Spain (Columbia Records, 1961), saxophonist Stan Getz' Focus (Verve Records, 1961), and the Dizzy Gillespie/J.J. Johnson collaboration, the oddly overlooked and excellent Perceptions (Verve Records, ...
Darcy James Argue's Secret Society: Real Enemies
by Angelo Leonardi
Real Enemies, la performance multimediale che Darcy James Argue ha presentato in varie occasioni nell'ultimo anno, ci consente di apprezzare con la dovuta concentrazione la multiforme ricchezza dei suoi percorsi. A sette anni dal debutto con Infernal Machine (seguito nel 2012 da Brooklyn Babylon) l'arrangiatore canadese conferma d'essere il massimo orchestratore emerso nel decennio, ...
Miles Davis: Long Time Gone
This is how co-host Renee Montagne of National Public Radio’s Morning Edition opened one of the program’s hours this morning. We’re kind of blue. Miles Davis died 25 years ago today. It came as a shock to realize how quickly that sizeable amount of time has passed; and a comfort to know that a major creative ...
Damir Out Loud: Graduation Day
by Luigi Sforza
Armoniosamente bipolare, o se si preferisce crocevia di esperienze stilistiche musicali apparentemente distanti tra loro, Graduation Day rappresenta innanzitutto un progetto di sintesi tra due evidenti pulsioni creative, ovvero il cool jazz di Gil Evans -morbido, multitimbrico e corposo -e la musica balcanica. Tra queste due polarità, che Damir Bacikin (serbo di origine e berlinese di ...
Nels Cline: Lovers
by Jerome Wilson
When I first heard excerpts from Nels Cline's Lovers project, I wasn't too impressed. I thought it sounded like some kind of archaic “mood music" album. Then as I heard more about the set, including the songs being performed and the personnel performing them, I became intrigued. Now I've heard the entire thing and understand what ...
Jack DeJohnette at the Byrdcliffe Barn, Woodstock, N.Y
by Peter Occhiogrosso
Jack DeJohnette Byrdcliffe Barn Woodstock, NY August 13, 2016 When the lights went out, the power came on. Drummer Jack DeJohnette was scheduled to give a solo piano concert at the Byrdcliffe Barn--a century-old wooden structure-turned-concert venue--that had been part of the original Byrdcliffe Arts Colony ...
Gil Evans: The Gil Evans Orchestra Plays the Music of Jimi Hendrix
by Sacha O'Grady
Out of all the myriad of tribute albums dedicated to Jimi Hendrix, this would have to be the most authentic and genuine. Evans and Hendrix had spoken on numerous occasions about working together, Jimi having even asked the legendary jazz arranger to teach him how to read and write music, thus liberating the guitarist from the ...
Time in Jazz 2016
by Libero Farnè
Time in Jazz Sardegna, vari luoghi 8-16.08.2016 Erano diciassette i Comuni della Sardegna nord-orientale coinvolti in questa ventinovesima edizione di Time in Jazz, diretta dall'instancabile e onnipresente Paolo Fresu, sempre alla ricerca di collaborazioni, idee e proposte nuove. Le suggestive ambientazioni naturalistiche e storiche del festival, comprendente le appendici di Time in ...
Herbie Hancock: The Blue Note Albums
by Maurizio Zerbo
Risale al 1962 il primo disco di Herbie Hancock, già distintosi al fianco di Donald Byrd come pianista equilibrato e raffinato, di sicuro affidamento. La stima di cui godeva era già tale da rendere il suo esordio discografico un vero e proprio evento. A differenza di quanto normalmente avveniva per le opere prime, Takin Off (Blue ...
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