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Invisible Man: Willis Conover and The Jazz Hour
by Karl Ackermann
Willis Conover stood with a cordoned off pool of reporters and photographers, being kept at arms-length from celebrities and dignitaries on the White House lawn. There was no table assigned to him at Bill Clinton's 1993 celebration of the fortieth anniversary of the Newport Jazz Festival though Conover had been involved with George Wein's project from ...
Jay Anderson: Deepscape
by Karl Ackermann
Jay Anderson took up the acoustic bass as a pre-teen, earned a Bachelor's Degree in Performance from CSU and cut his teeth playing with the Woody Herman Orchestra, right out of school. His deep resume includes classical performance with the Australian Chamber Orchestra, alternative music with Frank Zappa and Tom Waits, and pop with David Bowie. ...
The London Ontological Orchestra: Hello Cleveland!: The London Ontological Orchestra Plays the Music of Spinal Tap
by Geno Thackara
The band may have been fictional, but the music is all real—and turns out to have an impressive staying power, even today. If you associate the name Spinal Tap with cheesy 1980s rock and roll, it's time to think again. The members of the London Ontological Orchestra are stars well-known in the jazz world, though working ...
Big Heart Machine: Big Heart Machine
by Angelo Leonardi
L'universo dell'orchestrazione jazz non cessa di regalare sorprese. Mentre è imminente l'uscita del secondo album di Brian Krock intitolato Liddle--occupiamoci del debutto della sua Big Hearth Machine. Che sia qualcosa di straordinario lo s'intuisce vedendo Darcy James Argue nel ruolo di produttore e Miho Hazama occuparsi della concreta direzione orchestrale. Brian Krock, che ha scritto tutte ...
Franco Ambrosetti: The Nearness Of You
by Angelo Leonardi
Il pregio di quest'album risiede nella ricercatezza dei suoi percorsi melodici, esaltati dal lirico flicorno di Franco Ambrosetti e dalle raffinate orchestrazioni di Massimo Nunzi e Gianni Ferrio. Il riferimento implicito è l'opera di Miles Davis con Gil Evans ma la cosa non sminuisce il fascino del lavoro che avvolge l'ascoltatore con la fragranza dei timbri ...
Blue Note's Tone Poet Series
by Patrick Burnette
With CD-quality streaming a reality for those with butch internet and money to burn, and vanilla streaming the reality for almost everyone else, digital music has never seemed less collectable. Why clutter your Marie Kondo-approved home with jewel boxes when much (though heaven knows not all) of the digital catalogue is available on tap? While compact ...
The Gil Evans Orchestra: Hidden Treasures Vol. 1, Monday Nights
by Jerome Wilson
In the '70s composer and arranger Gil Evans, after years of outstanding studio arranging for Miles Davis and others, put together a performing orchestra which took influences from the jazz-rock and fusion concepts of the time. That orchestra released several fine albums such as Svengali (Atlantic, 1973) and There Comes A Time (RCA, 1975) and, on ...
The Gil Evans Orchestra: Hidden Treasures - Monday Night Sessions, vol 1
by Jack Bowers
Even though the name Gil Evans has a hallowed ring these days, the late composer / arranger's music remains for many aficionados an acquired taste. On the other hand, while that is the Gil Evans Orchestra performing on Hidden Treasures, Volume 1, the lion's share of the music brought to light isn't his--Evans wrote only two ...
Scenes from a life in Jazz
by Duncan Lamont
Part 1 | Part 2 About the author Duncan Lamont is one of the UK's musical treasures. I've known who he is for years, but finally through a friend, got to meet and play with him only this year (2018) at The Pizza Express in Soho, London. Sammy Cahn, the legendary lyricist, said about ...
Gil Evans Orchestra: Hidden Treasures - Monday Night Sessions, vol 1
by Angelo Leonardi
A tre decenni dalla morte del suo leader, esce il 7 dicembre il nuovo disco della Gil Evans Orchestra finalmente registrato in studio. Com'è noto, sia gli ultimi album della band con l'arrangiatore ancora in vita, sia il postumo Tribute To Gil (Soul Note 1989), con la formazione orfana, erano registrazioni live, spesso acusticamente carenti. Per ...
