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Results for "Gigi Gryce"
Thelonious Monk: Monk's Music
by Chris May
Many albums in the Original Jazz Classics reissue series include alternate takes or tracks recorded for, but ultimately not included on, the original vinyl LP. The label's 2011 Remasters edition of pianist Thelonious Monk's Monk's Music (Riverside, 1957) is no exception--but is something of a first, in that Blues For Tomorrow," the 13:33 minute bonus track, ...
Marc Copland: Crosstalk
by Troy Collins
Pianist Marc Copland is widely admired for his harmonically astute writing, imaginative interpretations of standards, and sensitivity as a sophisticated soloist. The aesthetic foundation of Copland's expressionistic style can be traced to the poetic lyricism of Bill Evans and Keith Jarrett, and though the same could be said of many contemporary pianists, Copland's singular approach to ...
Marc Copland: Crosstalk
by Dan McClenaghan
Rather than form a longstanding band that can soak up his musical vision over a period of years, pianist Marc Copland thrives in a universe of rotating players that keeps things fresh and spontaneous. On his three outstanding New York Trio Recordings, Copland switched bassists (Gary Peacock, Drew Gress) and drummers (Paul Motian, Bill Stewart), versatile ...
12th Annual Central Brooklyn Jazz Festival
12th Annual Central Brooklyn Jazz FestivalIt's All Jazz, April 1- 30, 2011 presented by the Central Brooklyn Jazz Consortium/CBJC at venues from Coney Island to Williamsburg in Brooklyn. This celebration is New York City's longest continually running grass roots festival dedicated to Jazz. The presentation offers more than 30 events on 23 days with over 100 ...
Marc Copland: Crosstalk
by John Kelman
After spending the early part of the 2000s in a recording spree that found him releasing as many as four albums each year on a variety of labels, Marc Copland has, since 2006, parked his piano with Germany's upstart Pirouet label. It's clearly been a fruitful pairing, with Copland releasing a variety of albums, in 2009 ...
Dmitry Baevsky: Down With It
by David A. Orthmann
As jazz moves in many different directions and breaks free from the all too familiar and readily categorized sounds of its first century, how does an artist make bebop sound like something other than an exercise in nostalgia or an academic pursuit? In the hands of the thirty-four year-old alto saxophonist Dmitry Baevsky, bop is still ...
Robert Levin: The War is Over - A Conversation About Jazz
by AAJ Staff
[Editor's Note: Interview conducted by Eleanor Brietel, New York Editor of The Drill Press. Most of this interview, originally published on the Buzzle website, was conducted via email.] Eleanor Brietel: You've published fiction and you also write essays on a variety of subjects. I want, however, to confine this discussion to your ...
Mike Nock Trio: An Accumulation of Subtleties
by John Kelman
As fine as Mike Nock's recent releases have been--Meeting of the Waters (Jazzhead, 2007) and Live (ABC Jazz, 2004)--the New Zealand-born, Australian-based pianist's primary focus has been on larger ensembles. They may have provided Nock a broader textural palette with which to explore his always-compelling writing, but they've lacked the inherent intimacy and unfettered abandon possible ...
The State of Reissues 2010: Dave Brubeck, Art Pepper, Sonny Rollins, Thelonious Monk, John Coltrane and Joe Pass
by C. Michael Bailey
Formed by the merger of West Coast record labels Concord and Fantasy in 2004, the Concord Music Group possesses the largest catalog of recorded jazz earth-side. With such a rich basement, Concord can be expected to launch reissue series from time to time. The label's newest such program is the Original Jazz Classics Remasters series. Original ...
Mickey Roker: You Never Lose the Blues
by Victor L. Schermer
Drummer Mickey Roker is a mainstay and icon of the jazz world, having a played with Dizzy Gillespie, the Modern Jazz Quartet, Lee Morgan, and many of the other signature groups of modern jazz. Yet he has always maintained his Philadelphia roots, and is and has been a regular at Ortlieb's Jazzhaus in that ...


