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Bill Mays: Inventions, Conventions and Dimensions
by Dr. Judith Schlesinger
This title is more than a rhyme: it's an attempt to capture some of the legendary versatility of pianist Bill Mays. “Inventions" refers to his unprecedented, working jazz trio of piano, trumpet, and cello. “Conventions" is a nod to his invaluable contribution to the annual meeting of the International Society of Bassists (in 2013, he played ...
Gerry Mulligan & Thelonious Monk: Mulligan Meets Monk
by C. Michael Bailey
Gerry Mulligan & Thelonious MonkMulligan Meets MonkOJC2013 (1957) The beauty of the Concord Music Group's treasure trove of a catalog is that it will always provide material for the “Reassessing" column at All About Jazz and similar columns elsewhere. The newest round of re-releases celebrate the 60th ...
Howard University Jazz Ensemble: Journey of a Friend
by Jack Bowers
Although the Howard University Jazz Ensemble isn't quite as dependable as a morning sunrise, it has been present and accounted for in a recording studio once each year since it was formed in 1976 by Fred Irby III, who not only directed that first session but has supervised every one since, right up to No. 37, ...
Concord Original jazz Classics Remasters: Monk, Evans, Adderley, Montgomery, Baker and More
Concord Music Group will release five new titles in its Original Jazz Classics Remasters series on July 23, 2013. Enhanced by 24-bit remastering by Joe Tarantino, several bonus tracks on nearly each disc (some previously unreleased) and new liner notes providing historical context to the original material, the series celebrates the 60th anniversary of Riverside Records, ...
Pop-Culture Blues
by Jack Bowers
The blues, as it turns out, has many shades; an enduring art form that has been an integral part of the language of jazz since its beginning (if not before). Some aspects of the blues are readily perceived, others not so much. “The common thread," Michael Treni writes in his astute liner notes to Pop-Culture Blues, ...
Jerry Vivino and the LA/NY Jazz Trio: Half Moon Bay, CA, June 9, 2013
by Bill Leikam
Jerry Vivino and the LA/NY Jazz TrioDouglas Beach HouseHalf Moon Bay, CaliforniaJune 9, 2013Three top-flight jazz musicians--saxophonist/flautist Jerry Vivino (soprano, tenor, and baritone), the ever-inspiring pianist Mitchel Forman and stand-up bassist Kevin Axt (touted as being Los Angeles' busiest bassist)--presented themselves on a breezy, sunny afternoon at the Bach Dancing and ...
Swingin' on a Riff . . . Hangin' by a Thread?
by Jack Bowers
Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...
Hush Point: Hush Point
by Mark Corroto
The quartet Hush Point conjures the possibilities of small group hipness. One that quips instead of guffaws, and prefers covertness to the obvious. Led by John McNeil, this quartet of saxophonist Jeremy Udden, bassist Aryeh Kobrinksy, and drummer Vinnie Sperrazza may be new, but McNeil's sage coolness isn't. The sixty-something trumpeter has been delivering ...
Kin Trio: Breathe
by Jeff Dayton-Johnson
The Kin Trio--saxophonist Sunjae Lee, bassist Andre St. James, drummer Tim DuRoche--call what they do “minimalist bebop." An apparent oxymoron, given that bebop has such maximalist tendencies (exhibit A is trumpeter Dizzy Gillespie's dizzying “Bebop"). They don't mean to be taken so literally, of course. The Kin-men have ably absorbed the sparer offshoots ...
A Great Day in Harlem: The Spirit Lives - 50 Years On
by Ian Patterson
This encore presentation from January 2009 celebrates Jean Bach, director of A Great Day in Harlem. Ms. Bach died on May 27th at her home in Manhattan. She was 94.It is probably the most celebrated ensemble jazz portrait of all time. Fifty-seven of the greatest jazz musicians gathered together on the steps of a ...
