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Wadada Leo Smith, fenomenologia di un maestro
by Luca Canini
Non tutti i maestri sono uguali. C'è chi sceglie di farsi da parte, riducendo al minimo gli sconfinamenti, gli azzardi, i contatti con situazioni potenzialmente rischiose. E c'è chi invece si ostina a cercare, a condividere; tenendo fede a quella che del jazz è la suprema vocazione: la fisiologica tendenza a includere, in un continuo sovrapporsi ...
Take Five with Courtney Bryan
by AAJ Staff
Meet Courtney Bryan: Courtney Bryan, a native of New Orleans, is “a pianist and composer of panoramic interests" (New York Times). Her music ranges from solo works to large ensembles in the new music and jazz idioms, film scores, and collaborations with dancers, visual artists, writers, and actors. On April 9, 2015, her new work Sanctum for orchestra ...
A Madman’s Approach To Music And Why Can't Music Be Like A Tree?
by Duncan Heining
"Art alone makes life possible." --Joseph Beuys. The Glasgow Improvisers' Orchestra is unique. It's an over-used word, I know, but in this case fully justified. GIO are unique in so many ways--in the way they formed, the way they make decisions, in their make-up, how they work and most importantly how they sound. They ...
50 Years of the AACM - February 26, March 19, April 28 & 29 at Roulette and The Bohemian National Hall
Interpretations and the SEM Ensemble celebrate the 50th anniversary of the founding in Chicago of the legendary Association for the Advancement of Creative Musicians (AACM), with a series of concerts presenting AACM composers and improvisers. Each evening will feature works by many of the AACM's most renown figures, including Muhal Richard Abrams, Thurman Barker, Leroy Jenkins, ...
Various Artists: Creative Music Studio Archive Selections Vol. 1
by Giuseppe Segala
Ecco alcune gemme uscite dagli archivi del Creative Music Studio, l'istituzione fondata nel 1971 da Karl Berger, dalla moglie Ingrid e da Ornette Coleman con lo scopo di realizzare musica senza costrizioni di carattere stilistico o commerciale. Ricordiamo le interessanti considerazioni al riguardo di George Lewis, che nel suo testo A Power Stronger Than Itself. The ...
Glasgow Improvisers Orchestra: Artificial Life
by Duncan Heining
The importance of ensembles such as the Glasgow Improvisers Orchestra cannot be underestimated. Their work since their formation defines a distinctive approach to large-scale, free improvisation rooted in a well-defined philosophy of collective music-making. As George Lewis, trombonist and 'composer' of Artificial Life, remarks in the record's sleevenotes: “As with all improvisation, including our ...
Sam Rivers: Contrasts
by Hrayr Attarian
Multi reedist Sam Rivers' 1980 Contrasts in addition to being his only date as a leader for ECM, is a perfect example of his mid-career oeuvre. A sublime balance of intense, almost mystical lyricism and a singular sense of adventure permeates the album that appears for the first time in the CD format and is simultaneously ...
Bimhuis at 40: Older, Better, Business as Usual
by Joan Gannij
The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would become ...
Steve Swell: Unlimited Musical Possibilities
by Victor L. Schermer
"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
Michael Lake/Gerry Pagano: Roads Less Traveled
by Dan Bilawsky
The title of this album isn't just talk; it basically defines Michael Lake's entire career in music. Lake has made his way in the music world by playing the alto trombone--an instrument that many would simply look at as a novelty horn. Many years ago, his teacher at Arizona State University--a graduate assistant named Kevin Hedges--turned ...
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