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5

Article: Album Review

Dezron Douglas: Black Lion

Read "Black Lion" reviewed by Geno Thackara


It's striking, regal, moody, even a bit dangerous--and that's just the cover. Whatever statement Dezron Douglas is making with the name of this EP (also shared by the freshly formed sextet behind it), it's probably one with layers of meaning and history. As you might expect from someone versatile enough to be among New York City's ...

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Article: Album Review

Krupka Trio: Hymns in a Jazz Mood Vol. 2

Read "Hymns in a Jazz Mood Vol. 2" reviewed by Geno Thackara


Whether it's meant deliberately or not, the cover image for Hymns in a Jazz Mood, vol. 2 is a pretty apt illustration: the simple church building is central, but doesn't need to be at the front and center of attention. The pastoral feel of the forestscape covers everything more prominently, though half the tree shapes somehow ...

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Article: Year in Review

Most Read Album Reviews: 2018

Read "Most Read Album Reviews: 2018" reviewed by Michael Ricci


All About Jazz tracks how often an album review is read, and the reviews listed below represent our most popular in 2018. After The Fall Keith Jarrett / Gary Peacock / Jack DeJohnette by Karl Ackermann Published: February 13, 2018 Music IS ...

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Article: Multiple Reviews

Tim Motzer: Late-Night Soundscapes

Read "Tim Motzer: Late-Night Soundscapes" reviewed by Geno Thackara


Natural evolution is always gradual yet relentless. Philadelphia sound-sculptor Tim Motzer demonstrates the fact with two more extended improvisations to follow on from the electro-ambient Unseen Universe (1k, 2017). All three are solo recordings made in similar circumstances (played live for wee-hours radio broadcasts roughly a year apart), yet of course no two nights or events ...

3

Article: Album Review

Flown: Flown

Read "Flown" reviewed by Geno Thackara


As band names go, this is one with a range of possible meanings. Some searching shows that it's actually been used by a handful of different outfits ranging from punk-metal to experimental electronics. The Flown from Modena, Italy, meanwhile, finds a niche blending an insistent sense of rhythm with the looseness of free-jazz improv. They sound ...

3

Article: Album Review

Lorenzo De Finti: Love Unknown

Read "Love Unknown" reviewed by Geno Thackara


There are as many kinds of love songs as there are kinds of love itself--which sometimes makes it disappointing how often those songs fit into the same mold. As this mysterious title implies, interestingly enough, Lorenzo de Finti approaches the theme in some non-obvious ways with his Quartet's second outing. As impressive as its sophisticated predecessor ...

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Article: Year in Review

Geno Thackara's Best Releases of 2018

Read "Geno Thackara's Best Releases of 2018" reviewed by Geno Thackara


Despite (or in defiant response to) the difficulties of the streaming age, 2018 has seen another musical bumper crop--especially for those of us who particularly love the sound of the piano. There were enough top-notch offerings to make a list at least twice as long, but these have been the most frequent and satisfying staples in ...

6

Article: Album Review

Vasil Hadzimanov Band: Lines in Sand

Read "Lines in Sand" reviewed by Geno Thackara


Among work with half a dozen musical ensembles and a line in TV/film scoring, one has to wonder when Vasil Hadzimanov has time to sleep, let alone lead his own group. Nonetheless he's managed seven albums with this wildly ambitious electric fusion outfit as well. If the title and cover of Lines in Sand suggest something ...

2

Article: Multiple Reviews

3x3: Piano Trios, vol. III

Read "3x3: Piano Trios, vol. III" reviewed by Geno Thackara


More evidence that three is truly a magic number, as explorations in this format remain as expansive and inventive as ever... Fred Hersch Trio '97 @ the Village Vanguard Palmetto Records 2018 Fine artists can aspire to appear in the Louvre someday. Comics might hope for a Las Vegas ...

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Article: Album Review

Daniel Rotem: Serenading the Future

Read "Serenading the Future" reviewed by Geno Thackara


However scary the world seems, Daniel Rotem remains determined to look on the bright side. The New York City saxophonist considers his music not just an art form but a reflection of life with a Zen-like perspective on time. Following suit, Serenading the Future is all about unity. Its framework is a simple one that allows ...


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