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Vula Viel: Do Not Be Afraid
by Gareth Thompson
Having once wowed audiences at the London Jazz Festival, Vula Viel acquired a more unlikely fan in the shape of Iggy Pop. Maybe it's this trio's post- punk verve that grabbed the Stooges frontman, or Pop might have been seduced by hearing the gyil (Ghanaian xylophone) in such an original context. Bex Burch was ...
Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously
by Karl Ackermann
In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...
John Kelman's Best Releases of 2018
by John Kelman
Once again, the chronic health problem that has reduced my writing pace to a crawl continues without any respite. My best of the year lists have traditionally been predicated upon having reviewed the releases chosen, but with only a relative handful of reviews to choose from this year (and with those choices, more than ever now, ...
Hanksgiving: Jazz Tributes to Hank Williams
by Ludovico Granvassu
Do you sympathize with the plight of the turkeys? Do family reunions bring you anxiety? Then forget about Thanksgiving! Mondo Jazz is here to help you switch to Hanksgiving, with two hours of Jazz tributes to the great Hank Williams, the only singer who is more American than pumpkin pie! This week we have ...
A tribute to Hamiet Bluiett, and new releases
by Bob Osborne
A large part of this show features a tribute to the late Hamiet Bluiett, one of the pre-eminent exponents of the baritone saxophone known for his outstanding solo work and a key member of the World Saxophone Quartet. There are also a selection of new releases with some highlights from the ECM back catalogue.
Stefon Harris & Joe Locke: Vibes Away!
by Doug Collette
Within the realm of modern jazz, the vibraphone has long enticed unusually imaginative musicians to explore the possibilities of the instrument. Milt Jackson, Bobby Hutcherson and Gary Burton have essentially reinvented the vibes for successive generations, while Warren Wolf and Yuhan Su, among others, continue to reconfigure its appeal to entice contemporary audiences. Respective studio works ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
Julian Lage Trio Live at BIMHUIS Amsterdam
by BIMHUIS
At a very young age Julian Lage had already gained recognition from well-known guitarists and jazz musicians (including Santana and Gary Burton) and became a protégé of Jim Hall, one of the most influential masters of the jazz guitar. These days Julian Lage himself is considered a leading guitarist. He plays with Chris Thile on his ...
Linda May Han Oh: Talent and Dedication
by Angelo Leonardi
Over the past decade, bassist Linda May Han Oh has been hailed as one of the most gifted bassists, bandleaders and composers of her generation. She is a virtuoso who can swing hard while keeping instrumental grace and precision, structuring her lines through a most free-flowing cascade of ideas. After completing her master's degree at the ...
Michael Gibbs With The Gary Burton Quartet: Festival 69
by Roger Farbey
On the first two discs of this previously unreleased three CD set, recorded at a single concert on 20th November 1969, the music is regularly punctuated by Gary Burton's announcement tracks, which are not always easily intelligible. However, his announcement preceding Steve Swallow's joyously rousing “Portsmouth Configurations" (actually “Portsmouth Figurations," from the 1967 RCA studio album ...
