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Results for "Fully Altered Media"
Leo Sherman: Tonewheel
by Dan Bilawsky
Bassist Leo Sherman knows a thing or two about turns in tone connected to life, time, language and music. Born in Russia, in a repressive, antisemitic atmosphere that eventually drove his family from their homeland, he overcame several layers of adversity some 5,000 miles away, where he was raised in Baltimore, Maryland. There, he became fluent ...
Remy Le Boeuf: Assembly Of Shadows
by Glenn Astarita
With his second date as a leader, multi-woodwind artist Remy Le Boeuf performs these largely self-penned comps with an orchestra, featuring notable musicians Anna Webber (woodwinds), Alex Goodman (guitar) and other jazz VIPs. Here, the leader's composing acuity brims with multicolored hues and harmonious arrangements, largely executed with a composite of modern jazz and classical inferences ...
Derel Monteith, Trio and Solo
by Geno Thackara
Derel Monteith Trio Quantity of Life Self Produced 2019 The title phrase isn't quite the obvious one—isn't quality of life usually supposed to be the main thing?—but not to worry here, as Quantity of Life shows the Derel Monteith Trio offering plenty of both. The recording serves as an answer ...
David S. Ware Quartet: Théâtre Garonne, 2008
by Mark Corroto
In 2008, when this live concert was recorded, saxophonist David S. Ware was ill, but concert goers would have no idea of this fact. He has been suffering, since 1999 from kidney failure and eventually had a kidney transplant in 2009. Ware and the latest configuration of his quartet traveled to Toulouse, France, just a few ...
Remy Le Boeuf: Assembly Of Shadows
by Dan McClenaghan
Remy Le Boeuf's Assembly Of Shadows, an ambitious jazz orchestra recording, opens with his original composition, the cinematic “Strata," followed by a majestic take on alto saxophonist Ornette Coleman's “Honeymooners," a tune from the free jazz pioneer's Virgin Beauty (Portrait Records, 1988). These sounds--collectively clocking in at fifteen and a half minutes--set the stage for the ...
Avram Fefer Quartet: Testament
by Mark Corroto
After a blindfold listening test, maybe the greatest compliment you can give Testament is to guess the leader's name to be drummer Chad Taylor, or maybe bassist Eric Revis, guitarist Marc Ribot or saxophonist Avram Fefer himself. This misapprehension is attributed to the equal footing each of the four musicians is given on the recording. Partly ...
Petros Klampanis: Irrationalities
by Mark Corroto
You'd expect a strong pulse on Irrationalities by bassist Petros Klampanis. What comes as a beautiful surprise is the diversified approach he utilizes in his compositions and performance. Not that we don't hear a variety of approaches on he previous outings. Both Chroma (Minos-EMI, 2017) and Minor Dispute (Inner Circle Music, 2015) concentrated on a chamber sound ...
Florian Hoefner Trio: First Spring
by Dan McClenaghan
Many piano trios reach back to past masters for inspiration, playing in the style of Bud Powell, Bill Evans, Oscar Peterson. Others craft their sounds under the influence of contemporary players: Herbie Hancock, Brad Mehldau, McCoy Tyner, Kenny Barron, Ahmad Jamal. On the other hand, the occasional piano trio comes down the road rolling its own ...
Ben Goldberg: Good Day For Cloud Fishing
by Mark Corroto
Poetry and jazz, jazz and poetry, which came first? Ben Goldberg poses that same question with Good Day For Cloud Fishing. His answer to the philosophical 'chicken or the egg' riddle is well, both. Sure, Homer wrote the Iliad centuries before King Oliver put cornet to lips, but damn if there wasn't some gutbucket rhyming to ...
Kassa Overall: Living in the Cut between Jazz and Hip Hop
by Leo Sidran
Drummer, rapper and producer Kassa Overall speaks about the intersection of jazz and hip-hop, the importance of getting “comfortable with being bored so you can get better at your instrument," the relationship between great drumming and the sounds of nature, how growing up far away from the “scene" gave him a strong sense of personal identity, ...
